WEDNESDAY 13 Announces 10th Studio Album “Mid Death Crisis” + Drops Scandalous New Music Video

Watch the Scandalous Music Video for New Single “When The Devil Commands” 

After returning in 2022 with his widely-acclaimed full-length album Horrifier (#8 US Top New Artist Albums), as well as several major tours supporting his solo work and celebrated Murderdolls reunion shows, world-renowned fearsome frontman WEDNESDAY 13 is back with another slew of harbingers of horror to slay the masses. His new full-length album, Mid Death Crisis, is set to drop on April 25, 2025 via Napalm Records.

The Duke of Spook himself dubs the album as a fun, campy, “leave-your-brain-at-the-door” ragerand a true return to his hard-rocking roots! Produced by guitarist Alex Kane (Life, Sex & Death, Enuff Z’Nuff, Antiproduct) and mixed by Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) the album oozes infectious 80s sleaze metal energy, further accented by a blitzing guest vocal from Faster Pussycat’s Taime Downe.

WEDNESDAY 13 has unveiled the album’s first single, the ultra-catchy “When The Devil Commands”, and its equally raucous, blasphemous new music video. The track stuns with an unforgettable hook, charging arena rock-laden drum production and chugging guitars.

WEDNESDAY 13 comments: 
“Growing up in the 80s, I remember the satanic panic of heavy metal music and parents’ concern over what their kids were listening to. My mother was constantly checking my cassettes and making sure I wasn’t possessed by the devil. Most of the music that I listened to never had any of those themes, but they were just accused of it. So when writing the lyrics to this song, I wrote what I thought would terrify my mother if she had stumbled upon this music. I wanted the lyrics to be upfront and leave no question as to what they were about… the Devil. This song is done in a fun spirit, and we don’t plan on burning any churches in the future.”

Eerie introductory track “There’s No Such Thing As Monsters” vibrates with electricity before industrial-tinged “Decease and Desist” kicks in full blast. WEDNESDAY 13’s trademark crooning wastes no time entering the fold as he careens through the high-octane horror anthem, before tracks like “Rotting Away” and “Blood Storm” ensnare with metallic goth-punk energy that will have crowds moving wall to wall. Featuring Faster Pussycat’s Taime Downe on guest vocals, standout heavy rocker “No Apologies” is a fast-romping exorcism of toxic demons, while the triumphant mini-murder ballad “Decapitation” riles up listeners with a catchy lead riff before making a hard left into a theatrical bridge straight out of a sinister 60s sock hop! Ragers like “In Misery”“Xanaxtasy” and “Sick and Violent” explore various genres of metal, injecting the album with elements of gripping heaviness for any listener, while downtempo stunners “I Hurt You” and “My Funeral” approach a more pensive territory. 

Although its title, Mid Death Crisis,may suggest otherwise, the Duke of Spook shows zero signs of stopping on this refreshingly powerful and multi-faceted entry into the WEDNESDAY 13 hall of horrific history!

Rockshots Records – BRAVERIDE Unveils New Video “Executioner” Off Upcoming Album “The Great Awakening” Out April 2025

Epic power metal warriors Braveride return with “Executioner”, the first single from their upcoming album “The Great Awakening” set for release on April 18th, 2025, via Rockshots Records. A battle hymn of unstoppable force, “Executioner” delivers soaring melodies, galloping riffs, and a thunderous rhythm section embodying the band’s signature blend of symphonic and epic power metal.

Alongside the release, Braveride has unveiled an official lyric video, allowing fans to immerse themselves in the song’s powerful themes while following the evocative storytelling of the lyrics. Designed to bring the narrative and emotion of “Executioner” to life, the lyric video enhances the track’s epic and cinematic nature, reinforcing the battle-driven intensity of the song. With striking visuals and a compelling lyrical flow, the video serves as the perfect gateway into the world of “The Great Awakening”, setting the tone for the album’s mythical journey.

Blending the grandiosity of symphonic orchestrations, classic guitar finesse, and a relentless drive, “Executioner” is a perfect showcase of Braveride’s artistic vision—where raw power meets intricate composition. As part of “The Great Awakening”, the track fits seamlessly into the album’s overarching fantasy concept where every song contributes to a mythical world of battles, heroes, and destiny.

With this new chapter, Braveride further solidifies its place in the epic power metal scene, making “Executioner” the perfect introduction to an album set to resonate deeply with fans of Rhapsody of Fire, Blind Guardian, and Manowar.

Founded in 2004 by Marios Christakis, Braveride was created with the vision of blending epic power metal with symphonic elements and a cinematic approach to storytelling. Over the years, the band has evolved refining their sound from the raw energy of their debut “Heroic Deeds” (2006) to the grandeur, more complex compositions featured in “The Great Awakening” (2025).

Inspired by fantasy literature, sword-and-sorcery tales, and epic battles, Braveride’s music transports listeners into mythical worlds. With soaring vocals, galloping rhythms, intricate orchestrations, and classical guitar passages, their sound stands out as a powerful force within the epic power metal landscape. Their ability to balance complexity and melody, creating both immersive full-album experiences and standalone anthems, has earned them a dedicated following among fans of Rhapsody of Fire, Blind Guardian, and Manowar.

Melodic/Progressive Metallers, SEVERED ANGEL, Releasing When Eternity Ends in March!

Melodic/Progressive Metal band, Severed Angel, will release their third album, When Eternity Ends, March 28 on No Life ‘Til Metal Records! The official video for the album’s first single, “Through The Eyes of Time,” is out now and available at: youtu.be/2cvWV5nEbRg

Hailing from the Northeastern U.S. (NY & PA), Severed Angel has toiled in the underground for several years, self-releasing their first two albums, yet still managing to reach high levels of success. The band’s sophomore album, Skyward, entered the Top 10 on on the Metal Contraband chart and the Top 25 on the NAAC Top 30 Heavy chart.

In late 2024, the band signed to No Life ‘Til Metal Records, to release third album When Eternity Ends internationally. “We do not like to repeat ourselves,” says lead guitarist, Lou Mavs. “Yes, we have a set idea on what Severed Angel is suppose to sound like, but we never want to sacrifice melody or a good idea. Skyward was an evolution from our self-titled debut, and When Eternity Ends is a further evolution of Skyward. We are proud to partner up with No Life ‘Til Metal Records for the release of When Eternity Ends, an album I think metal fans are hungry for.”

When Eternity Ends is packaged in a jewel case with a 12-page booklet containing lyrics, liner notes, and plenty of band photos.

FFO: Soilwork, Ice Earth, Blind Guardian, Helloween, Dream Theater, Iron Maiden, and Judas Priest.

Pre-order

linktr.ee/severedangel

distrokid.com/hyperfollow/severedangel/when-eternity-ends

Track Listing:

1. The Fall of Rain

2. Through the Eyes of Time

3. Cry Out to the World

4. Shed

5. Like Lightning

6. Wolf in Sheep’s Clothing

7. The Demon’s Alive

8. In My Skin

9. One Life to Live

10. When Eternity Ends

Severed Angel is a metal band from the Northeastern United States (NY and PA) forged to unleash a sonic assault of melodic heavy metal upon the masses.

In 2018, drummer Wayne Noon started the Rat Salad Review network to promote his favorite bands and have fun with a podcast that provides insight to the metal bands that the mainstream media are unaware of. Some of those bands included Timeless Haunt (PA), The Nightmare Stage (NY), Infinite Spectrum (NY), and Tension Rising (NY).

As the original drummer for Phoenix Reign, a NYC-based power metal band, they released an album called Destination Unknown, and toured around the tri-state area. Their final show was at the Gramercy Theater in NYC opening for international recording artists Epica.

In 2019, guitarist Lou Mavs started his podcast (Music Is Life Podcast) discussing his opinions and experience as a musician. Wayne and Lou were friends from the time Phoenix Reign was playing shows in Lou’s native Queens, NY, and Wayne asked Lou if his podcast would join Rat Salad Review as a show on the network, to which he did.

In late 2020, Wayne was preparing the release of his new band Project Resurrect. It was around that time that the music world suffered the loss of Edward Van Halen. Lou and Wayne suggested that they cover a Van Halen song as a tribute to Eddie, and enlisted the services of Timeless Haunt bassist George Dimitri and Thrash Or Die/Combat vocalist Ralph Viera. The cover was released to positive responses. 2021 saw the release of Project Resurrect’s False Reality CD and Rat Salad Review & Friends’ Cover Series, Part 1 EP.

In early 2022, Wayne suggested forming a new original band with Lou, George, The Nightmare Stage keyboardist Marc Muchnik, and Infinite Spectrum bassist/songwriter Alex Repetti (also of Tension Rising and Project SEAR), Lou provided an original demo written 12 years ago called Dogs of War, which was written as entrance music for his cousin – MMA fighter Robby Plotkin (currently a US Army Ranger). Wayne thought the song was perfect for this new project and arranged a new version of it, to which Marc and Alex wrote lyrics, and Lou re-recorded his parts. Upon completion of the song, it was official – Severed Angel was born.

Groove Metal Tornadoes Dosgamos Unveil ‘On Day Seven He Regretted’ Single

Emerging as a force in the global metal scene, Italian groove metal maestros Dosgamos proudly announce their blistering new single, ‘On Day Seven He Regretted’, out now. Serving as the title track from their forthcoming album, slated for release on March 14, 2025, via WormHoleDeath Records, the song delves into the existential weight of creation, challenging the morality of birthing a flawed humanity.

A striking and thought-provoking track, “On Day Seven He Regretted” pairs pummeling riffs and intricate rhythms with lyrical themes of existential dread and disillusionment. The song serves as a philosophical exploration of creation, morality, and the human condition, inviting listeners to reflect on their own place within a flawed existence. With a relentless groove metal foundation and powerful vocals, the track channels raw frustration and despair, evoking a sense of cyclical struggle and chaos.

Watch the video here:

The album “On Day Seven He Regretted” marks a bold evolution for Dosgamos, building upon the foundation laid by their 2022 release, Wrapped Renaissance. This new track is a testament to the band’s growth and artistic ambition, with Vinnie (guitar) and Elia (drums) taking full control of the songwriting. Their collective vision has resulted in a more powerful and cohesive sound that blends complex rhythms and harmonic depth, enriched by the band’s unique blend of influences.

Drawing from the heavy hitters of the metal world like Decapitated, Meshuggah, and Destrage, and incorporating jazz-rock elements inspired by icons like Miles Davis and Snarky Puppy, Dosgamos has created an unmistakable sonic identity. Michele’s vocals—infused with the spirit of Corey Taylor and Phil Anselmo—add further emotional weight to the track, elevating its intensity and lyrical complexity. Milarevan’s striking album artwork visually complements the themes of disillusionment and the search for truth that run through the album, while Alessandro’s guitar contributions and the expert mixing by Ronnie Björnström round out the album’s innovative sound.

Formed in 2018, Dosgamos has been carving out a unique niche in the metal landscape, blending powerful grooves with intricate melodies. The band features Michele Altavilla’s dynamic vocals, along with drummer Gorath (Stormcrow), bassist Giulio Garibaldi, and guitarist Vinnie (Injury). Following the pandemic, they completed their debut album, “Wrapped Renaissance,” which was recorded in late 2021 and released in 2022.

Since then, Dosgamos has been relentlessly promoting their debut with electrifying live performances across East Europe. This includes a successful tour through the Czech Republic, Romania, Hungary, England, Wales, and Albania. The addition of drummer Elia Dutto and guitarist Alessandro Parola has only strengthened their live presence, culminating in a powerful debut at a festival in Prague.

Teutonic thrash trio WARFIELD drop second Single “Soul Conqueror” + Official Music Video – Watch It Now

Prepare for “Soul Conqueror”, the speed-driven new single from WARFIELD, taken from their Napalm Records debut, With The Old Breed, out on April 4, 2025! The track’s unsettling,  eerie atmosphere is energized by explosive Teutonic thrash fury. Lyrically,  “Soul Conqueror” dives into haunted memories with brutal imagery, exploring the aftermath of battle, where departed souls wander for eternity. 
 
Get ready for a journey through the afterlife and beyond.
 
WARFIELD on “Soul Conqueror”:
“The song ‘Soul Conqueror’ brings to life the horrors of American psychological warfare during the Vietnam War. The voices of restlessly wandering Vietnamese ancestral spirits were broadcast over loudspeakers above the jungle, intended to persuade locals to surrender. In our release, the ‘Operation Wandering Soul’ takes on a musical form – uncompromising, atmospheric, and haunting.”
Watch the official music video for “Soul Conqueror” HERE:

WARFIELD about the album:
“Our new album With The Old Breed embodies everything we stand for as a band: Brutal, honest old-school thrash with emotion, rage and lots of energy. Sound-wise and musically evolved from the debut album, we delve even deeper into the inner human life and the harsh reality of war. Our goal is to bring out the different layers of despair, manipulation, but also camaraderie and express it all through musical heaviness. So if you call the mosh pit your home and feel like letting it all out, then give With The Old Breed a listen!”
 
With their latest record, WARFIELD explores the unembellished and emotional depiction of societal, historical, social and internal wars – expressing criticism of the bitter part of reality. Songs like “Appetitive Aggression” dive deep into the primal instinct of humanity with light-speed riffs and relentless energy. It’s time for new thrash metal legends from Germany to arise, bonded by blood with the heroes from the past. Battle awaits…

The German trio WARFIELD are poised to begin their next assault, charging into battle with the release of their forthcoming album. Since their formation in 2012, they’ve dedicated themselves to the music of their idols like Tom Angelripper, Jeff Hanneman, and Dave Lombardo, unleashing brutal shredding riffs and lightning-fast beats with powerful precision. WARFIELD has already shared the stage with heavyweights like Bay Area thrash legends Exodus, captivating audiences with their electrifying live performances.
 

With The Old Breed tracklisting:
1. Melting Mass
2. Appetitive Aggression
3. Soul Conqueror
4. Fragmentation
5. Lament Of The White Realm
6. Tie The Rope
7. Inhibition Atrophy
8. Dogs For Defense
9. GASP
10. With The Old Breed

AVANTASIA Unveil Third New Single “The Witch” feat. Tommy Karevik (Kamelot)

Leading rock and metal band AVANTASIA have unveiled the third new single from their highly anticipated 10th studio album, Here Be Dragons, entitled “The Witch”! The powerful new anthem features guest vocals from Kamelot singer Tommy Karevik and cinematic dark soundscapes that perfectly support the storyline. “The Witch” arrives with a spellbinding official music video, enhancing the mysterious, ghostly atmosphere of the song and truly mesmerizing the listener.
 
Tobias Sammet on “The Witch”:
“’The Witch’ is a dark and enchanting song that carries many traditional Avantasia trademarks, and yet it has a sinister and magical mood that I think is somehow new in the world of Avantasia, while it perfectly blends with the rest of the album. Tommy Karevik of Kamelot did a wonderful job on this one and I can’t wait to sing this song with Tommy on our forthcoming tour. We’ll bring the great stage setting to turn the stage into the ghost infested old castle resembling the ancient building which we shot the stunning video clip for the track at. It’s a beautiful track, powerful, anthemic, melodic and full of eerie little details. I am extremely proud of the song and the whole album.”
Check Out the Official Video for “The Witch” HERE
Having previously topped the charts in Germany, reached gold sales status and garnered hundreds of millions of streams, AVANTASIA has also built a reputation as a stellar live act, headlining all important metal festivals and playing for tens of thousands of devoted fans at sold-out worldwide arena tours. AVANTASIA’s next quickly-selling arena tour is kicking off in just over a month, featuring the band’s biggest and most epic production to date. Grab your tickets before it is too late, pre-order your version of Here Be Dragons now and watch the music video for “The Witch” below!

[Photo credit: Kevin Nixon]

“Skies Turn To Graves,” The New Single from FLESHSPOIL, Out Now!

Troy (NY) – “Skies Turn To Graves,” the second single from forthcoming FLESHSPOIL debut album, The Beginning of the End, is out now and streaming on Bandcamp! Get hammered at the following link:

fleshspoilofficial.bandcamp.com/track/skies-turn-to-graves

A new force in Blackened Death Metal has emerged to lay waste to 2025! FLESHSPOIL, featuring veteran players from Arsis, The Final Sleep, and Illucinus, will release full-length debut album, The Beginning of the End, March 28 on digital format!

Fans of classic death, black, and doom metal take note! FLESHSPOIL delivers a haunting and aggressive soundscape, and features a lineup of seasoned musicians: Jeff Andrews (guitar/vocals), a veteran of New York’s metal scene, known for his work with The Final SleepArmor ColumnHushIronweedScavengers, and Held UnderMike Van Dyne (drums), known for his role in Arsis, where he played on acclaimed releases such as A Celebration of Guilt and A Diamond for Disease, and toured globally alongside heavyweights like BehemothArch EnemyExodus, CynicDying FetusGraveNecrophagistNapalm Death, and Six Feet UnderDan Saltzman (bass), hailing from the Bay Area, whose impressive work has been showcased in Illucinus and The Hunt, as well as recent demonstration videos for ESP bass guitars.

Produced and mixed by Brett Portzer (SkinlessAuthor & PunisherArsis), The Beginning of the End consists of six tracks clocking in at 37 minutes. It is the creative vision of Andrews and Van Dyne, who recorded two albums and performed together alongside such notable bands as At The GatesWolves In The Throne RoomSanctuary, Rivers of NihilFates WarningAll That Remains, and many others with their previous band, The Final SleepThe Beginning of the End additionally includes guest appearances by Kyle Chapman (AethereusBlighted Eye), John Judson (RwakeScott Kelly), and Petr Oplatka (Illucinus).

Pre-order The Beginning of the End:

fleshspoilofficial.bandcamp.com/album/the-beginning-of-the-end

Track Listing:

1. Bleed Through This Life

2. Skies Turn To Graves

3. Fleshspoil

4. Walking Dead

5. A Frail Demise

6. Born Into Despair

HELLOWEEN ‘MARCH OF TIME (THE BEST OF 40 YEARS)’

Not many bands can lay claim to creating an entire genre, much less a movement that has continued to flourish for over four decades, but German heroes Helloween did exactly that. Combining the speed of thrash, the twin-guitar approach of NWOBHM, and the hymnal melodies of European folk music, Helloween paved their own path, creating a genre that would resonate for decades afterward: the mighty, dragon-slaying style known as power metal and every band that has raised a sword to honour and glory owes their life to this band, who are now celebrating 40 years of existence and still thriving.
 
To mark this momentous occasion, BMG is proud to present ’March Of Time (The Best Of 40 Years)‘, a storming, double-bass-led thrill ride through Helloween‘s triumphant history. Featuring 42 handpicked tracks from the early days to their staggeringly successful reunion, this massive compilation is the perfect companion on your epic quest to storm the ’Walls Of Jericho‘ and capture the ’Keeper Of The Seven Keys‘. It might even drag you ’Straight Out Of Hell‘ when you‘re done. 
 
Formed by Kai Hansen, Michael Weikath, Markus Grosskopf and Ingo Schwichtenberg, Helloween burst onto the scene in 1985 with their self-titled EP and quickly found fame as the leading lights of the German metal movement, setting new standards for melody and speed. Stepping down from the mic, guitarist Kai Hansen brought in 18-year-old Michael Kiske to front the band, and it wasn‘t long before they‘d created their first true classic. ’Keeper Of The Seven Keys Part I‘ was stuffed to the gills with immortal anthems such as ’Future World‘ and ’I‘m Alive‘, but it was 1988‘s second installment that made them famous on both sides of the Atlantic. Bolstered by ’I Want Out‘ and the high-flying ’Eagle Fly Free‘, ’Keeper Of The Seven Keys Part II‘ got them support slots with Iron Maiden, Ozzy and the Scorpions, but darker times loomed.
 
In 1989 Kai Hansen left the band to form Gamma Ray, and Helloween tried commercial rock for size with ’Pink Bubbles Go Ape‘. After 1993‘s divisive ’Chameleon‘, they parted ways with drummer Ingo Schwichtenberg, who would sadly pass away two years later. Michael Kiske left the fold soon after. Helloween had come to a crossroads, and in 1994 they barreled though it recruiting Pink Cream 69 vocalist Andi Deris and making a staggering return to form with ’Master Of The Rings‘, the beginning of a new golden age. The albums that followed – 1996‘s ’The Time Of The Oath‘, 1998‘s ’Better Than Raw‘, and 2000‘s brooding ’The Dark Ride‘ – inspired a whole new generation to form bands, resulting in the glorious second wave of European power metal.
 
The entry of guitarist Sascha Gerstner (2002) and drummer Dani Löble (2005) to replace the departing band members Roland Grapow and Uli Kusch marked the definitive end of the line-up carousel and formed the core unit that has lasted ever since. 
 
In 2016, Kai Hansen and Michael Kiske returned to the band to create a seven-member lineup for the Pumpkins United titled world tour, a celebration of their immense history. The tour became nothing less than a triumph and catapulted the band into new spheres: 69 Shows in 32 countries on three continents, selling out arenas and headlining the biggest festivals such as at Wacken, Rock Fest Barcelona or co-headlining Rock in Rio, their performances attracted more than one million fans and underpinned the status of Helloween.
 
It was such an incredible success, that the band entered the studio to create their monumental self-titled 16th studio album, an album that reached several No. 1 and top 10 positions all over the world. With no doubt, it proved to be the most important reunion in metal since Bruce Dickinson and Adrian Smith rejoined Iron Maiden.
 
With over 10 million albums sold, Helloween are one of Europe‘s most valuable exports, and they show no signs of slowing down. Featuring tracks from all 16 studio albums, ’March Of Time‘ is a magic book of epic tales waiting to unfold. All you have to do is follow the sign…

March Of Time (The Best Of 40 Years) contains 42 tracks curated by the band and remastered by Sascha “Busy” Bühren, mastering engineer of the band´s self-titled No 1 album Helloween from 2021 and will be available in the below formats :

Deluxe limited edition, 5 red vinyl box set including art print and puzzle.
Triple CD digisleeve with booklet.
Digital download.

TRACKLISTING
Walls of Jericho / Ride the Sky
Metal Invaders
Victim of Fate
How Many Tears
Eagle Fly Free
Halloween
A Tale That Wasn’t Right
Future World
March of Time
Dr. Stein
Keeper of the Seven Keys
I Want Out
Kids of the Century
Number OneWindmill
Sole Survivor
Perfect Gentleman
In the Middle of a Heartbeat
Why?
Forever and One (Neverland)
Power
Steel Tormentor
Hey Lord!
I Can
If I Could Fly
Mr. Torture
Hell Was Made In Heaven
Light the UniverseThe Invisible Man
As Long As I Fall
Kill It
Where the Sinners go
Are You Metal?
Nabataea
Straight Out of Hell
Waiting for the Thunder
Heroes
My God Given Right
Pumpkins United
Best Time
Fear of the Fallen
Skyfall

Modern Metal Stars TETRARCH Announce New Album “The Ugly Side of Me”

TETRARCH‘s tireless ascent to metal stardom has been palpable in the scene since their formation. Now, after four years of intensely focused growth and lead guitarist Diamond Rowe’s emergence as Jackson Guitars’ first female signature artist, the modern metal stars will release their trailblazing third album, The Ugly Side Of Me, on May 9, 2025 via Napalm Records. The album is available for pre-order today.

Featuring massive, needle-sharp production co-produced by Dave Otero, Diamond Rowe and Josh Fore, The Ugly Side Of Me boasts unrelenting brutality, catchiness and songwriting mastery. The band is poised to top the multi-millions of cross-platform streams and views of their addictive singles and high-energy videos, frequent playlisting via Spotify, Apple and others, mainstream top 40 Active Rock radio blitzes, attention from major media like Billboard, Revolver, Alternative Press, Guitar World, Kerrang! and Metal Hammer,and international tours supporting legendary artists Sevendust, Atreyu and beyond.

In celebration of today’s album announcement, the band just dropped the album’s second single, the anthemic “Never Again (Parasite)”, alongside a new music video. The standout track – which features the vocal debut of Diamond Rowe and follows buzzy first single “Live Not Fantasize” – carefully balances thick grooves and atmosphere with deep-cutting lyricism and the multi-faceted vocals of frontman Josh Fore.

TETRARCH offers about the track and video:
“We are so excited to finally announce the release of our upcoming record, entitled The Ugly Side of Me, as well as our second single, ‘Never Again (Parasite)’. ‘Never Again (Parasite)’ was such a fun song for us to write. It’s very moody and dark but lyrically extremely easy for anyone to relate to. It’s basically about losing trust in so many of the situations and people around you – while at the same time, isolating and losing a sense of self. It also kind of has a vibe of taking back what’s yours and saying ‘this won’t happen to me ever again’. I suppose you can look at it either way. This song shows a very different side of our band especially coming off of our last single ‘Live Not Fantasize’.

This is also the first time we have featured Diamond on vocals in a capacity other than just background textures and we are super stoked for everyone to hear her voice in this way.”

If there is any question as to whether a band can push the confines of metal and hard rock in to the future, TETRARCH are the answer. Combining energetic modern musical aggression and lyrical honesty with colossal choruses and unforgettable melodies, TETRARCH appeal to fans both in and outside of the metal scene, providing newcomers a gateway into heavy music.

TETRARCH’s Napalm Records debut, Unstable (2021), received massive critical acclaim. Its debut single, “I’m Not Right”, cracked the Mediabase Active Rock Top 30 and has garnered over 15 million combined cross-platform streams to date. Follow up single “You Never Listen” later went on to receive keen support from SiriusXM, HardDrive, Full Metal Jackie and many more of the country’s leading active rock outlets. 

Among its perfectly crafted 10 tracks, new album The Ugly Side Of Me cuts like 90s industrial-injected single “Live Not Fantasize” – which premiered via SiriusXM Liquid Metal upon its release alongside Diamond Rowe’s Jackson Guitars signature launch – thrill with intense electronic flourishes, quick riffage and dynamic, spine-tingling guitar solos. Tracks like album opener “Anything Like Myself” showcase the hypnotizing, crushing metallic brilliance of the band while flirting with Josh Fore’s intense screams and Ruben Limas’ punching drums, while the likes of “Best Of Luck” stand tall with the rhythmic basslines of Ryan “Dooms” Lerner and Rowe’s inventive riff artistry. Profound melodic bangers like “Erase” and “Cold” are injected with intricate guitar solos, while “Headspace” and “The Only Thing I’ve Got” thrust the vital, brooding elements of TETRARCH into the forefront. Each track succeeds with lyrical themes of facing our own darkest criticisms – embracing the healing notion that what we feel others may see as our worst traits actually define the greatest aspects of our individuality.

Metal is practically begging for its next wave of genre frontrunners, and with one listen it’s clear – TETRARCH lead the charge.

ALLEGAEON To Release The Ossuary Lens Full-Length

Technical death metal outfit ALLEGAEON will unleash their new full-length, The Ossuary Lens, on April 4th on Metal Blade Records, today unveiling the record‘s first single, “Driftwood.”

For ALLEGAEON, sitting still is not an option. The Fort Collins, Colorado-based  group has never allowed itself to stagnate, prefering to thrive on chaos, change and evolution. Their latest offering, The Ossuary Lens, is their seventh full-length overall but  it‘s the first with original vocalist Ezra Haynes since his 2015 departure following the Elements Of The Infinite album. Replacing a singer is no easy task, so the fact that Haynes was in a place to rejoin is something to celebrate.
 
The cleaner vocal approach on the last three albums was a fascinating artistic maneuver, one that refreshed ALLEGAEON, but it‘s undeniably thrilling to hear Haynes‘ graveled larynx back in the fold on this inarguably brutal and technically dazzling slab of work. The science-based lyrics are as challenging as the progressive musicianship, resulting in a set of songs that simply slay. It‘s a sound that Haynes himself refers to as “melotech” (melodic, technical death metal).
“I think in the beginning we were a little more stripped down,” adds guitarist Greg Burgess, “very guitar-forward, focused melodeath. Over time, I think more technical, symphonic, and progressive elements creeped in. Finally, where we are today is all of that combined, added with more ambient elements.”
 
The Ossuary Lens was recorded with producer Dave Otero at Flatline Audio studio in Denver. It marks the sixth album recorded with Otero. “He‘s our guy and we couldn’t imagine working with anyone else at the moment,” says Haynes. “We have worked with Dave Otero at Flatline Audio since the beginning of our career,” adds Burgess. “So seventeen years now. Dave always provides a comfortable working environment, amazing ideas, and a career-spanning understanding of what has made ALLEGAEON, ALLEGAEON.”
 
The proof is in the pudding; the sound on The Ossuary Lens pummels the listener, though the ferocity is balanced by the overt melodies. It‘s the most triumphant and cohesive body of work that they‘ve ever laid down.
 
Lyrically, while not a concept album in the traditional sense, there‘s an overarching theme to the new album – The Ossuary Lens is a representation of several different viewpoints of death. “Each song essentially is a different topic, however there is always a different perspective of death tied to each subject,” says Haynes. “Since the entire album revolves around this overarching theme of death, and the different viewpoints associated with it, we found ourselves very attached to the word ’Ossuary,‘ and since the album takes look at death through different points of view, we found The Ossuary Lens to be very fitting for the album title.”
 
Of the album‘s first single, “Driftwood,” Burgess elaborates, “This song holds a special place in ALLEGAEON history, honestly. This piece was written for Apoptosis by our then-brand new bassist Booboo. In its original form, it was so tech death, I don‘t think we knew how to incorporate it into the ALLEGAEON sound when he submitted it. Fast forward six years and, as we were kicking around ideas for this album, I remembered the piece, and asked Booboo if he wouldn’t mind if I took a crack at possibly rearranging its format a little smoother into the ALLEGAEON sound. I just wanted there to be a little bit more repetition of some parts. The song turned out amazing. Always goes to show – never throw out anything as you never know when it’ll come back.”