Metal Planet Media

San Franisco (CA) – American Tech-Death Juggernaut, Ominous Ruin, have partnered with Metal Injection for the video premiere of “Staring into the Abysm,” the second single from forthcoming album, Requiem.

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OMINOUS RUIN Stays Crushing On New Single "Staring Into The Abysm"

“Staring into the Abysm” will be available April 11 on all digital platforms.

Known for their intricate compositions and unrelenting sonic brutality, Ominous Ruin has returned with their highly anticipated nine-track album, Requiem. Willowtip Records will release Requiem May 9 on CD, vinyl, and digital formats.

A formidable leap forward in both musical complexity and emotional depth, Requiem is a powerful exploration of the human psyche, the ravages of time, and the inevitable descent into oblivion. Requiem is at its core, a continuation of Ominous Ruin’s first release, Amidst Voices that Echo in Stone. Beyond that, its conception spawned from the raw emotion of personal issues and turmoil, as it was created during a dark time in the band’s lives.

The album begins with a direct continuation from the final song off Ominous Ruin’s first album, an emotional guitar and piano ballad that brings the mood to somber, yet melodic. It immediately transitions to an explosion of chaos with the first song, “Seeds of Entropy. “

The musicianship on Requiem is, as expected, nothing short of exceptional. Guitarists Alex Bacey and Joel Guernsey showcase their technical brilliance in every track, with blistering solos and complex, interwoven riffs that keep listeners on their toes. The rhythm section, comprised of Mitch Yoesle (bass) and Harley Blandford (drums), is hardly just a rhythm section, that provides a relentless foundation of precision, power and creativity, anchoring the music as it constantly shifts between ferocity and atmospheric beauty.

The production, handled by Alex Bacey is pristine yet dense, allowing every instrument to shine through the brutal wall of sound without sacrificing the intensity of the compositions. The layering of ambient soundscapes and acoustic passages throughout the album provides an immersive listening experience, allowing the heavier elements to hit even harder when they arrive.

Set to perform at this year’s Hyperspace Metal Festival in Vancouver, BC on April 10th, power prog storytellers RED CAIN are unveiling their new single “FWAB” (Fire Water, Air, Blood). With its heavy balalaika breakdown, downtuned heavy riffs, and soaring harmonized choruses among atmospheric industrial synth backing, “FWAB” hits hard and never lets go – a primeval ritual chant in front of cold stone, on a frozen steppe, among howling winds.

The band explains the story of the track in further detail:

“In the frozen Eastern European steppes, there stood a fell ancient god. Every ill word fed him, and every ill deed made him more potent. For millennia, he grew strong through kingship over mortal ill will, suffering, and pride, until his nourishment took a new form, unable to feed or strengthen. Without nourishment, the god was powerless, and without power, he slept. After millennia, fed full by ill words and ill deeds, searching for an awakening, the god demands the symbols of his power: Fire, Water, Air, Blood. Join the ritual sacrament of Chernobog. With this new release, the Slavic pagan ritual to call forth the “Black God” takes flight, asking the listener what they would be willing to change their fate.”

Listen to “FWAB” (Fire Water, Air, Blood):

Red Cain will be performing on night one of this year’s Hyperspace Metal Festival in Vancouver, BC, on April 10th at The Cobalt alongside Glyph, Tower Hill, Serpent Rider, and Crüzer. Full details on the Hyperspace Metal Festival being held from April 10th to 12th can be found at https://www.facebook.com/HyperspaceMetalFestival

Red Cain, from Calgary, Canada, is a modern progressive metal project with Eastern European roots. They have been making waves since their first release in 2016, with award-winning music videos and concept albums “Kindred: Act I”, “Kindred: Act II,” and “NÄE’BLISS”. The albums contained a ton of genre inspirations, from gothic rock to ambient electronica, power, black, and death metal, and were universally lauded for their inventiveness, variety, and strong conceptual content. They continue this momentum with forthcoming releases.