HELLOWEEN ‘MARCH OF TIME (THE BEST OF 40 YEARS)’

Not many bands can lay claim to creating an entire genre, much less a movement that has continued to flourish for over four decades, but German heroes Helloween did exactly that. Combining the speed of thrash, the twin-guitar approach of NWOBHM, and the hymnal melodies of European folk music, Helloween paved their own path, creating a genre that would resonate for decades afterward: the mighty, dragon-slaying style known as power metal and every band that has raised a sword to honour and glory owes their life to this band, who are now celebrating 40 years of existence and still thriving.
 
To mark this momentous occasion, BMG is proud to present ’March Of Time (The Best Of 40 Years)‘, a storming, double-bass-led thrill ride through Helloween‘s triumphant history. Featuring 42 handpicked tracks from the early days to their staggeringly successful reunion, this massive compilation is the perfect companion on your epic quest to storm the ’Walls Of Jericho‘ and capture the ’Keeper Of The Seven Keys‘. It might even drag you ’Straight Out Of Hell‘ when you‘re done. 
 
Formed by Kai Hansen, Michael Weikath, Markus Grosskopf and Ingo Schwichtenberg, Helloween burst onto the scene in 1985 with their self-titled EP and quickly found fame as the leading lights of the German metal movement, setting new standards for melody and speed. Stepping down from the mic, guitarist Kai Hansen brought in 18-year-old Michael Kiske to front the band, and it wasn‘t long before they‘d created their first true classic. ’Keeper Of The Seven Keys Part I‘ was stuffed to the gills with immortal anthems such as ’Future World‘ and ’I‘m Alive‘, but it was 1988‘s second installment that made them famous on both sides of the Atlantic. Bolstered by ’I Want Out‘ and the high-flying ’Eagle Fly Free‘, ’Keeper Of The Seven Keys Part II‘ got them support slots with Iron Maiden, Ozzy and the Scorpions, but darker times loomed.
 
In 1989 Kai Hansen left the band to form Gamma Ray, and Helloween tried commercial rock for size with ’Pink Bubbles Go Ape‘. After 1993‘s divisive ’Chameleon‘, they parted ways with drummer Ingo Schwichtenberg, who would sadly pass away two years later. Michael Kiske left the fold soon after. Helloween had come to a crossroads, and in 1994 they barreled though it recruiting Pink Cream 69 vocalist Andi Deris and making a staggering return to form with ’Master Of The Rings‘, the beginning of a new golden age. The albums that followed – 1996‘s ’The Time Of The Oath‘, 1998‘s ’Better Than Raw‘, and 2000‘s brooding ’The Dark Ride‘ – inspired a whole new generation to form bands, resulting in the glorious second wave of European power metal.
 
The entry of guitarist Sascha Gerstner (2002) and drummer Dani Löble (2005) to replace the departing band members Roland Grapow and Uli Kusch marked the definitive end of the line-up carousel and formed the core unit that has lasted ever since. 
 
In 2016, Kai Hansen and Michael Kiske returned to the band to create a seven-member lineup for the Pumpkins United titled world tour, a celebration of their immense history. The tour became nothing less than a triumph and catapulted the band into new spheres: 69 Shows in 32 countries on three continents, selling out arenas and headlining the biggest festivals such as at Wacken, Rock Fest Barcelona or co-headlining Rock in Rio, their performances attracted more than one million fans and underpinned the status of Helloween.
 
It was such an incredible success, that the band entered the studio to create their monumental self-titled 16th studio album, an album that reached several No. 1 and top 10 positions all over the world. With no doubt, it proved to be the most important reunion in metal since Bruce Dickinson and Adrian Smith rejoined Iron Maiden.
 
With over 10 million albums sold, Helloween are one of Europe‘s most valuable exports, and they show no signs of slowing down. Featuring tracks from all 16 studio albums, ’March Of Time‘ is a magic book of epic tales waiting to unfold. All you have to do is follow the sign…

March Of Time (The Best Of 40 Years) contains 42 tracks curated by the band and remastered by Sascha “Busy” Bühren, mastering engineer of the band´s self-titled No 1 album Helloween from 2021 and will be available in the below formats :

Deluxe limited edition, 5 red vinyl box set including art print and puzzle.
Triple CD digisleeve with booklet.
Digital download.

TRACKLISTING
Walls of Jericho / Ride the Sky
Metal Invaders
Victim of Fate
How Many Tears
Eagle Fly Free
Halloween
A Tale That Wasn’t Right
Future World
March of Time
Dr. Stein
Keeper of the Seven Keys
I Want Out
Kids of the Century
Number OneWindmill
Sole Survivor
Perfect Gentleman
In the Middle of a Heartbeat
Why?
Forever and One (Neverland)
Power
Steel Tormentor
Hey Lord!
I Can
If I Could Fly
Mr. Torture
Hell Was Made In Heaven
Light the UniverseThe Invisible Man
As Long As I Fall
Kill It
Where the Sinners go
Are You Metal?
Nabataea
Straight Out of Hell
Waiting for the Thunder
Heroes
My God Given Right
Pumpkins United
Best Time
Fear of the Fallen
Skyfall

Modern Metal Stars TETRARCH Announce New Album “The Ugly Side of Me”

TETRARCH‘s tireless ascent to metal stardom has been palpable in the scene since their formation. Now, after four years of intensely focused growth and lead guitarist Diamond Rowe’s emergence as Jackson Guitars’ first female signature artist, the modern metal stars will release their trailblazing third album, The Ugly Side Of Me, on May 9, 2025 via Napalm Records. The album is available for pre-order today.

Featuring massive, needle-sharp production co-produced by Dave Otero, Diamond Rowe and Josh Fore, The Ugly Side Of Me boasts unrelenting brutality, catchiness and songwriting mastery. The band is poised to top the multi-millions of cross-platform streams and views of their addictive singles and high-energy videos, frequent playlisting via Spotify, Apple and others, mainstream top 40 Active Rock radio blitzes, attention from major media like Billboard, Revolver, Alternative Press, Guitar World, Kerrang! and Metal Hammer,and international tours supporting legendary artists Sevendust, Atreyu and beyond.

In celebration of today’s album announcement, the band just dropped the album’s second single, the anthemic “Never Again (Parasite)”, alongside a new music video. The standout track – which features the vocal debut of Diamond Rowe and follows buzzy first single “Live Not Fantasize” – carefully balances thick grooves and atmosphere with deep-cutting lyricism and the multi-faceted vocals of frontman Josh Fore.

TETRARCH offers about the track and video:
“We are so excited to finally announce the release of our upcoming record, entitled The Ugly Side of Me, as well as our second single, ‘Never Again (Parasite)’. ‘Never Again (Parasite)’ was such a fun song for us to write. It’s very moody and dark but lyrically extremely easy for anyone to relate to. It’s basically about losing trust in so many of the situations and people around you – while at the same time, isolating and losing a sense of self. It also kind of has a vibe of taking back what’s yours and saying ‘this won’t happen to me ever again’. I suppose you can look at it either way. This song shows a very different side of our band especially coming off of our last single ‘Live Not Fantasize’.

This is also the first time we have featured Diamond on vocals in a capacity other than just background textures and we are super stoked for everyone to hear her voice in this way.”

If there is any question as to whether a band can push the confines of metal and hard rock in to the future, TETRARCH are the answer. Combining energetic modern musical aggression and lyrical honesty with colossal choruses and unforgettable melodies, TETRARCH appeal to fans both in and outside of the metal scene, providing newcomers a gateway into heavy music.

TETRARCH’s Napalm Records debut, Unstable (2021), received massive critical acclaim. Its debut single, “I’m Not Right”, cracked the Mediabase Active Rock Top 30 and has garnered over 15 million combined cross-platform streams to date. Follow up single “You Never Listen” later went on to receive keen support from SiriusXM, HardDrive, Full Metal Jackie and many more of the country’s leading active rock outlets. 

Among its perfectly crafted 10 tracks, new album The Ugly Side Of Me cuts like 90s industrial-injected single “Live Not Fantasize” – which premiered via SiriusXM Liquid Metal upon its release alongside Diamond Rowe’s Jackson Guitars signature launch – thrill with intense electronic flourishes, quick riffage and dynamic, spine-tingling guitar solos. Tracks like album opener “Anything Like Myself” showcase the hypnotizing, crushing metallic brilliance of the band while flirting with Josh Fore’s intense screams and Ruben Limas’ punching drums, while the likes of “Best Of Luck” stand tall with the rhythmic basslines of Ryan “Dooms” Lerner and Rowe’s inventive riff artistry. Profound melodic bangers like “Erase” and “Cold” are injected with intricate guitar solos, while “Headspace” and “The Only Thing I’ve Got” thrust the vital, brooding elements of TETRARCH into the forefront. Each track succeeds with lyrical themes of facing our own darkest criticisms – embracing the healing notion that what we feel others may see as our worst traits actually define the greatest aspects of our individuality.

Metal is practically begging for its next wave of genre frontrunners, and with one listen it’s clear – TETRARCH lead the charge.

ALLEGAEON To Release The Ossuary Lens Full-Length

Technical death metal outfit ALLEGAEON will unleash their new full-length, The Ossuary Lens, on April 4th on Metal Blade Records, today unveiling the record‘s first single, “Driftwood.”

For ALLEGAEON, sitting still is not an option. The Fort Collins, Colorado-based  group has never allowed itself to stagnate, prefering to thrive on chaos, change and evolution. Their latest offering, The Ossuary Lens, is their seventh full-length overall but  it‘s the first with original vocalist Ezra Haynes since his 2015 departure following the Elements Of The Infinite album. Replacing a singer is no easy task, so the fact that Haynes was in a place to rejoin is something to celebrate.
 
The cleaner vocal approach on the last three albums was a fascinating artistic maneuver, one that refreshed ALLEGAEON, but it‘s undeniably thrilling to hear Haynes‘ graveled larynx back in the fold on this inarguably brutal and technically dazzling slab of work. The science-based lyrics are as challenging as the progressive musicianship, resulting in a set of songs that simply slay. It‘s a sound that Haynes himself refers to as “melotech” (melodic, technical death metal).
“I think in the beginning we were a little more stripped down,” adds guitarist Greg Burgess, “very guitar-forward, focused melodeath. Over time, I think more technical, symphonic, and progressive elements creeped in. Finally, where we are today is all of that combined, added with more ambient elements.”
 
The Ossuary Lens was recorded with producer Dave Otero at Flatline Audio studio in Denver. It marks the sixth album recorded with Otero. “He‘s our guy and we couldn’t imagine working with anyone else at the moment,” says Haynes. “We have worked with Dave Otero at Flatline Audio since the beginning of our career,” adds Burgess. “So seventeen years now. Dave always provides a comfortable working environment, amazing ideas, and a career-spanning understanding of what has made ALLEGAEON, ALLEGAEON.”
 
The proof is in the pudding; the sound on The Ossuary Lens pummels the listener, though the ferocity is balanced by the overt melodies. It‘s the most triumphant and cohesive body of work that they‘ve ever laid down.
 
Lyrically, while not a concept album in the traditional sense, there‘s an overarching theme to the new album – The Ossuary Lens is a representation of several different viewpoints of death. “Each song essentially is a different topic, however there is always a different perspective of death tied to each subject,” says Haynes. “Since the entire album revolves around this overarching theme of death, and the different viewpoints associated with it, we found ourselves very attached to the word ’Ossuary,‘ and since the album takes look at death through different points of view, we found The Ossuary Lens to be very fitting for the album title.”
 
Of the album‘s first single, “Driftwood,” Burgess elaborates, “This song holds a special place in ALLEGAEON history, honestly. This piece was written for Apoptosis by our then-brand new bassist Booboo. In its original form, it was so tech death, I don‘t think we knew how to incorporate it into the ALLEGAEON sound when he submitted it. Fast forward six years and, as we were kicking around ideas for this album, I remembered the piece, and asked Booboo if he wouldn’t mind if I took a crack at possibly rearranging its format a little smoother into the ALLEGAEON sound. I just wanted there to be a little bit more repetition of some parts. The song turned out amazing. Always goes to show – never throw out anything as you never know when it’ll come back.”

Alt Metal/Dark Rock Discovery Nullor Presents Powerful Music Video for “Overdrive”

US dark metal project Nullor proudly presents the electrifying music video for “Overdrive,” a track taken from the band’s highly anticipated upcoming album, Finalform.Dive into the raw power of “Overdrive”, a relentless anthem that lays bare humanity’s reckless greed, environmental exploitation, and moral decay. With scathing precision, the track warns of our inevitable downfall while offering a glimmer of hope—nature’s resilience in the wake of humanity’s demise.The title, “Overdrive,” perfectly captures the breakneck, self-destructive speed at which we race toward oblivion. This is more than just a song; it’s a fierce battle cry against apathy, a wake-up call to confront our role in the chaos.
Experience the fury and urgency of “Overdrive”—check out the track and immerse yourself in its gripping video now:
video_preview_a399e3fb091f272525d09f8520f9bb97.jpg

Finalform is a visceral testament to Nullor’s musical evolution, born from the wreckage of previous bands and driven by a resolute DIY ethos. Conceived out of disappointment and rebirth, Finalform finds Nullor shedding the notion that one needs a full band to bring powerful, multi-dimensional music to life. “I’d always assumed you needed a whole functioning band to create music,” Nullor reflects. “A mentor once asked me why I didn’t just do it myself, and after years of excuses, it finally hit me: why not?”

Nullor’s sonic palette draws on a wide array of influences, blending the raw grit of Helmet, the rhythmic complexity of Meshuggah, the atmosphere of The Cure, and the intensity of Faith No More. The album is built around odd polyrhythmic structures laid over grooves that swing and grind, creating an immersive experience that’s as heavy as it is unexpected. “It sounds more educated than it is,” Nullor explains, “like pounding square blocks into round holes sideways.”

Finalform explores deeply personal themes through its lyrics, capturing both the haunting and the darkly humorous aspects of life’s highs and lows. It’s a chronicle of disaster, resilience, and creative defiance—an unfiltered look into the mind of an artist who has finally found his own voice.

Greek metallers Necrochakal set their upcoming album “Golgothian Orgies of Bestial Lust” for release on March via Floga Records

Greek black/thrash metal horde Necrochakal return with their new album, Golgothian Orgies of Bestial Lust, set for release on March 10 via Floga Records.

Formed in 2012 by Bestial Invocator in Athens, GreeceNecrochakal set out to deliver old-school extreme metal with raw intensity, drawing influence from early Sepultura, Sarcófago, Vulcano, Sodom, and Destruction, among others. Over the years, the band has built a reputation in the underground scene with a series of demos and split releases, including collaborations with Slaughtered Priest (GR) and Terrorist (USA).

Their first EP, Profanation of the Gods, was released in 2014 through Metal Throne Productions (CD, 300 copies) and Weird Face Productions (LP, 250 copies) before being re-released in 2016 by Music Cyclone (CD, 300 copies). The 2016 7” EP Trampling The Holy Gospels followed via Hell’s Fire Records, with an additional 100-piece limited run from Fistbang Records.

Throughout the years, Necrochakal has performed live extensively, including two appearances in Romania at the 3rd Old Grave Festival (2014) and the 2nd Vast Plains and Goats Festival (2023). In Greece, they have supported Mystifier, Sextrash, Bewitched, Infernal Curse, Embrace of Thorns, Dead Congregation, and Resurgency.

In 2023, the band released a live rehearsal tapeSatanas Rebirth, featuring three new songs from the upcoming full-length Golgothian Orgies of Bestial Lust“Satanas Rebirth,” “Thorns Upon The Head Of The Carrion,” and “Son Of Loss… Judas Goat”. That same year, Colombian label Tribulation Prods issued a compilation of Necrochakal’s early material, available in 400 digipack copies.

With Golgothian Orgies of Bestial LustNecrochakal continues its crusade of unfiltered black/thrash metal, delivering an uncompromising assault of desecration, sacrilege, and violent rituals.

SUDDEN DEATH: Italian death metallers sign to Time To Kill Records

Italian death metallers SUDDEN DEATH have signed to Time To Kill Records for the release of their fourth album, “In Sinner Hate”.
Their most blisteringly furious, ambitious, and eclectic record to date, “In Sinner Hate” delivers eleven tracks of brutal death metal mixed with elements of old-school heaviness.
The album was mixed and mastered by Stefano “Saul” Morabito (Fleshgod Apocalypse, Hour Of Penance, Hideous Divinity), with additional recordings by Marco “Cinghio” Mastrobuono (Hour Of Penance, Shores Of Null) and Giuseppe Orlando (Novembre, Stormlord).
Watch for more details on the new album release, new tour updates, and more news on other upcoming SUDDEN DEATH activities to be posted shortly.
Formed in 1997, SUDDEN DEATH are a death metal band hailing from Genzano (Rome). The band’s sound, initially inspired by the rawest old school death-thrash metal waves, slowly and progressively developed into a more brutal style, influenced by Cannibal Corpse and early Deicide. Nowadays the band set forth on a masterclass in technical and claustrophobic death metal with dense and intertwining guitars, sudden tempo and metric changes and more consistent and exasperated vocal parts.
So far the band has released three albums – “Devoured Inside” (self-produced) in 2001, “Injection of Hate” (Deadbang Records) in 2004, and “Monolith of Sorrow” (Killerpool Records) in 2015 – and the EP “Stillborn” (Art Gates Records) in 2018.
SUDDEN DEATH have played several shows throughout the Italian peninsula and around Europe, sharing the stage with important acts such as Suffocation, Gorgoroth, Vader, Napalm Death, Exodus, Dark Tranquility, Possessed, Pestilence and many others.

Line-up:Luis Maggio – Vocals
Giorgio “Giorgioni” Cifuni – Guitar
Francesca Mancini – Guitar
Giuseppe Ciurleo – Bass
Emanuele Aleo – Drums

SUDDEN DEATH
https://linktr.ee/suddendeathofficial

Into Eternity to Headline ProgStorm, Canada’s First Progressive Metal Festival!

Montréal (CA) – Prepare for ProgStorm, Canada’s first progressive metal festival! Into Eternity, one of the most respected names in progressive metal, will headline the inaugural ProgStorm Festival in Montréal on August 9, 2025. This marks the band’s highly anticipated return to the city, where they haven’t performed in several years. Fans will be able to experience their unique fusion of progressive, death, and power metal, as Into Eternity closes the first day of this one-of-a-kind event at Le Ministère.

Into Eternity has a rich history with Montréal, having shared the stage with some of the biggest names in metal at the Bell Centre. In 2006, they performed during Gigantour alongside Megadeth, Opeth, Lamb of God, and Arch Enemy, leaving an unforgettable mark on the Montréal metal scene. They returned in 2007 to perform again at the Bell Centre with Dream Theater and Redemption, further solidifying their place in the legacy of progressive metal. Now, their long-awaited return to Montréal for ProgStorm Festival is set to captivate fans in a more intimate setting, making this a truly special moment for the band and their loyal followers. Stu Block, the band’s lead vocalist, also known for his work with Iced Earth, adds to the excitement, making this performance a must-see for fans of both progressive and traditional metal. A few words from founding member and lead guitarist, Tim Roth:

Into Eternity is pleased to announce we are finally coming back to the great Heavy Metal city of Montreal! We will be headlining the ProgStorm Festival in August 2025. It is going to be incredible to finally come back to the Heavy Metal Capital of Canada Montreal Quebec! Rehearsals will be starting shortly and we are planning a great new Into Eternity setlist. We have fond memories of playing the Bell Centre in Montreal on our Tour with Megadeth and then again when we toured with Dream Theater. Montreal has always been a favourite city of ours to play from clubs to arenas. Thanks to the ProgStorm Festival team for inviting us to perform. Hopefully we will see some of our old friends at the show. See you all this August!”

The ProgStorm Festival, presented by The Progspace and organized by Metal Shed Productions and collaborators, will be Canada’s first-ever festival dedicated entirely to the progressive metal genre. Scheduled for August 9th and 10th, 2025, this festival is set to showcase a diverse range of progressive metal sub-genres, from the classic sounds to the most experimental and extreme. 

Thrash-Death Metal Force Atrox Trauma Drops Official Music Video for “I Am the Master (Burning Desire)”

The relentless thrash-death metal juggernaut Atrox Trauma is back with their latest visual assault: the official music video for “I Am the Master (Burning Desire),” the third single from their highly anticipated second album Where Death Hunts. Set for release on April 18, 2025, via WormHoleDeath Records, the track is an unapologetic anthem of self-empowerment and defiance.
The band describes the track as a visceral declaration of inner strength, channeling lyrics that serve as a battle cry for the disenfranchised:“I am the Master of my fate. I am the captain of my soul. I am the leader on my way. I am the diamond I keep grinding…”
These words fill me with energy as I say them. They empower me as I shout them into the universe, electrifying me completely. It’s like a mantra. When you listen to the song, say these words to yourself, but they’re even more powerful if you say them out loud. Pay attention to the effect.
“I Am the Master (Burning Desire)” is the third music video from our upcoming album, which will be released on April 18th.
Directed by visual artist András Székely, the video mirrors the song’s ferocity, blending stark, cinematic visuals with the band’s signature chaotic energy.
Watch the official video here:
video_preview_abb48e75f35d9a2d9228b3836a7f3720.jpg
Atrox Trauma was founded in 2008 in Hungary. Their goal, according to the music genre, was clear from the beginning: thrash metal with death metal influences. The band recorded 2 EPs during its earlier years besides performing on live gigs. The band’s strength increased in 2019, and they have been spinning at an unstoppable speed since then. It gave a series of concerts in its motherland and countries in the neighborhood. The band creates a huge listener experience with its tight, intense, fast, and face-tearing music.
In 2022 they released their first LP called ‘On The Line Of Nothing And Something’ by the Italian label WormHoleDeath.The listener can experience everything from intense immersion to melodic thrash metal. Four music videos provide visual support for the fan-approachable experience.
By the end of 2024, they took the stage in many countries, performing in tours and festivals, and recorded their second LP ”Where Death Hunts”.Line up:
Imre Török – Vocal, guitar
András Székely – Lead guitar
Gyula Tábori – Bass guitar
Gergely Győri – Drums
Dive deeper into the ATROX TRAUMA universe and connect with them through the following links:linktr.ee/atroxtrauma
www.facebook.com/atroxtraumaband
www.instagram.com/atroxtrauma
www.youtube.com/channel/UCrKcJkba3rZAPjVPfw__RhA
soundcloud.com/atrox-trauma
atroxtrauma.bandcamp.com/releases
www.tiktok.com/@atroxtrauma

DIRKSCHNEIDER Launch Emotionally Charged Single “Winter Dreams [feat. DORO PESCH]”

DIRKSCHNEIDER are gearing up for the release of their eagerly anticipated album Balls To The Wall Reloaded, scheduled for release on February 28, 2025 through RPM. Alongside this, they are excited to showcase “Winter Dreams,” the second single from their anniversary re-recording of the cult ACCEPT record. This track reveals a softer side of the album while preserving a meaningful lyrical depth, making it an emotional anthem of freedom. The single stands out not only for its significance but also for featuring the legendary ‘Metal Queen,’ Doro Pesch, alongside Udo Dirkschneider. This collaboration highlights the album’s unique approach, underlining the long-running inspiration for the whole scene and renowned metal figureheads and companions alike.

Udo comments: “It was a very special experience for me to re-record “Winter Dreams’” with Doro Pesch. Doro and I have spent so many years together in the scene and there is a deep, almost familial connection between us. Her voice gives this song an incredible magic and emotionality that takes it to a whole new level. It was like a reunion with an old friend for me and together we made ‘Winter Dreams’ even more intense and personal. It just feels right to share this moment together!”

“ ‘Balls To The Wall’ has always been one of my absolute favourite albums. I was really happy to sing the wonderful ‘Winter Dreams’ as a duet with Udo Dirkschneider and to shoot a great video for it. We have a long friendship and it is always special to work with him,” Doro adds.

Taking fans to the vaults of Castle Reifenstein (Freienfeld, Italy), located in a beautifully wintry mountain landscape, the “Winter Dreams” music video, starring both vocalists Udo Dirkschneider and Doro Pesch, can be watched here: https://youtu.be/6AxQKqzL_Fs

Listen to the single: https://dirkschneider.rpm.link/winterdreamsPR

Balls To The Wall Reloaded can still be pre-ordered in various physical formats and digitally or pre-saved on your favourite digital service provider (DSP) worldwide: https://dirkschneider.rpm.link/bttwrPR

“Balls To The Wall Reloaded” – Track Listing:

01. Balls To The Wall [feat. Joakim Brodén of SABATON]
02. London Leatherboys [feat. Biff Byford of SAXON]
03. Fight It Back [feat. Mille Petrozza of KREATOR]
04. Head Over Heels [feat. Nils Molin of DYNAZTY/AMARANTHE]
05. Losing More Than Youve Ever Had [feat. Michael Kiske of HELLOWEEN]
06. Love Child [feat. Ylva Eriksson of BROTHERS OF METAL]
07. Turn Me On [feat. Danko Jones]
08. Losers And Winners [feat. Dee Snider of TWISTED SISTER]
09. Guardian Of The Night [feat. Tim “Ripper” Owens of KK’s PRIEST, formerly of JUDAS PRIEST]
10. Winter Dreams [feat. Doro Pesch]

Formats:
– CD-digipak + patch bundle [RPM EU excl.]
– CD-digipak
– jewelcase-CD
– various coloured 1LP vinyl (‘guardian of the night, ‘red hot marbled, ‘winter blue)
– digital

This ambitious reinterpretation not only revitalises the original tracks but also emphasises their timeless impact on the metal genre. More than a revival, this project serves as a celebration of the albums enduring legacy, enriched by the enthusiasm and contributions of some of metals most influential voices.

“Re-recording ‘Balls To The Wall’ was a big challenge for me. The album is a milestone of my career, of course, thats why it was even more important to me to make the original songs shine in a new light without losing their initial essence. All guests have put their individual stamps on these classic tracks, and collaborating with such outstanding vocalists has moved them into a fresh and exciting dimension. The result is a powerful homage to all fans but also an invitation to the next generation to experience the songs not minorly passionate than I was when I recorded them back in the day. Its a never-ending personal journey for me – “Balls To The Wall” will always be a part of me,” states Udo.

This reimagined Balls To The Wall is a fitting tribute to heavy metal history, proving that its power and influence remain as potent today as they were four decades ago.

Additionally drawing near is DIRKSCHNEIDER’s release accompanying European Balls To The Wall 40th anniversary tour: 4 out of 32 shows are already sold-out, and another bunch of venues is running out of tickets fastly, so everyone aiming to attend this historic series of shows should secure their tickets now before they’re gone. Support at most of the dates (except Croatian, Greek, Turkish & Bulgarian stops) will come from Finnish metallers CROWNSHIFT as well as DIRKSCHNEIDER’s up-and-coming label mates ALL FOR METAL.
 
DIRKSCHNEIDER live:
 
“Balls To The Wall” – 40th Anniversary Tour
w/ CROWNSHIFT, ALL FOR METAL
Presented by Contra Promotion & Metal Hammer
25.02.2025 HR Zagreb – Boogaloo *
26.02.2025 AT Vienna – SiMM City
27.02.2025 DE Munich – Backstage *LOW TICKETS*
28.02.2025 DE Leipzig – Haus Auensee *LOW TICKETS*
01.03.2025 CZ Prague – SaSaZu
02.03.2025 HU Budapest – Barba Negra
04.03.2025 RO Bucharest – Quantic Club
06.03.2025 PL Kraków – Klub Studio
07.03.2025 PL Warsaw – Progresja
08.03.2025 LT Vilnius – Kablys
09.03.2025 EE Tallinn – Helitehas
10.03.2025 FI Helsinki – Kulttuuritalo
11.03.2025 FI Tampere – Tavara-asema
13.03.2025 NO Oslo – Rockefeller
14.03.2025 SE Gothenburg – Trädgår’n
16.03.2025 DE Berlin – Huxleys Neue Welt
17.03.2025 DE Frankfurt – Batschkapp
18.03.2025 BE Antwerp – Trix
19.03.2025 FR Paris – Le Trabendo
21.03.2025 ES Pamplona – Sala Totem *SOLD OUT*
22.03.2025 ES Madrid – Mon *LOW TICKETS*
23.03.2025 ES Barcelona – Razzmatazz 2 *LOW TICKETS*
25.03.2025 CH Pratteln – Konzertfabrik Z7
26.03.2025 DE Stuttgart – LKA Longhorn *SOLD OUT*
27.03.2025 DE Oberhausen – Turbinenhalle
28.03.2025 DE Hamburg – Große Freiheit 36 *SOLD OUT*
29.03.2025 DE Geiselwind – MusicHall *SOLD OUT*
30.03.2025 DE Geiselwind – MusicHall
08.04.2025 GR Athens – Fuzz Live Music Club *
09.04.2025 GR Thessaloniki – Principal Club Theater *
11.04.2025 TR Istanbul – IF Performance Hall Beşiktaş *
12.04.2025 BG Sofia – Hristo Botev Hall *
* DIRKSCHNEIDER only
 
30.07. – 02.08.2025 DE Wacken – Wacken Open Air *SOLD OUT*
15. – 17.08.2025 CH Cudrefin (VD) – Rock The Lakes
 
“Hell, Fire And Steel” Tour
w/ SAXON
04.11.2025 UK Belfast – Ulster Hall
05.11.2025 IE Dublin – 3Olympia Theatre
07.11.2025 UK Manchester – O2 Apollo
08.11.2025 UK Sheffield – The Octagon Centre
09.11.2025 UK Glasgow – O2 Academy
11.11.2025 UK Newcastle – O2 City Hall
13.11.2025 UK Bristol – Beacon
14.11.2025 UK Wolverhampton – Civic Hall
15.11.2025 UK London – Eventim Apollo Hammersmith
16.11.2025 UK Cardiff – The Great Hall

LORD OF THE LOST Vocalist CHRIS HARMS Releases 4th Single “Lunamor” + Official Video!

In the past four years, LORD OF THE LOST has experienced the most successful period in the band’s history – and lead singer CHRIS HARMS has shown no signs of taking a creative break. Today, Harms is releasing “Lunamor”, the fourth single from his debut solo album 1980, which is dropping this Friday, February 7.
 
The song blends dark, hypnotic synthesizers with an evocative melody, once again highlighting Harms’ deep connection to the electronic sounds of the 1980s. Following the previous singles, “Lunamor” takes an even more enigmatic and romantic turn, revealing yet another intriguing facet of the album.
 
Like all tracks on 1980“Lunamor” reflects Harms’ unique ability to create music driven by pure passion – free from conventions or genre constraints. He crafts a sonic atmosphere deeply rooted in synth-pop, new wave, and goth to frame his infectiously catchy melodies, maintaining a strong potential for radio airplay. With each new track, Harms proves that 1980 is more than just a tribute to a legendary decade – it is also a testament to his artistic versatility, marking a bold and captivating chapter in his musical journey.
 
CHRIS HARMS about the new single “Lunamor”:
Sometimes it only takes a single word to trigger an entire song. I remember almost exactly a year ago, I was lying alone at night in a deck chair at the stern of the “70,000 Tons Of Metal” cruise ship and was enchanted by the sight of the Caribbean moon. The words “Luna” and “Amor” merged in my mind’s eye to form “Lunamor” and I thought “Wow, what a wonderful title for a song!” – and a few months later it became a whole story with a soundtrack, which now finds a home on my solo album. From the metal cruise to the synthpop album – wonderful!”
Watch the official music video for “Lunamor“ HERE:
LORD OF THE LOST Singer CHRIS HARMS’ First Solo Album – an 80s Synth-Pop Revival! 
With LORD OF THE LOST, Chris Harms has recently achieved defining milestones in the band’s history, including participation in the Eurovision Song Contest, touring with Iron Maiden, and securing a #1 and two #2 spots on the Official German Album Charts. But for Harms, taking a break is out of the question. The concept of a solo album has been brewing in his mind for years, and it has now come to fruition with 1980, set for release this January.
 
CHRIS HARMS describes 1980:
“If I were forced to categorize this album and label it, it would probably say ‘a strange but successful mix of Depeche Mode, Modern Talking and Sandra with Chris Harms’ voice, but with less perm and mullet’”.

Songs such as the first single I Love You” and “Lunamor” exude a pleasant lightness, while “Past Pain” and “May This Be Your Last Battlefield” strike a reflective note. Two selected duets round off the album: Harms welcomes guest singer Sven Friedrich (Solar Fake) on “Madonna Of The Night”, while Ronan Harris (VNV Nation) can be heard on “The Grey Machines”.

1980 deliberately avoids attempting to reinvent the wheel, but is to be understood as a musical journey through time. There is no deliberate calculation or riding the wave of any trends on the album, but simply a passion, desire and love for music, with which CHRIS HARMS has marked a remarkable new pinnacle in his discography as a musician.

1980 tracklist:
1. I Love You     
2. She Called Me Diaval
3. Somewhere Between Heaven And Armageddon      
4. Missed Call   
5. Madonna Of The Night (feat. Sven Friedrich)
6. Lunamor        
7. Parallax          
8. Past Pain       
9. The Grey Machines (feat. Ronan Harris)
10. Vagueness Of Faith
11. May This Be Your Last Battlefield

[photo credit: Lennard Schmitt]