ALIEN WEAPONRY Joined by Lamb of God’s Randy Blythe on New Anthem “Taniwha”

“Alien Weaponry are back with a vengeance…” – Revolver Magazine 

“…Alien Weaponry’s fusion of rage, culture and melody meshes so effectively you could catch sharks in its net.” – Kerrang!

“…New Zealand’s hottest property is still getting hotter, and “Te Rā” is the perfect blend of neck-wrecking heaviness and atmospheric magic.” – Blabbermouth


This Friday, March 28, New Zealand modern groove metal trio ALIEN WEAPONRY will release their heaviest, most powerful and mature offering to date, Te Rā, via Napalm Records! Today, in celebration of this week’s release, the band has unleashed one of the album’s most aggressive, death-metal leaning offerings, “Taniwha”, featuring a raw, heavy-hitting contribution from longtime supporter and metal icon Randy Blythe of Lamb Of God.

Take a listen to the new track now – a special bonus listen two days in advance of the album’s drop – and see below for insight into the track’s inspirations! The new anthem follows acclaimed latest singles “Mau Moko” (“…top-notch technical thrash metal…” – Heavy Consequence) and “1000 Friends” (“a driving, riff forward affair that makes it super easy to bang your head to” – MetalSucks).

ALIEN WEAPONRY says about “Taniwha”:
“Lamb of God played a significant role in making Alien Weaponry what it is today and this collaboration with Randy Blythe feels like one of those ‘pinch yourself’ moments that our teenage selves would never believe possible. Randy’s lyricism and vocal expertise was an amazing addition to this song and we are beyond stoked to share this song/milestone with the world.”
Listen to “Taniwha” HERE:

ALIEN WEAPONRY have solidified themselves as one of the greatest young metal bands of their generation with renewed musical tenacity and crucial messaging. Since releasing their acclaimed debut Tū (2018), the band have been lauded for their kinetic presence and sound, as well as their vital blend of culturally profound lyricism in both English and te reo Māori, the indigenous language of New Zealand.
 
With their third full-length album, ALIEN WEAPONRY expand on their hallmark messages of cultural, societal and environmental resilience while delivering their most massive-sounding, focused musical output ever. In the hands of veteran producer/mixer Josh Wilbur (Lamb Of God, Gojira, Megadeth), Te Rā’s gnashing blend of groove, nu, math and thrash metal shines with anthemic choruses and refreshed technical skill. Te Rā is a bold, unwavering cry for a future in which we can all take part in the legacy of peoples like the Māori and others all around us – people who, if they aren’t seen, most certainly need to be heard! Taken as a whole, Te Rā grapples with what it’s like to be caught in the pull of divergent cultures – not just for the descendants of colonized people, but for all of us.

SACRED STEEL – unleashes “Demon Witch Possession” in brand new video single, taken off upcoming studio album  “Ritual Supremacy” to arrive on April 25th via ROAR!

April 25, 2025 will see iconic heavy metal titans SACRED STEEL release their 10th studio album, entitled “Ritual Supremacy”, via ROAR. Available on CD, Vinyl and Digital formats, you can pre-order your favorite format of choice at this location https://sacredsteel.rpm.link/ritualbumPR!

Following the previously-released album tracks, “The Watcher Infernal” and the heavy-as-hell title track “Ritual Supremacy”, today, SACRED STEEL unleash “Demon Witch Possession“, their latest furious single accompanied by an official music video!

“This little ditty is quite catchy! Even though it ́s fast and furious. We wanted for once to start a track with the chorus directly and that ́s what we did here”, Vocalist Gerrit P. Mutz reveals. “I recently watched the full season of “Ash vs. The Evil Dead” again and remembered that I once took the inspiration for the lyrics to this track from that phenomenal series. All hail metal! All hail Ash!”

The song is now available on all digital streaming services at

https://sacredsteel.rpm.link/demonPR

Watch the video clip premiering right HERE

For more than 25 years, SACRED STEEL have been offering metalheads a killer, trend-free alternative to bloated trigger drums, cheesy keyboards and boring cliché sounds that are hyped year after year as “the next big thing in metal”. SACRED STEEL have always remained true to themselves, constantly reinventing their traditional style and releasing some highly acclaimed classics, such as their legendary debut “Reborn In Steel” (1997 as the first German band ever signed to Metal Blade Records), the follow-up “Wargods Of Metal”, or their heaviest album to date: “Slaughter Prophecy”. 

The band’s fortchoming album release will be celebrated with a much-awaited performance at the 25th anniversary of the “Keep It True Festival” and many more shows this year (find all upcoming dates listed below, with many more to be announced soon!). “Ritual Supremacy” will also mark the first album to feature new members Toni Ieva (bass) and Jörn Langenfeld (guitar), who joined the band in 2023.

Get ready for the next chapter and let there be…SACRED STEEL, who are a trademark in the metal scene: All METAL with attitude, never everybody’s darling – and damn proud of it!

“Ritual Supremacy” track listing:
01 – Ritual Supremacy 
02 – Leather, Spikes & Chains 
03 – The Watcher Infernal 
04 – A Shadow In The Bell Tower 
05 – Entombed Within The Iron Walls Of Dis 
06 – Bedlam Eternal 
07 – Demon Witch Possession 
08 – Covenant Of Grace 
09 – Omen Rider 
10 – Let The Blackness Come To Me

ALLEGAEON Debuts “The Swarm” Video

“The Swarm” is the latest video/single from technical death metal architects, ALLEGAEON. Now playing at Metal Injection, the track comes off the band’s forthcoming new full-length, The Ossuary Lens, set for release on April 4th via Metal Blade Records.

Notes guitarist Greg Burgess of today’s “The Swarm” single, “This is a piece written by [guitarist] Michael Stancel. The frantic intro riff was actually written on tour in the UK on a boat in Bristol. I remember filming him playing it so we wouldn’t forget how to play it. The show was sold out and ruled, and then all of our gear got rained on because they had us load out so they could have a disco after the show. Shame!”
Remembers Stancel, “If I could have set that venue adrift I would have, at least we got a song out of it.”
Watch ALLEGAEON’s video for “The Swarm” HERE:


Watch ALLEGAEON’s previously released video for “Driftwood” HERE:

ALLEGAEON will join Warbringer on a North American co-headlining run next week. The Vortex Of Violence Tour will begin on March 18th in San Diego, California and will close on April 12th in Los Angeles, California. Support will be provided by Skeletal Remains and Summoning The Lich. Tickets are on sale now! See all confirmed dates below

ALLEGAEON w/ Warbringer, Skeletal Remains, Summoning The Lich:
3/18/2025 Brick By Brick – San Diego, CA
3/19/2025 Last Exit Live – Phoenix, AZ
3/20/2025 Launchpad – Albuquerque, NM
3/21/2025 89th Street Collective – Oklahoma City, OK
3/22/2025 Haltom Theater – Haltom City, TX
3/23/2025 Come And Take It Live – Austin, TX
3/24/2025 House Of Rock – Corpus Christi, TX
3/26/2025 Conduit – Orlando, FL
3/27/2025 Hooligan’s – Jacksonville, NC
3/28/2025 Broken Goblet – Bensalem, PA
3/29/2025 Woodshop – Brooklyn, NY
3/30/2025 Foufounes Electriques – Montreal, QC
3/31/2025 The Garrison – Toronto, ON
4/01/2025 The Sanctuary – Detroit, MI
4/02/2025 Reggies – Chicago, IL
4/03/2025 The Bottleneck – Lawrence, KS
4/04/2025 Bourbon Theater – Lincoln, NE
4/05/2025 HQ – Denver, CO
4/06/2025 Metro Music Hall – Salt Lake City, UT
4/08/2025 El Corazon – Seattle, WA
4/09/2025 Rickshaw Theatre – Vancouver, BC
4/10/2025 Hawthorne Theater – Portland, OR
4/11/2025 DNA Lounge – San Francisco, CA
4/12/2025 Teragram Ballroom – Los Angeles, CA

ROCKSHOTS RECORDS ANNOUNCES NEW COLLABORATION WITH SECRET RULE FOR UPCOMING ALBUM

Rockshots Records is proud to announce the signing of SECRET RULE, marking the beginning of an exciting new chapter in the band’s decade-long journey.

With a refreshed lineup and a renewed artistic vision, SECRET RULE is gearing up to unleash its highly anticipated tenth studio album in 2025, slated for release after the summer.

Known for their unique ability to blend symphonic atmospheres with modern metal vibes, SECRET RULE is stepping into a bold new sonic era.

The upcoming album will showcase an evolved sound, a powerful fusion of influences, combining the cinematic edge of Within Temptation’s latest works with the raw energy of Falling In Reverse.

From this new chapter, fans can expect a dynamic, high-energy sound, enriched with the band’s signature melodies and anthemic choruses.

With a fresh lineup, SECRET RULE continues to push boundaries, reaffirming its role as a driving force in modern metal.

The album explores themes of resilience, self-discovery, and the battle against inner and external struggles, delivering an intense and immersive experience.

In the meantime, the band is currently on the road as a supporting act for Temperance and Induction, part of an intense 15-date European tour. SECRET RULE is also set to play some of the most prestigious summer festivals, including Masters Of Rock (Czech Republic)Rock Imperium Festival (Spain), and Laurus Nobilis (Portugal), with more dates and exciting news coming soon!

brand new single will be unveiled very soon, giving fans a first taste of what’s to come.
​A new era begins, and we are ready to bring our energy to the stage! 🤘 This March, we hit the road across Europe with Temperance and Induction, and we cannot wait to see you all! Plus, we are beyond excited to play at three incredible festivals this summer: Imperium Rock Festival, Masters of Rock, and Laurus Nobilis.

Morgue Terror: Buffalo death metallers expand their Terrifier-inspired horror with new track, “Terror in the Morgue”

Buffalo, NY-based death metal act Morgue Terror continues to showcase their admiration for the Terrifier franchise and its main antagonist, Art the Clown, on their new single, “Terror in the Morgue.” The horror-themed quartet not only took their moniker from a pivotal scene at the end of the first Terrifier (2016) movie but also chronicled the murders and characters from the first two Terrifier films on their self-titled debut EP, released in January 2024.

Speaking about the track, Morgue Terror states:
“The song is our title track. It’s like our own ‘Black Sabbath’ or ‘Iron Maiden.’ It’s about the opening scene in the second Terrifier movie. The song portrays the helplessness of the victim and the haunting circumstances. It lands a couple of haymakers, then beats you into submission before its final stanza. The ending is similar to a bomb going off.”

The track was recorded, Mixed and Mastered by Doug White of Watchmen Studios; Cover art by Andik Godfinger.

Morgue Terror’s next live appearance will be on April 4 in Maple Heights, OH, where they will headline. Later in the month, they will take the stage at CT Death Fest in Milford, CT, on April 25, performing on the festival’s opening night alongside headliners Xenosis. (Malignancy is set to headline night two on April 26.)

Vowing to create something fresh, Morgue Terror weaves through different layers of death metal, from old school to brutal and the dissonant voids in between. Since forming in 2023, the Buffalo-based band has been relentlessly prolific, whether in the studio or onstage. Their output in 2024 alone—two EPs within six months—demonstrates their deep-rooted affinity for both death metal and horror. 

Their self-titled debut EP (January 2024) delves into Terrifier lore, complete with cover art depicting the notorious antagonist Art the Clown himself. The second EP, Violent and Murderous Thoughts (August 2024), shifts focus to the atrocities of four sadistic serial killers and a debauched, abusive sect.

Following the newly released single, “Terror in the Morgue,” Morgue Terror will appear on a four-way split album with Consuming Misery, Anthropic, and Dreg Heap. Another standout single, “Cryptid Skin,” is also on the horizon.

AVELION: Italian prog metal act unveils new single “Lost Within Daydream”

“Lost Within Daydream”, the new single by Italian prog metal act AVELION, delves into this dreamlike and emotional limbo—those moments when reality seems to unravel, leaving no choice but to face one’s fears and embrace transformation.

The band shares:

“We wanted to create a song that holds a spark of positivity, a constant push toward change, a message that keeps burning inside those who listen.
This song is for those who fight every day against their own limits—because even in the darkest moments, there is an energy capable of turning every fall into newfound strength””.

“Lost Within Daydream” was mixed by Simone Mularoni, with mastering by Luca Bottoli.

Line-up:

Riccardo Rizzardelli – Vocals
Oreste Giacomini – Keyboards
Leonardo Freggi- Guitars
Danilo Arisi – Bass
Alessandro Ponzi – Drums


AVELION have developed a gloriously turbulent sound that is uniquely their own. Hailing from Parma, Italy, the band have been tearing venues apart across Europe with their powerful fusion of genres since 2008.
In 2011 AVELION released the first studio work: the EP “Cold Embrace”. The following year the band started an intense live activity, leading to the great opportunity to play as opening act for Seventh Wonder (with Tommy Karevik, Kamelot).
In 2012 the band released the promotional single “Falling Down” which sees the collaboration with guitarist Olaf Thorsen (Labyrinth, Vision Divine)
AVELION‘s second EP, “Liquid Breathing”, was published in 2013. The EP delivers a more personal, modern and mature sound: melodic progressive metal mixed with djent influences, all combined with a strong electronic flavour.
In 2015 the band entered Simone Mularoni’s Domination Studio (DGM) to record their first full length album: “Illusion of Transparency”, which was released via Revalve Records in 2017.
In March 2018 AVELION supported the legendary ANGRA in Belgium, the Netherlands, France, Spain and Portugal. The dates also featured Geoff Tate’s Operation: Mindcrime as special guest.
In May 2018 the band released the single “Echoes and Fragments” REMIX featuring the Electro Metal artist The Algorithm.
Following a widespread approval from both critics and fans, the band kept playing live opening for Primal Fear, Lacuna Coil and Kiko Loureiro.
At the end of 2019 the band parted ways with the frontman William Verderi. Following the split, AVELION started composing new songs for their next musical chapters along with new vocalist Riccardo Rizzardelli. The first single from the revitalised line-up, “Bound to Blackness”, was released in June 2022, followed by the highly acclaimed “Alone in Time” single (2023) and by “Firestone” (2024).

Metal Planet Media Talks To…Eric from DERELICT

Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?

Derelict was formed in 2005 from the remains of some of the original members’ previous band. We took the name from the song ‘Flames of the Righteous’ off our debut album. The song was originally called ‘Derelict’ but we liked it as a band name.

We were very active in the live scene around Canada from 2005 to 2013. We toured the country several times in that period and released three full-length albums and an EP. Our 2012 album, ‘Perpetuation’, got us nominated at the Canadian Independent Music Awards in the same category as Devin Townsend. He won, but we were stoked just to have been mentioned alongside him.

Sometime in 2013, our then-drummer was dealing with a double tennis elbow and needed some time to heal. This came right around the same period where we were hit with several bouts of bad luck, like having festivals cancel on us at the last minute, or others simply not paying us. Several of us got discouraged and after going full-tilt for eight years, we put the band on ice.

We never said never about continuing, but it wasn’t until 2021 that Max and I were chatting about guitar. We decided to see what it would feel like to write a Derelict song together after all that time. We ended up reuniting the ‘Perpetuation’ recording lineup to put out ‘Clear Cut’, a single that we released on the ten-year anniversary of ‘Perpetuation’.

From there, we just continued writing and quickly found ourselves with a full-length album. Jordan bowed out and we were joined by Tommy McKinnon on drums. The other major difference is that all four of us live in different time zones across the world, so we write and record remotely. That said, it all went very well and we’re very proud of ‘Versus Entropy’, which we just released this June of 2024.

Are you all from the same area? How did you get together as a band?

The band formed in Montreal, Quebec. Max and I met in university there. Seb is from Switzerland but lived in Montreal for a while and played in Augury’s live lineup at the time. We met him then and he became our bass player later on. Tommy has been in many bands like Neuraxis and Akurion, and is also from Montreal. We had met a few times and we reached out to him when we needed a new drummer. He was our first choice, and happily, he accepted.

Who are your favourite artists/bands and how have they influenced your own sound?

We’re heavily influenced by the Quebec scene with bands like Cryptopsy, Neuraxis, Beneath the Massacre, Augury, Kataklysm, Quo Vadis, and more making up some of our core influences. We also incorporate a fair amount of American death metal, specifically the early tech-death pioneers like Death and Atheist. A range of modern bands like Lamb of God, The Faceless, Revocation, and Decapitated also influence us quite a bit.

Did you always have the ambition to be a musician and in a band or did you originally have other plans?

I started playing guitar at age 13 and writing my own music almost right away. My feelings about being a musician have changed over time, but I’ve come to believe that making any kind of art is inherent to humans. The way our system works causes us to evaluate the validity of an activity on if it can earn money, and that’s a shame because art is valid whether or not it’s profitable. In our case, Derelict does not make us any money. If it did, that would be great, but I wouldn’t change what we do to make that possible. I believe in the music we make. We all have other careers beyond this. For me, that’s being a mental health therapist.

What songs or albums are on your current playlist?

I’m currently getting to know the new Extinction AD album. So far, some of my favourites from 2024 have been Ulcerate, Vitriol, Evergrey, and Wormwitch. I’m really looking forward to the new Nile album, too.

Do you sing in the shower?

Once in a while, if I’m in a particularly good mood.

If you could play at any venue in the world where would you choose?

I’d love to play at any big outdoor European festival.

Do you have a favourite album? If so, what is it?

I don’t have one favourite, but here are a few that are undeniable classics in my mind and continue to influence me:

Megadeth – Rust In Peace

Lamb of God – As the Palaces Burn

Nile – Annihilation of the Wicked

Death – The Sound of Perseverance

Cryptopsy – None So Vile

Do you have any guilty pleasure songs/albums?

No, because I don’t think we should ever feel guilty for liking what we like. I listen to a fair amount of hip hop, like Killer Mike and J Cole, and I’m also into some slow alt jazz stuff, like Bohren and der Club of Gore and Black Chamber.

If you were putting together the greatest show on earth, who would be playing?

Pantera (the original lineup), Death with Chuck, and Motorhead.

Can you remember the first album you bought with your own money? What was it and do you still have it?

It was Metallica’s …And Justice For All. I was nine years old. I liked the Black Album, but at first, Justice freaked me the hell out. The lyrics are really heavy and dark for a child’s mind. I think it influenced me a lot. I wasn’t able to stomach it for the first few years and only pulled it back out when I was 11. I don’t have the CD any longer though; I’m all digital for music now.

As your fans will be reading this, is there any message you would like to send out to them?

Just that I’m immensely appreciative to anyone who has ever given us a listen. Making music is just about sharing emotion and creativity, and having people pay attention is very validating.

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

For music, it’s Bandcamp: http://derelictmetal.bandcamp.com

For merch, it’s https://derelictmetal.threadless.com/

Our Youtube has some cool stuff on it, https://www.youtube.com/derelictmetal

And of course good old Facebook, Instagram, and Linktree:

https://www.facebook.com/DerelictMetal

https://www.instagram.com/derelictmetal

https://linktr.ee/derelictmetal

We, at Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?

Thanks for the interview! It’s much appreciated.

This interview is the property of Metal Planet Media

Metal Planet Media Talks To…Manual Barbara

Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?

  • This project came together when I decided to take a bunch of music I had written for a couple of failed bands and release them under my own name. I treat it as a vehicle for me to be able to make pretty much whatever I want.

Are you all from the same area? How did you get together as a band?

  • I’ve known myself since birth! Many of my guest performers and collaborators are old friends and colleagues from college.

Who are your favourite artists/bands and how have they influenced your own sound?

  • I got into music via classic rock and metal, particularly Pink Floyd and Iron Maiden. Nowadays, I take a lot of ideas from bands like Periphery, Tesseract, Monuments, Meshuggah… but my love for the more modern styles of “classical” music (as well as Bach and his counterpoint) informs a lot of my decisions when it comes to harmony and shape.

Did you always have the ambition to be a musician and in a band or did you originally have other plans?

  • No, I didn’t really care much about music until high school. I was sure I would end up as an engineer or something.

What songs or albums are on your current playlist?

  • I’ve been listening to a lot of synthwave lately – particularly The Midnight’s Days of Thunder and GUNSHIP’s Unicorn. On the metal side, Monuments’ In Stasis and Allagaeon’s Damnum have been putting in a lot of work for me.

Do you sing in the shower?

  • Occasionally, usually when I’m making a token effort to practice my solfege or trying to work out an idea.

If you could play at any venue in the world where would you choose?

  • I’ve always thought the Orpheum in Boston was a cool theatre.

Do you have a favourite album? If so, what is it?

  • Man, that’s a difficult question. If you force me to name one, it’ll change every day. Today, it’s probably War of Being by Tesseract.

Do you have any guilty pleasure songs/albums?

  • I don’t feel guilty about any of the music I like. Although there are some bands like Dragonforce and Sabaton that do one specific kinda silly thing and are the only place where I can get that thing.

If you were putting together the greatest show on earth, who would be playing?

  • I’ve always thought a bill with Leprous, Gojira, and Meshuggah would be awesome.

Can you remember the first album you bought with your own money? What was it and do you still have it?

  • I’m honestly not sure. It might have been Shinedown’s Leave a Whisper.

As your fans will be reading this, is there any message you would like to send out to them?

  • Thanks for listening! Hope you like the EP!

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

We, at Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?

  • I hope everyone has as much fun listening to Whisper as I had making it. Also, go check out Necronomicon Ex Mortis, my death metal band, and The Airborn Sealife Podcast, where I and two other metal nerds talk about music for 45 minutes every week.

This interview is the property of Metal Planet Media

Metal Planet Media Talks To…THE WRING

Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?

The Wring started around 2015.  I had written a lot of songs and felt like there were at least an album’s worth that were worthy of public consumption.  I gathered some local musicians and we jammed out the demos until they felt good.  Then we recorded and released the first album in 2017.  We did some shows, but after a year or so the guys ran out of gas and decided not to continue.  I’ve done 3 more records but have used studio musicians.  Nemesis features the bass/vocal talents of Reggie Hache and the amazing drumming of Kyle Brian Abbott.  The band name came from a song on the first album called ‘The Wring’.  We had a long list of cool names, but they were all taken!!  One day, the drummer suggested that The Wring would be a great name.  Suddenly, it seemed obvious, and it stuck.

Are you all from the same area? How did you get together as a band?

The original band was all from the city where I live in Northern Ontario, Canada.  It’s not a large city so musicians tend to all know each other.  There were really only a few guys that would be capable and/or interested in something like this, and I sought them out.  It worked well for a couple of years but as an all-original proggy hard rock band, it’s very difficult to find gigs that pay well, or at all.  The clubs here hire cover bands almost exclusively; that’s what sells drinks…

Who are your favourite artists/bands and how have they influenced your own sound?

There are many, but Rush was my first love.  They still are, but they kind of lost me around 1983 or so.  Early Megadeth was very inspiring; Dave knew no limitations in those days and created some incredible things.  My world changed again when I discovered Opeth.  They combine so many styles and have done so many amazing albums; truly inspiring.  Another significant influence was Tool.  They really impacted my sense of time and mood.  Honourable mentions to Porcupine Tree and King Crimson…

Did you always have the ambition to be a musician and in a band or did you originally have other plans?

I have always been a very dedicated student of the guitar.  I’ve played since I was very young.  It was a bit later in life that I started writing original music.  I remember I borrowed a friend’s 4-track recorder and was blown away by how cool it was to record multi-track pieces.  Shortly after, I discovered software that did the same thing, only much better.  I fell down that rabbit hole and have never re-emerged.

What songs or albums are on your current playlist?

I try and mix it up.  Right now, I would say there are a few albums that I am repeating:  Jethro Tull – Heavy Horses, Revocation – Netherheaven, Voivod – Synchro Anarchy, Genesis – Selling England by the Pound, Morbid Angel – Illud Divinum Insanus and Lamb of God – Omens.  A nice cross-section for every mood…

Do you sing in the shower?

No!  It’s not that I am a bad singer, it’s that I am not a singer at all!  I sing the demos for each record to give the real singer an idea of melody and phrasing.  Past that, I would never make anyone suffer to hear me sing!!

If you could play at any venue in the world, where would you choose?

Being from Canada, I think playing Massey Hall in Toronto would be a dream fulfilled.  Rush recorded All the World’s a Stage there in the 70’s and just walking through the doors is a mystical experience.  I met the members of Opeth there on the Sorceress tour, what an experience!

Do you have a favourite album? If so, what is it?

I think Rush’s Moving Pictures is the best album of all time.  It has every element of interest for a prog-minded listener, packaged into beautiful compositions of style and brevity (except maybe Camera Eye, which is beautiful but long!).  I have listened to Moving Pictures 1,000 times and never get tired of it.  Honourable mentions:  Opeth – Blackwater Park; Tool – Lateralus; Ozzy – Diary of a Madman.  There are so many more, but these come immediately to mind.

Do you have any guilty pleasure songs/albums?

For some reason, I like Of Monsters and Men.  The female voice is so peculiar and hypnotic.  I think they are from Iceland and the intonation is certainly somewhat alien.  I find it very interesting!

If you were putting together the greatest show on earth, who would be playing?

Cool!  Yes!  Opeth, Tool, Lamb of God, Revocation and, of course, Voivod would open the show!  I would like to say that The Wring would do a short set too… is that hubris?  Probably.

Can you remember the first album you bought with your own money? What was it and do you still have it?

I remember buying 45s of Rush ‘Spirit of Radio’ and April Wine ‘I Like to Rock’ but I think the first full album I bought was Kiss ‘Dynasty’.  I don’t have any of the original copies anymore, but I did replace them, even Dynasty.  I know it was infamously their ‘disco’ album but there are some great songs on there; Ace was on fire.  I have Rush’s complete catalogue on CD and on vinyl even though some of their later records were not very great.

As your fans will be reading this, is there any message you would like to send out to them?

First, I would say thanks!  I am grateful to every single person who listens to my music.  I am also grateful to publications like Metal Asylum that help get interesting things out to listeners.  If you like prog music but not always the self-indulgence, The Wring is here to give you interesting riffs, thoughtful lyrics and many cool bits in 5-minute songs.  You can rock out or geek out!

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

Yes!!  Here:

www.thewring.ca

https://www.facebook.com/thewringband

https://www.youtube.com/channel/UC-NvVWBllUThjq0shyOxJCQ?view_as=subscriber

https://www.instagram.com/wringband/

https://linktr.ee/thewringband

Sales Links: Bandcamp | iTunes | Amazon | Spotify | Other sales links

https://apps.apple.com/ca/artist/the-wring/id1211696322

https://thewring2.bandcamp.com/releases

We, at Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?

Thanks again for including me in your publication!!  Great website!!

This interview is the property of Metal Planet Media

Metal Planet Media Talks To…ATOMIS

Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?

The beginnings of ATOMIS, as well as the origin of the name, may all have to remain a bit of a mystery, unfortunately, as I came into the group a bit after its inception. And even then, the guys really liked to keep everything pretty vague and secretive, and wouldn’t share exactly who was in the band, which meant no band photos for press, and all that.

After recording our debut album in 2014, several circumstances caused ATOMIS to dissolve into a solo project of our drummer Nathan Navetto until his unfortunate passing in 2020. He took the project to Vancouver, LA, Costa Rica, and really was a driving force of creativity. He was also a professional artist, and was hired by a heap of bands to design album art, layouts and T shirt designs.

After the fallout, I carried on with my postrock group Jung People and music lessons business Leroux Studios, Taylor (Guitar) relocated to Quebec with his family to eventually start the psych rock group “Solipsisme”, and Matt (Vocals, Guitar) spends every night pushing himself as a musician, crafting songs, producing. I’m really excited to hear what he does next!

Are you all from the same area? How did you get together as a band?

We all grew up in Calgary, Canada, and became musicians here. Nathan and Taylor played in Somastate together, and they were really getting traction, evening playing the Taste of Chaos tour in the late 00’s. At some point, they wanted a change, and wanted to get out of the mainstream a bit, and eventually linked up with Matt from Pure City, who was seeking the same. I was touring with Kobra and the Lotus, Jung People, and actually turned down Nate’s offer twice to join the band, but he wouldn’t take “no” for an answer, and I’m super thankful for that, as ATOMIS remains some of my proudest moments as a musician!

Who are your favourite artists/bands and how have they influenced your own sound?

I can tell you for sure that Nathan, Matt and Taylor all really loved Silverchair (specifically the album”Diorama”), as well as Radiohead, Neurosis and Tool. Other bands we collectively liked and pulled from were Isis, Godspeed You! Black Emperor, Mars Volta, Meshuggah, This Will Destroy You, and Oceansize.

Did you always have the ambition to be a musician and in a band or did you originally have other plans?

Always. For all of us, for certain, I feel I can speak on behalf of everyone that being a musician was and still is the goal. The first time I picked up a hockey stick and held it like a “guitar”, I was already making fictional band names.

What songs or albums are on your current playlist?

Lately, I’ve been listening to The Armed, Marcelle, GUSH, Sigil, and preparing for the new Dream Theater album, so sort of deep diving on the Portnoy-era albums.

Do you sing in the shower?

Exclusively, I sing songs from my highschool metal era. That means 3 Inches of Blood, Avenged Sevenfold, Himsa – the 00’s classics.

If you could play at any venue in the world where would you choose?

I’d have to choose Red Rocks Amphitheatre in Colorado. What an insanely beautiful place.

Do you have a favourite album? If so, what is it?

Nearly impossible to pick one, but I can say a “Perfect Album” that comes to mind is “Self Preserved While The Bodies Float Up” by Oceansize.

Do you have any guilty pleasure songs/albums?

2010s Nicki Minaj. But there’s no guilt, really! It’s like sugar.

If you were putting together the greatest show on earth, who would be playing?

If I could turn the clock back to 2013, and play an ATOMIS show again, that would truly be special. If I were to curate a three-package tour myself of active groups – I’d have to lean prog and go with Dream Theater, The Mars Volta, Oceansize (reunion).

Can you remember the first album you bought with your own money? What was it and do you still have it?

One hundred percent, it was “Life Is Peachy” by Korn. I do not have it, as I gave away all of my CDs to my guitar students over the years, or sold some off for my vinyl habit!

As your fans will be reading this, is there any message you would like to send out to them?

Thank you for your patience, and I hope you enjoy this long awaited release. 14 years is a long time, I know, but we’re happy to finally share everything!

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

Please find us on our new socials , and check out the new music videos!

Instagram: @atomis.official

Youtube: @atomisofficial

We, Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?

Hey, thanks so much for supporting Metal, and giving me the time to share!

This interview is the property of Metal Planet Media