Ex-Nile Frontman Dallas Toler-Wade Revives “Annihilation of the Wicked” on NARCOTIC WASTELAND’s Fall Tour “Annihilation of The Wasteland”

Posted on August 21, 2025 by Metal Planet Media

Narcotic Wasteland, fronted by ex-Nile guitarist/vocalist Dallas Toler-Wade along with drummer Joseph Howard (Fields of Elysium, Neuromorphic) and bassist Kenji Tsunami (Ontogeny), will be hitting the road for the “Annihilation of Wasteland Tour” (dates listed below). On this tour, they will be celebrating the 20-year release of “Annihilation of the Wicked”, in which Dallas will perform two of the songs he wrote for the album: “Lashed to the Slave Stick” and “The Burning Pits of the Duat”, giving Nile fans the unique opportunity to hear these tracks played live by the original voice and composer. Narcotic Wasteland will also be performing fan favorites and new material, including such tracks as “Barbarian”, “Sex, Lies and DNA”, “Introspective Nightmares”, “Coastal Killings”, “The Best Times Have Passed”, and more!

To mark the launch of their tour, the band is unveiled the official music video for “Introspective Nightmares”, exclusively on Bravewords.

Narcotic Wasteland is a relentless force in the metal scene, delivering a crushing blend of technical precision, unyielding aggression, and raw energy. Fronted by Dallas Toler-Wade—renowned vocalist and guitarist best known for his work with Nile—he brings his signature technical prowess and intense energy to the band.

On drums, Joseph Howard unleashes a torrent of precision and power, driving the band’s pummeling rhythms with thunderous intensity. His dynamic performance creates the perfect foundation for the band’s heavy and often dark sonic atmosphere.

Kenji Tsunami commands the low end with inventive, hard-hitting bass lines that add both depth and texture, solidifying the band’s signature wall of sound. His stage presence and musicianship bring an extra dimension to Narcotic Wasteland’s live assault.

Together, Dallas, Joseph, and Kenji forge an unstoppable musical unit—one that captivates audiences with high-octane performances and uncompromising compositions. With unmatched technical skill and a shared vision for pushing metal’s boundaries, Narcotic Wasteland stands as a true powerhouse in today’s extreme music landscape.

Tour Dates:

DEVINE DEFILEMENT: Icelandic death metal force drops “Anthropophagic Apocalypse Pt. 2 – The Lord of Flesh” single, new album “Ruthless” out tomorrow

Posted on May 8, 2025 by Metal Planet Media

Icelandic death metal force DEVINE DEFILEMENT return with “Anthropophagic Apocalypse Pt. 2 – The Lord of Flesh”, a vicious new offering from their forthcoming album “Ruthless”, set for release tomorrow.

Expanding the grisly narrative introduced in Part 1, the track delivers a torrent of churning riffs, guttural vocals, and tightly controlled chaos. Fierce yet calculated, the band’s sound draws on technical precision and thick, menacing grooves to conjure a bleak, flesh-ripping atmosphere that cements their standing as one of the most ruthless acts in today’s extreme metal landscape.

The band commented:“Picking up right where pt. 1 one left off, ‘Anthropophagic Apocalypse pt. 2’ escalates the intensity and ruthlessness of what came before! Hitting like a sledgehammer of barbaric blasting, ravenous riffs, sickening slams and vile vocals, we delve deeper into the lunacy of mankind’s self-annihilation. Join the Lord of Flesh as he invites you into his sadistic creed of perversion and atrocity to play some vicious games”.

Stream “Anthropophagic Apocalypse Pt. 2 – The Lord Of Flesh”:

Time To Kill Records will release “Ruthless” on May 9th, 2025. With this latest offering, the band refines their sonic onslaught, embracing a more compact and percussive approach, crafting tracks where tension remains constant and unrelenting.

Since their eruption onto the Icelandic metal scene in 2016, DEVINE DEFILEMENT has honed their signature sound—a fusion of pummeling grooves, devastating slams, and sheer brutality—into an even more relentless force. “Ruthless” captures this evolution, delivering leaner, sharper compositions that pulse with controlled aggression and unwavering intensity.

Tracklist:

1. Human Sewer
2. Abusement Park
3. Terror Tales
4. Excreted Entity
5. Internal Delusions Of The Torn Mind
6. Pulverised Secretions
7. Anthropophagic Apocalypse pt.1 – Collapse
8. Anthropophagic Apocalypse pt.2 – Lord of Flesh
9. Curbstomp The Predator
10. Draco Dominus
11. Bio-Organic Liquid-Slam
12. Beyond the Veil of Death

Already a dominant presence in the extreme metal underground, DEVINE DEFILEMENT has solidified their reputation through tireless touring across Iceland and Europe, sharing stages with some of the genre’s fiercest acts. Their crushing live performances have left a lasting impact at Eistnaflug, Reykjavík Deathfest, Norðanpaunk, Deathfeast Open Air, and Nice to Eat You, with more festival appearances confirmed for 2025.

UNDECAYED: Decibel Magazine streams “The Descendants of Death” single from Swedish death metal act, “In Death’s Image” debut album out soon

Posted on May 7, 2025 by Metal Planet Media

Swedish death metal juggernaut UNDECAYED return with a brand-new single, “The Descendants of Death”, now streaming exclusively via Decibel Magazine. The track is another unrelenting slab of sonic devastation lifted from the band’s forthcoming debut album “In Death’s Image”, set for release on May 21st, 2025 through Lethal Scissor Records.

Channeling the ferocity of classic ’90s death metal, UNDECAYED deliver a barrage of blast-laden grooves, guttural vocals, and sinister riffing that draws from the genre’s darkest roots while forging their own merciless path forward.

Stream “The Descendants Of Death” HERE.

Likely the first album ever released with the word ‘death’ in the title of every song, “In Death’s Image” takes its thematic obsession to another level: in one track, the word for ‘death’ is even sung in 19 different languages. The album’s lyrics paint a grim and absolute vision of annihilation—”Death” arrives on Earth in a physical form, surpassing any concept of a god, to extinguish all existence. No one and nothing is spared: humans, animals, vegetation, water, air—everything dies. There is NO hope for life.

Tracklist:

1 – The World Shall Know Only Death
2 – Death’s Only Demand
3 – The Descendants Of Death
4 – In Death’s Image
5 – Death Shall Come (Death Shall Prevail)
6 – Death’s Pallid Coat
7 – World At Death’s Door
8 – Entreating Death In Vain
9 – The Greatest Death

All music composed by Mikael Bergman
All lyrics written by Tony Richter
Cover artwork by renowned artist Jon Zig

Biography:

UNDECAYED was formed in August 2008 by Tony Richter (vocals) and Mikael Bergman (guitars) as a result of lineup issues in their respective bands, 9th Plague and Disromance. The two had played together in several bands throughout the ’90s and early 2000s, most notably Gardens of Obscurity and The Darksend. Initially, Richter and Bergman were joined by Disromance drummer Johnny Augustsson. Bassist Christoffer Svensson joined in 2009, and in 2014, drummer Jesper Leidbring replaced Augustsson.

The idea that every song should include the word “death” in its title emerged in 2010, both to emphasize that this was true DEATH metal and because such a concept had never been done before. The demo “The Triumph of Death” was recorded in late 2010 and released in January 2011. It was then decided that no further demos would be released before the debut album.

Over the years, family matters, work commitments, health issues, the loss of two rehearsal spaces, and lineup changes all contributed to periods of forced inactivity and delays. It wasn’t until the Covid-19 pandemic that the band was finally able to complete their album “In Death’s Image”.

Brutal Death OPHIOLATRY Release Harrowing Video Clip For New Single “Death Tour” Off New Album “Serpent’s Verdict” Out June 2025 (WormHoleDeath Records)

Posted on April 24, 2025 by Metal Planet Media

Brazilian extreme metal outfit Ophiolatry has released a new music video, “Death Tour”, the first single from their upcoming album “Serpent’s Verdict”, due June 6, 2025, via Wormholedeath Records. This latest visual offering is inspired by Greek mythology, depicting the journey of a fallen warrior’s soul through the realm of death. As the spirit is carried across the River Styx, it approaches the gates of Hades, where the warrior’s tribe awaits his arrival, welcoming him into the afterlife. They comment further on the single and the video:

“The warrior perished, part of his body bathed in the blood of the unworthy. He doesn’t beg. He doesn’t hesitate. The ancestors whisper his name as his spirit ascends, enveloped in the smoke of rituals. The witches dance around the burning fire, invoking Charon’s presence. The coins reflect in his lifeless eyes, an offering to the boatman. From the depths of Lake Styx. The serpent rises, its coils moving like time itself. As he breathes, the warrior’s confusion dissolves into clarity. He steps onto the distant shore, where his tribe awaits him in reverent silence. There are no words; They are not necessary. They were already waiting to cross the gates of Hades together; The end is just
the beginning.”

“Death Tour” represents a sonic evolution for Ophiolatry, balancing their technical prowess with a more atmospheric, tribally influenced approach to extreme metal. The video clip amplifies these themes through striking imagery that merges Greek Mythology with the brutality of modern death metal aesthetics.

Each track on “Serpent’s Verdict” functions as part of an immersive narrative experience. It is an invocation of the past and a battle cry for the future. With the release of “Death Tour,” Ophiolatry continues to build anticipation for the full album, which promises to be one of the most devastating extreme metal releases of 2025. It is recommended for fans of Cryptopsy, Suffocation, and Death.

Watch and listen to the music video for “Death Tour” via its premiere on Decibel Magazine HERE.

LIK Unleashes “Deceased” Video

Posted on April 23, 2025 by Metal Planet Media

Swedish death metallers, LIK, today unleash their new video for “Deceased.” The track comes off their brilliantly brutal Necro full-length, released on April 18th via Metal Blade Records.

Within Necro‘s ten tracks, LIK – whose name translates to “corpse” in Swedish – has created a seamless album, diverse in tempo but without losing any of their blood-soaked intensity and relentless in-your-face-attitude listeners have come to expect. There are twists and turns that keep LIK on a progressive path without straying from their old-school trademark sounds inspired by the godfathers Dismember, At The Gates and, of course, Entombed.

Necro is the musical equivalent of a classic shock-horror movie that‘s drenched in blood and gore and packed with over-the-top extremities. Delve beyond the zombified cover art created by Stockholm-based tattooist and artist Jens Olsson (Ink Fanatics), LIK‘s Necro serves as a reminder of just how special and exciting the genre is: packed with blood-curdling fantasy stories about war, death, zombies, world apocalypse, and murder all stacked with disgustingly rotten riffs.

Lauds Metal Hammer Germany of the release, “…LIK tells us blood-soaked, imaginative stories peppered with everything good death metal needs: zombies, necrophilia, murder, death, war, and dystopian end-time scenarios that culminate in total decay. Necro sounds classic yet contemporary. Not dusty, rotten, or mothballed, but fresh, spicy, and deadly precise. Swedish death metal as it couldn’t be more Swedish.” Dead Rhetoric champions the band‘s “finest album to date,” adding, “It‘s utterly abrasive, yet it never blurs together due to the way they can weave in melodies in just the right proportions. Necro is an absolute winner for anyone seeking death metal done right,” while Metal Temple crowns Necro “the Swedish death metal album of the year,” further noting, “It captures the spirit of the genre with flawless execution, proving that LIK stands at the top of the modern scene.”

Comments vocalist/guitarist Tomas Åkvik on “Deceased,” “This is the opening track of the album and it’s a total Entombed homage. It has everything from mid-tempo to skank beats. Lyric-wise, it‘s about a guy who tries to come back from the dead to avenge his death. “

Watch LIK‘s “Deceased” video HERE:

Necro was recorded at NBS Studio (AKA Necromorbus Studio) in Söderfors, two hours from the band‘s home city. Once again using uber-producer Lawrence Mackrory (Meshuggah, Katatonia, High Parasite, Decapitated), all music was recorded live over a three-day period, before Åkvik headed to Uppsala to record his vocals at Mackrory‘s Rorysound Studios. Mackrory has worked with LIK since their 2015 debut Mass Funeral Evocation and throughout their Metal Blade Records‘ career that started with 2018‘s Carnage. It‘s clear upon first listen that with Necro, the quartet have produced some of the best work of their decade-plus long career.
Necro features guest appearances by Linnea Landstedt (Tyranex, Ice Age), Nick Holmes (Paradise Lost, Bloodbath), and Lawrence Mackrory (F.K.Ü.).

Deathgoat unleash Dragged Into Realms Below – death metal supreme on Xtreem Music!

Posted on March 27, 2025 by Metal Planet Media

Emerging from the fetid depths of the Finnish underground in 2015, Deathgoat’s first scream against the light came in the form of the Rotten Salvation demo in 2018. However, it was with their full length debut album, 2021s Regurgitated Into Existence, that the full power and potential of this gathering of devils became apparent – their mastery of old school death metal was unquestionable. Now, at long last, the Finns have returned with a new album that utterly epitomises everything that their chosen genre represents. This is the absolute essence of death metal, pure rot and decay, this is Dragged Into Realms Below!

The chilling notes of intro ‘Alkulima’ sink their claws into your flesh and tear you from your safe, secure existence, casting you into the cold earth of the midnight cemetery. Before you can orientate yourself ‘Pestilent Retribution’ is upon you, a rampaging assault of Scandinavian death metal that severs every tendon and shatters every bone. Devastating heaviness and machine gun intensity rage beneath twisting occult solos, while a voice from the pit intones the many ways in which to die. There is not a song on this magnificent collection that fails to deliver skin crawling atmosphere and utterly addictive, snarling riffs and rhythms. From the imperious chainsaw slaughter of ‘Monoxide’ to the magnificent conclusion of ‘Dragged Into Realms Below’ itself – a track that dominates and towers over your broken body like a king amongst the tombstones – this is an album you will not soon forget.

Dragged Into Realms Below will be released by Xtreem Music, champions of old school death metal, on June 10th and it will be essential listening for anyone dedicated to the music of the grave. With a sound carved from dry bone and putrefaction and a cover created by Bram Bruyneel (Officium Triste, Hideous Divinity etc) that invokes ancient ceremony and inherited nightmares, Deathgoat have delivered a work of immaculate decomposition.

ALLEGAEON To Release The Ossuary Lens Full-Length

Posted on February 12, 2025 by Metal Planet Media

Technical death metal outfit ALLEGAEON will unleash their new full-length, The Ossuary Lens, on April 4th on Metal Blade Records, today unveiling the record‘s first single, “Driftwood.”

For ALLEGAEON, sitting still is not an option. The Fort Collins, Colorado-based group has never allowed itself to stagnate, prefering to thrive on chaos, change and evolution. Their latest offering, The Ossuary Lens, is their seventh full-length overall but it‘s the first with original vocalist Ezra Haynes since his 2015 departure following the Elements Of The Infinite album. Replacing a singer is no easy task, so the fact that Haynes was in a place to rejoin is something to celebrate.

The cleaner vocal approach on the last three albums was a fascinating artistic maneuver, one that refreshed ALLEGAEON, but it‘s undeniably thrilling to hear Haynes‘ graveled larynx back in the fold on this inarguably brutal and technically dazzling slab of work. The science-based lyrics are as challenging as the progressive musicianship, resulting in a set of songs that simply slay. It‘s a sound that Haynes himself refers to as “melotech” (melodic, technical death metal).
“I think in the beginning we were a little more stripped down,” adds guitarist Greg Burgess, “very guitar-forward, focused melodeath. Over time, I think more technical, symphonic, and progressive elements creeped in. Finally, where we are today is all of that combined, added with more ambient elements.”

The Ossuary Lens was recorded with producer Dave Otero at Flatline Audio studio in Denver. It marks the sixth album recorded with Otero. “He‘s our guy and we couldn’t imagine working with anyone else at the moment,” says Haynes. “We have worked with Dave Otero at Flatline Audio since the beginning of our career,” adds Burgess. “So seventeen years now. Dave always provides a comfortable working environment, amazing ideas, and a career-spanning understanding of what has made ALLEGAEON, ALLEGAEON.”

The proof is in the pudding; the sound on The Ossuary Lens pummels the listener, though the ferocity is balanced by the overt melodies. It‘s the most triumphant and cohesive body of work that they‘ve ever laid down.

Lyrically, while not a concept album in the traditional sense, there‘s an overarching theme to the new album – The Ossuary Lens is a representation of several different viewpoints of death. “Each song essentially is a different topic, however there is always a different perspective of death tied to each subject,” says Haynes. “Since the entire album revolves around this overarching theme of death, and the different viewpoints associated with it, we found ourselves very attached to the word ’Ossuary,‘ and since the album takes look at death through different points of view, we found The Ossuary Lens to be very fitting for the album title.”

Of the album‘s first single, “Driftwood,” Burgess elaborates, “This song holds a special place in ALLEGAEON history, honestly. This piece was written for Apoptosis by our then-brand new bassist Booboo. In its original form, it was so tech death, I don‘t think we knew how to incorporate it into the ALLEGAEON sound when he submitted it. Fast forward six years and, as we were kicking around ideas for this album, I remembered the piece, and asked Booboo if he wouldn’t mind if I took a crack at possibly rearranging its format a little smoother into the ALLEGAEON sound. I just wanted there to be a little bit more repetition of some parts. The song turned out amazing. Always goes to show – never throw out anything as you never know when it’ll come back.”

Greek metallers Necrochakal set their upcoming album “Golgothian Orgies of Bestial Lust” for release on March via Floga Records

Posted on February 12, 2025 by Metal Planet Media

Greek black/thrash metal horde Necrochakal return with their new album, Golgothian Orgies of Bestial Lust, set for release on March 10 via Floga Records.

Formed in 2012 by Bestial Invocator in Athens, Greece, Necrochakal set out to deliver old-school extreme metal with raw intensity, drawing influence from early Sepultura, Sarcófago, Vulcano, Sodom, and Destruction, among others. Over the years, the band has built a reputation in the underground scene with a series of demos and split releases, including collaborations with Slaughtered Priest (GR) and Terrorist (USA).

Their first EP, Profanation of the Gods, was released in 2014 through Metal Throne Productions (CD, 300 copies) and Weird Face Productions (LP, 250 copies) before being re-released in 2016 by Music Cyclone (CD, 300 copies). The 2016 7” EP Trampling The Holy Gospels followed via Hell’s Fire Records, with an additional 100-piece limited run from Fistbang Records.

Throughout the years, Necrochakal has performed live extensively, including two appearances in Romania at the 3rd Old Grave Festival (2014) and the 2nd Vast Plains and Goats Festival (2023). In Greece, they have supported Mystifier, Sextrash, Bewitched, Infernal Curse, Embrace of Thorns, Dead Congregation, and Resurgency.

In 2023, the band released a live rehearsal tape, Satanas Rebirth, featuring three new songs from the upcoming full-length Golgothian Orgies of Bestial Lust: “Satanas Rebirth,” “Thorns Upon The Head Of The Carrion,” and “Son Of Loss… Judas Goat”. That same year, Colombian label Tribulation Prods issued a compilation of Necrochakal’s early material, available in 400 digipack copies.

With Golgothian Orgies of Bestial Lust, Necrochakal continues its crusade of unfiltered black/thrash metal, delivering an uncompromising assault of desecration, sacrilege, and violent rituals.

SUDDEN DEATH: Italian death metallers sign to Time To Kill Records

Posted on February 10, 2025 by Metal Planet Media

Italian death metallers SUDDEN DEATH have signed to Time To Kill Records for the release of their fourth album, “In Sinner Hate”.
Their most blisteringly furious, ambitious, and eclectic record to date, “In Sinner Hate” delivers eleven tracks of brutal death metal mixed with elements of old-school heaviness.
The album was mixed and mastered by Stefano “Saul” Morabito (Fleshgod Apocalypse, Hour Of Penance, Hideous Divinity), with additional recordings by Marco “Cinghio” Mastrobuono (Hour Of Penance, Shores Of Null) and Giuseppe Orlando (Novembre, Stormlord).
Watch for more details on the new album release, new tour updates, and more news on other upcoming SUDDEN DEATH activities to be posted shortly.
Formed in 1997, SUDDEN DEATH are a death metal band hailing from Genzano (Rome). The band’s sound, initially inspired by the rawest old school death-thrash metal waves, slowly and progressively developed into a more brutal style, influenced by Cannibal Corpse and early Deicide. Nowadays the band set forth on a masterclass in technical and claustrophobic death metal with dense and intertwining guitars, sudden tempo and metric changes and more consistent and exasperated vocal parts.
So far the band has released three albums – “Devoured Inside” (self-produced) in 2001, “Injection of Hate” (Deadbang Records) in 2004, and “Monolith of Sorrow” (Killerpool Records) in 2015 – and the EP “Stillborn” (Art Gates Records) in 2018.
SUDDEN DEATH have played several shows throughout the Italian peninsula and around Europe, sharing the stage with important acts such as Suffocation, Gorgoroth, Vader, Napalm Death, Exodus, Dark Tranquility, Possessed, Pestilence and many others.

Line-up:Luis Maggio – Vocals
Giorgio “Giorgioni” Cifuni – Guitar
Francesca Mancini – Guitar
Giuseppe Ciurleo – Bass
Emanuele Aleo – Drums

SUDDEN DEATHhttps://linktr.ee/suddendeathofficial

Aeon Empire Releases Second Single “Sitting On A Wall”

Posted on February 10, 2025 by Metal Planet Media

Rock band Aeon Empire are back with their second single, Sitting on a Wall.

Their debut single, All Your Dreams, came out just a month ago and is already closing in on 200K plays on YouTube, showing that people are paying attention. Now, with Sitting on a Wall, Aeon Empire keep that momentum going, delivering another track that’s ready to be heard.

Dive into the timeless sound of Sitting on a Wall, the new track from rock band Aeon Empire.

With its infectious riff that hooks you from the first note, “Sitting on a Wall” blends classic rock vibes with a modern twist, creating an anthem for those moments where time seems to pause.

This song doesn’t just speak; it sings to the soul about the beauty of the present, the inevitability of change, and the silent promise of tomorrow. With its memorable chorus and thought-provoking lyrics, “Sitting on a Wall” is not just a song; it’s an experience, inviting listeners to join in this moment of reflection and hope.

Perfect for your playlist when you need a reminder to enjoy the now, before it blows away with the wind.

Paul Gerard Reed, who wrote the lyrics, shares:
“I was inspired to write the words by those rare and fleeting moments when a kind of inner peace takes over. For a brief spell, your life and the world seem to be in harmony, and all your loved ones are safe and well. The memory of that moment stays with you forever. I wanted the lyrics and music to transport the listener back to their own precious times when they have experienced those magical feelings.”

Their diverse backgrounds bring a dynamic edge to their music, blending raw rock energy with melodic hooks and international influences. With a clear vision and a passion for delivering powerful music, Aeon Empire is just getting started.