Canadian Power Thrash PHEAR’s New Lyric Video Reigns In A “New World Error” Off New Album “Save Our Souls” (Produced by Jon Howard (Threat Signal)) Out Now

Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.

“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.

“Humans are sometimes the plague of humanity.” adds the band.

Watch and listen to “New World Error” via its premiere on MetalAddcist:

Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).

Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.

“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.

A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.

PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).

Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.

Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls

Symphonic Blackened Death Metal Discovery RawMoor Signs With Wormholedeath

Prepare for a cataclysmic fusion of symphonic grandeur and unrelenting darkness as RawMoor, the rising titans of symphonic blackened death metal, announce their signing with Wormholedeath Records and the global release of their debut album, En Route, set to storm the gates on May 2, 2025.
“We are pleased to announce the signing of our pact with Wormholedeath, to now have their force backing our descent upon the world!” said the band” We brewed and smoldered in silence long under the black stone that roofs every hollow hosting aspiring combatants, battling for the honor of carrying the torch for Satan, with our flame nigh quenching in the process, until our menace could no longer be contained. We drew the admiration of our audience and they whipped us on until finally, we burst open through that stone, our release now on display for all to see.That much can be accomplished by anyone. But Carlo and Wormholedeath soon got on our trail, offering us a backing that now elevates our possibilities to compete for a place among the greatest of names in Black Metal. They pave our way, map us our roads, and guide us to growth in darkness.Our vow from here on out is to deliver our power in full, to burn as the brightest of flame until our fuel runs out and another takes our place. This will be our unending service. For Satan.”
“En Route” delves into themes of treachery and betrayal, both on national and personal scales, alongside aspirations for sovereignty and critiques of left-wing ideology. Unapologetically political, it stands as an anti-religion, pro-freedom statement.Musically, it embraces the essence of Symphonic Black Metal drawing inspiration from Dimmu Borgir, Agathodaimon, Windir, Cradle of Filth, and Finntroll. The result is a dark, cinematic soundscape that balances grandeur with aggression.Lyrically, the album is born from Moordrawn’s deep frustration and disillusionment with a world spiraling into decay.
A New Era of Elegance and Ferocity
Emerging from the shadows of the metal underground, RawMoor has forged a reputation for blending haunting orchestral melodies with blistering death metal savagery. Their debut album, En Route—initially self-released in September 2024—captivated fans and critics alike, earning acclaim for its seamless marriage of brutality and sophistication. Now, armed with the backing of Wormholedeath, RawMoor is poised to ascend to new heights, bringing their apocalyptic soundscapes to a global audience.

From Underground Vision to International Stage
What began in 2016 as the solo endeavor of multi-instrumentalist Moordrawn (vocals, guitars, bass, keyboards, orchestration) evolved into a formidable alliance with longtime collaborator Brim (vocals). Together, they finished En Route, a concept album steeped in treachery, sovereignty, and existential rebellion themes. Guest guitarist Renton (tracks 2, 3, 6) adds searing solos, further cementing the album’s dynamic range.RawMoor embodies the raw intensity and artistic ambition that defines extreme metal,” says Carlo Bellotti, CEO of Wormholedeath. “En Route is not just an album—it’s a manifesto. We’re thrilled to amplify their vision and introduce their chaos to the world.”

En Route is a journey through betrayal and retribution, and with Wormholedeath, RawMoor is ready to ignite the flames wider than ever.
Experience a glimpse of the storm with the official En Route teaser:

Croatia’s Finest Folk Metal Outlet MANNTRA Release Final Single “Heart Of The Storm” + Lyric Video – Album Out This Friday, March 14!

Croatian Folk Metal warriors MANNTRA are experiencing exciting times! Currently supporting folk rockers D’Artagnan on a European tour alongside their label mates The Dark Side of the Moon, and today, they unleash their newest single “The Heart Of The Storm”. With a haunting, melodic, acoustic feel, folk-inspired background vocals, and an unforgettable groovy chorus, this track captures the struggle for freedom, and rebirth amidst chaos. “The Heart Of The Storm”  is another powerful example of MANNTRA’s signature fusion of traditional Balkan influences and high-energy metal.

The track is taken from their eagerly awaited 8th studio album, Titans, which will be released this Friday, March 14, 2025, via Napalm Records. By amplifying the rich heritage of ancient Balkan folklore with ferocious intensity, MANNTRA has forged a distinct legacy across seven powerful albums and electrifying performances at renowned festivals like Wacken Open Air. From commanding headline slots to sharing stages with legends like In Extremo, the band has solidified its status as a formidable force in the global metal scene.

MANNTRA is primed to reinforce their claim of the Folk Metal throne, by unleashing Titans upon the world in 2025!

MANNTRA on the new single “The Heart Of The Storm”:
“Prepare to be consumed by the raw power and unrelenting intensity of ‘Heart of the Storm’, a melodic metal anthem that takes you deep into the heart of darkness. This track unleashes an electrifying storm of blistering guitar riffs, pounding drums, and hauntingly beautiful melodies that blend strength and vulnerability in every note.
 
From the gritty undertones of life’s rawest emotions to the soaring highs of redemption, ‘Heart of the Storm’ is a song for anyone who has ever fought to rise above the chaos. The powerful, driving rhythm and haunting melodies will leave you feeling reborn—ready to face whatever storm lies ahead.”
Watch the Lyric Video for “The Heart Of The Storm” HERE:

Formed in 2012 around mastermind Marko Matijević Sekul, the band has proven to be extremely productive as Titans is already their eighth studio album. Over the years the quintet developed their trademark sound by combining raw metal riffs and hard-hitting industrial sounds with traditional folk instruments, unleashing a relentless storm of catchy metal hymns. MANNTRA’s high energy soundscape is skillfully built by supposed opposites: authentic folk instruments like pipes and mandolins interwoven with raspy male vocals and an uplifting industrial metal sound. With their newest masterpiece they clearly take no prisoners as the album sets off with the title track “Titans” delivering forceful rhythms and powerful drumming. This continues on tracks like “Higher” or “Riders In The Dawn” kicking off with strong introsLike no other, MANNTRA manage effortlessly to transport the ancient tunes into modern times by combining its folk elements with synths like on “My Sandman” or the album closer “Nav” delivering massive melodies. But MANNTRA also stay true to their roots with “Teuta” telling the story of a legendary Illyrian queen who reigned in Croatia around 200 BC and “Unholy Water (Voda)” containing a catchy chorus and intense female folk vocals delivering a hymn like melody with lyrics partly in Croatian. The same can be witnessed on the extremely groovy and catchy “Heart Of The Storm”, while uplifting “Skal” is a song to get every folk party started. A clear highlight are the combined songs “Forgotten Pt.1” and “Forgotten Pt.2” which are true industrial metal masterpieces that seamlessly cross genres, heavily leaning towards electronic elements, while maintaining their very own soundscape.

Overall Titans convinces with an enormous hit-density and sets a clear mark, delivering proud hymns and in-your-face metal songs that are undeniable, proving that MANNTRA are on the very top of their game, ready to enter the next level of their promising journey!

Psychedelic Stoner Rock Trio STONE MACHINE ELECTRIC Signs With Argonauta Records

Argonauta Records is thrilled to welcome Texas-based stoner rock trio Stone Machine Electric to its ever-growing roster of heavy, boundary-pushing artists! Renowned for their immersive and spacious brand of psychedelic jamming, which they have aptly named Doom Jazz, the band has been crafting their unique sonic identity since 2009.

Formed by Mark Kitchens and William (Dub) Irvin, Stone Machine Electric has been on an evolving journey, solidifying their lineup with the addition of bassist Erick Paxecko in 2023. Over the years, the band has independently released a demo, an EP, and five full-length albums, including their most recent record, The Inexplicable Vibrations of Frequencies Within the Cosmic Netherworld, which saw the light via Desert Records. Their dynamic and powerful live presence has also been captured on the album Vivere, released through Off The Record Label.

No strangers to the road, Stone Machine Electric has extensively toured their home state of Texas, making waves in Arizona, Oklahoma, and Louisiana, and sharing the stage with heavyweights like King Buffalo, Mothership, Wo Fat, and Jucifer. They have also left their mark on the Texas festival circuit, performing at End Hip End It, Fuzzed Out Fest, and Heavy Mash.

The band’s relentless dedication has garnered international attention from tastemakers such as The Obelisk and Doomed & Stoned, as well as praise from local media like Fort Worth Weekly, which described their sound as: “You can practically see Conan praying to Crom right before a battle.”

Now, with a new chapter unfolding, Stone Machine Electric is set to release their upcoming album Faces under the Argonauta Records banner. The band comments:

“We’re excited to work with Gero and Argonauta Records on releasing Faces as the next stop in our journey as Stone Machine Electric! It will be great to be a part of what Argonauta has contributed to the heavy underground and look forward to bringing our style of heavy into the fold of the other great bands that make up what this label is about. We are honored to work with Argonauta, and are looking forward to getting our new music out as far as it can reach.”

Stay tuned for more details on Faces, tour dates, and further announcements from Stone Machine Electric and Argonauta Records!

CANDLEMASS Celebrates 40th Anniversary With New EP, “Black Star”, Out May 9, 2025!

Swedish godfathers of epic doom CANDLEMASS celebrate their 40th anniversary of pioneering the genre with a four-track EP, Black Star. Packed with craterous riffs, this celebration of doom metal mastery is set for release on May 9, 2025 via Napalm Records.
 
With Black Star, the genre-defying band unveils two brand-new songs alongside two cover versions of timeless classics. The EP will be available in various formats, including a strictly limited vinyl edition featuring a 12-page vinyl booklet, an A3 poster, and a tote bag.
 
CANDLEMASS mastermind Leif Edling comments:
“Not all bands get to see their 40th birthday and it certainly hasn’t been an easy ride. But many ups and downs later, we stand here as survivors, veterans even… a bit scarred perhaps? Still ready though to unleash another piece of doom-laden metal upon an unsuspecting world. You have to do something when you turn 40, right? Anyway, as always, it’s been fun recording some new stuff as well as covering a couple of old favorites.”

Title track, “Black Star”, blends haunting melodies with deeply introspective lyrics, brought to life by the dark, romantic voice of vocalist Johan Länquist. Songwriter Leif Edling’s lyrics delve into themes of existential struggle, temptation, and the allure of darkness — creating an intense atmosphere imbued with CANDLEMASS’ signature sound. The second new track, “Corridors Of Chaos”, marks a true old school instrumental containing both classic metal riffing and stunning guitar playing by Lars Johansson, showcasing the band’s mastery of dynamics. Adding to this tribute, CANDLEMASS delivers a cover of Black Sabbath’s iconic “Sabbath Bloody Sabbath”, taking listeners back to 1973. This is followed by their rendition of Pentagram’s classic “Forever My Queen”, further cementing CANDLEMASS’ remarkable contribution to shaping the genre into what it is today.
Prepare for 40 years of epic doom and watch the
anniversary trailer 
NOW:

Eclectic Doom AITTALA Drops New Single “Myself Deceived” Off Upcoming Album Machines Out April 2025

Eclectic doom metal powerhouse AITTALA is unveiling the first single “Myself Deceived” off their highly anticipated album “Machines”, set to drop on April 17, 2025, via Exitus Strategem Records.

Listen at the following links:

The songs on “Machines” were originally written and demoed between 1990 and 1997 on an analog 4-track cassette recorder. Now, Aittala has revived these tracks, preserving their raw essence while enhancing them with modern production techniques. The album offers a nostalgic yet powerful experience, blending early progressive metal influences with storytelling-driven lyrics. While showcasing a distinct style from their recent works, “Machines” stays true to Aittala’s signature heavy, immersive sound.

Formed in 1991 in Holland, Aittala quickly gained recognition in the Dutch metal scene, opening for bands like THE GATHERING and SADIST. After a hiatus, frontman Eric Aittala resurrected the band in 2008, leading to six full-length albums: Bed of Thorns (2009), Haunt Your Flesh (2011), Effigy (2014), American Nightmare (2016), False Pretenses (2019), Live to Regret (2022).

Now, with “Machines,” AITTALA boldly steps into the past, bringing long-lost tracks to life with a modern, crushing edge.

This dynamic duo of Eric Aittala (Guitars/Vocals) and Gary ‘Zeus’ Smith (Drums) (THE FIFTH, ex-MR BLACKWELL) continues to write, record, and tour, bringing their distinct brand of heavy, immersive metal to fans worldwide.

Album pre-save (due out April 17, 2025) – https://hypeddit.com/aittala/machines

“Aittala Offer Powerful Pandemic Post-Mortem on ‘Live to Regret’… Stick it on a playlist with Apostle of Solitude, Crowbar, Famyne, and Paradise Lost, with a dash of Slayer for good measure.” – Doomed and Stoned

“One of the best albums for 2022” – 666MrDoom YouYube Channel

“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel

CRADLE OF FILTH Drops Devilish Third Single “White Hellebore” + New Music Video

Following their acclaimed recent single, “To Live Deliciously”, and its exquisitely twisted music video, GRAMMY Award-nominated extreme metal institution CRADLE OF FILTH are back to give fans more of the sinful sounds they crave with “White Hellebore”, another bewitching new single and music video.

Featured on the band’s highly-anticipated upcoming 14th studio album, The Screaming Of The Valkyries (March 21, 2025 / Napalm Records), “White Hellebore” is devilishly direct, juxtaposing traditional heavy metal with blasts of thrashing fury, then spinning back to operatic goth while remaining cohesive. The track’s must-see new music video was directed by Shaun Hodson.

CRADLE OF FILTH mastermind Dani Filthsays about the song and video:
“The wintertime flower of the title reminds us scintillatingly of our own mortality, flourishing in seasons of dying light and cold, frozen earth. 

Blossoming in the shadows, this Hellebore’s flowers draw us deeply into the stygian darkness with her.

In context of this song, the White Hellebore of the title is an alluring woman not too distant in danger from the predatory black widow, fostering both hope and despair;
A poison and an elixir, she is stunning to behold but ever deadly to taste.

This video -reeking of Lovecraftian gothic horror-  presents the White Hellebore as a movie starlet who survives the grave through her dalliances with dark occult forces, a necromantic mystic tryst that an overzealous morgue attendant encounters with terrifying results, complimenting the song’s unholy matrimony of melody and mayhem.”
Watch the Music Video for “White Hellebore” HERE:

Following the release of 2021’s Existence Is Futile (#20 Billboard 200 with Hard Rock Genre), CRADLE OF FILTH emerge again with a legacy-cementing opus. On The Screaming Of The Valkyries, Dani Filth’s recognizable scream and equally identifiable growl stand mightily alongside twin guitar attacks, symphonic flourishes and explosive rhythm section, implemented by drummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage, and keyboardist/vocalist Zoe Federoff.

Menacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical hook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty, blast beats and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting expanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And The Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence Is Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. Anchored by arguably the most mournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or Anathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never wrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with imaginative new colors. 

Produced, recorded, mixed and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The Screaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. The Screaming of the Valkyries is a bloody dark love letter to the longtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter.

RIVERS OF NIHIL Releases “American Death” Video/Single

“American Death” is the latest single from progressive death metal progenitors RIVERS OF NIHIL. The ferocious new track — a true-to-form beater that‘s sure to slay live — comes by way of the band‘s eponymous fifth full-length, set for release on May 30th via Metal Blade Records.

Watch it HERE:

Comments founding guitarist Brody Uttley. “’American Death‘ is a title that we‘ve been throwing around and printing on our T-shirts since 2013. We figured it was finally time to write a song with that title, and given the subject matter of the lyrics, it would only make sense for this song to be a true ass beater. It‘s definitely the most true form ’heavy‘ song of these singles, so we are very much looking forward to playing it live.”

Sixteen years and five albums into the Pennsylvania band‘s career, RIVERS OF NIHIL is upping the ante with Rivers Of Nihil. Traditionally, a self-titled record can signal a return to basics and/or a fresh beginning, and in ten powerful songs, it‘s clear that both those factors are in play. Founding bassist Adam Biggs became the band‘s new lead vocalist/bassist in 2023; the same year marked the appearance of additional guitarist Andy Thomas (ex-Black Crown Initiate), whose vocals also play prominently on Rivers Of Nihil. Producers Carson Slovak and Grant McFarland at Atrium Audio captured the new dynamics across more than fifty minutes of music.
On June 15th, 2023, the band released the single, “The Sub-Orbital Blues,” the first track with Biggs handling lead vocals following the 2022 departure of singer Jake Dieffenbach. It was also the first track to feature Thomas. A second single, “Hellbirds,” dropped on October 19th of that year. On April 29th, 2024, the band released the cut “Criminals” and an accompanying music video. Both “Criminals” and “The Sub-Orbital Blues” appear on Rivers Of Nihil.

Rivers Of Nihil was created in a very “rock n‘ roll” manner. “On 2021‘s The Work, I wrote a lot of the record on the piano and then the band filled in the gaps,” explains Uttley. “On this new record, I wanted to make sure that this stuff would hit hard live with just the four of us before adding in all of the sparkly auxiliary ’frosting‘ on top.”.

Rivers Of Nihil also showcases additional musicians, including Patrick Corona on alto saxophone, Stephan Lopez on banjo, McFarland on cello, and a slate of other guest vocalists. Despite the fresh approach on Rivers Of Nihil however, the album still fits neatly into the band‘s discography. With Where Owls Know My Name (2018), RIVERS OF NIHIL transcended all labels applied to them, and with its 2021 follow-up, The Work, they forged further into new territory with Metal Injection calling the latter album “the group‘s most cohesive, ambitious, meditative, and varied effort, with greater uses of philosophical significance and transcendental respites.”
Writes Revolver in an early preview of the record, “…their forthcoming self-titled album… specializes in metronome-exploding kick work, riffs brawnier than a full-grown Kodiak, and a vocal tandem of soaring highs (guitarist Andy Thomas) and demonic lows (bassist Adam Biggs).”

Polish Progressive Metal Discovery Wind Down Sign With Wormholedeath

Polish progressive metal quintet Wind Down has inked a licensing deal with Wormholedeath Records for their highly anticipated album, The Burning Past, slated for release on April 18, 2025.
A Rising Force in Progressive Groove Metal

Formed in 2021 by Damian “Blady” Jurek and Wojciech “Świerszcz” Wojtyczek, founding members of Thetragon, Wind Down quickly grew into a formidable unit with the additions of Kuba Czubik, Władysław Zawojski, and Marcin Borula. The band’s journey began with the release of their debut EP, Uśpieni Ludzie (Euthanised People), which garnered widespread praise, thanks to its title track and accompanying music video.Building on the momentum, Wind Down toured extensively, sharing stages with international metal heavyweights like Necronomicon (Germany), Stonecast (France), and 3000AD (New Zealand), alongside prominent Polish acts such as Iscariota, Styxx, and Subterfuge.In 2023, the lineup evolved, bringing in Franciszek Trybus and Tomasz Wiśniewski (formerly of Thetragon and Kruk) to solidify their sound. By April 2024, the band began recording their debut full-length album at Hertz Studio, with the final touches—mixing and mastering—handled by Ergosphere Studios.

The Concept Behind The Burning Past

More than just an album, The Burning Past is a profound concept piece inspired by Native American Indian culture, shamanic rituals, and the cosmic connection between human souls and extraterrestrial energy. The record is a transformative journey that blends introspection with a broader, spiritual narrative, delivered through intricate melodies and evocative lyrics.Wind Down’s approach is steeped in authenticity, drawing inspiration from luminaries like Nevermore, Alter Bridge, and Dream Theater while carving out a unique identity in the Progressive Groove Metal genre. The album’s fusion of technical precision, melodic harmonies, and thunderous riffs creates a sound that is as innovative as it is powerful.

Live and Ready to Ignite
Wind Down’s dynamic live performances continue to captivate audiences, including notable appearances alongside Slovak band Gloom and at events such as the Wrath of Gods Vol. 5 Mini Fest (2023) and the Rock Pod Kameňom festival in Slovakia (2024), where they shared the stage with acts like Trauma, Phil Campbell and the Bastard Sons, HammerFall, and Eleine.

With the release of The Burning Past, Wind Down is set to solidify its reputation as a fresh and groundbreaking force in the progressive metal scene.

Without Doubt And Illusion (official teaser)

Metal Planet Media Talks To..Antonin Perras-Foisy from Insurrection

Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?

Insurrection is a metal band from Gatineau, Quebec. Formed over 20 years ago (2003), the band is known for their intense and energetic performances. Their sound is a unique twist of groovy death metal mixed with a healthy dose of thrash energy. . The band has released several albums, including “Prologue” (2008), “Fracture” (2010), “Prototype” (2013), and “Extraction” (2017). Their music often addresses social and political themes through bilingual lyrics in both English and French. The band has gained a notable reputation on stage throughout Canada with tours covering coast to coast, including performances at festivals such as Montebello Rockfest, Trois-Rivières Metalfest and Decimate Metalfest.

Are you all from the same area? How did you get together as a band?

We are all around the Gatineau/Ottawa region. The local scene is small, so everybody knows each other. Everyone in the band has played with one another in another band in the past so we already knew each other.

Who are your favourite artists/bands and how have they influenced your own sound?

Misery Index, Testament, Nevermore, Bloodbath, Decapitated. Just some good groovy death metal!

Did you always have the ambition to be a musician and in a band or did you originally have other plans?

I always jammed with friends or bands. As soon as I touched my first guitar, my buddy in high school got himself a drum kit and we started a band. Soon after I joined another band and a couple years later, I started jamming with my guys in Insurrection!

What songs or albums are on your current playlist?

I’ve been listening to some cheesy 80’s rock this summer. Whitesnake, H.E.A.T. self-titled and the new Unleash the Archers album were all on repeat for a couple of month.

Do you sing in the shower?

Yes. All the time.

If you could play at any venue in the world where would you choose?

We played Club Soda a while ago which is a big venue in Montreal. I would definitely love to play there again!

Do you have a favourite album? If so, what is it?

Abbey Road. I love the Beatles. But who doesn’t?

Do you have any guilty pleasure songs/albums?

My guilty pleasure is Rap. I’ve been listening to Killer Mike’s new album while writing this interview.

If you were putting together the greatest show on earth, who would be playing?

The Beatles featuring Dr Dre

Can you remember the first album you bought with your own money? What was it and do you still have it?

Ride the Lightning and yes, it’s in a box somewhere in my dad’s attic.

As your fans will be reading this, is there any message you would like to send out to them?

Just a huge thank you for always showing up and supporting us throughout all the years!

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

Website

https://insurrectionmetal.com/

Facebook

https://facebook.com/insurrectionmetal

X

https://twitter.com/InsurrectionCAN

Youtube

https://www.youtube.com/insurrectionCAN

Instagram

https://www.instagram.com/insurrectionmetal

Bandcamp

https://insurrectioncanada.bandcamp.com/

iTunes

https://music.apple.com/us/artist/insurrection/1266049641

We, at Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?

Just another big thank you to everyone who’s ever taken the time to support us one way or another!!! Hope to see you all on the road this fall!

This interview is the property of Metal Planet Media