Croatia’s Finest Folk Metal Outlet MANNTRA Release Final Single “Heart Of The Storm” + Lyric Video – Album Out This Friday, March 14!

Posted on March 13, 2025 by Metal Planet Media

Croatian Folk Metal warriors MANNTRA are experiencing exciting times! Currently supporting folk rockers D’Artagnan on a European tour alongside their label mates The Dark Side of the Moon, and today, they unleash their newest single “The Heart Of The Storm”. With a haunting, melodic, acoustic feel, folk-inspired background vocals, and an unforgettable groovy chorus, this track captures the struggle for freedom, and rebirth amidst chaos. “The Heart Of The Storm” is another powerful example of MANNTRA’s signature fusion of traditional Balkan influences and high-energy metal.

The track is taken from their eagerly awaited 8th studio album, Titans, which will be released this Friday, March 14, 2025, via Napalm Records. By amplifying the rich heritage of ancient Balkan folklore with ferocious intensity, MANNTRA has forged a distinct legacy across seven powerful albums and electrifying performances at renowned festivals like Wacken Open Air. From commanding headline slots to sharing stages with legends like In Extremo, the band has solidified its status as a formidable force in the global metal scene.

MANNTRA is primed to reinforce their claim of the Folk Metal throne, by unleashing Titans upon the world in 2025!

MANNTRA on the new single “The Heart Of The Storm”:
“Prepare to be consumed by the raw power and unrelenting intensity of ‘Heart of the Storm’, a melodic metal anthem that takes you deep into the heart of darkness. This track unleashes an electrifying storm of blistering guitar riffs, pounding drums, and hauntingly beautiful melodies that blend strength and vulnerability in every note.

From the gritty undertones of life’s rawest emotions to the soaring highs of redemption, ‘Heart of the Storm’ is a song for anyone who has ever fought to rise above the chaos. The powerful, driving rhythm and haunting melodies will leave you feeling reborn—ready to face whatever storm lies ahead.”

Watch the Lyric Video for “The Heart Of The Storm” HERE:

Formed in 2012 around mastermind Marko Matijević Sekul, the band has proven to be extremely productive as Titans is already their eighth studio album. Over the years the quintet developed their trademark sound by combining raw metal riffs and hard-hitting industrial sounds with traditional folk instruments, unleashing a relentless storm of catchy metal hymns. MANNTRA’s high energy soundscape is skillfully built by supposed opposites: authentic folk instruments like pipes and mandolins interwoven with raspy male vocals and an uplifting industrial metal sound. With their newest masterpiece they clearly take no prisoners as the album sets off with the title track “Titans” delivering forceful rhythms and powerful drumming. This continues on tracks like “Higher” or “Riders In The Dawn” kicking off with strong intros. Like no other, MANNTRA manage effortlessly to transport the ancient tunes into modern times by combining its folk elements with synths like on “My Sandman” or the album closer “Nav” delivering massive melodies. But MANNTRA also stay true to their roots with “Teuta” telling the story of a legendary Illyrian queen who reigned in Croatia around 200 BC and “Unholy Water (Voda)” containing a catchy chorus and intense female folk vocals delivering a hymn like melody with lyrics partly in Croatian. The same can be witnessed on the extremely groovy and catchy “Heart Of The Storm”, while uplifting “Skal” is a song to get every folk party started. A clear highlight are the combined songs “Forgotten Pt.1” and “Forgotten Pt.2” which are true industrial metal masterpieces that seamlessly cross genres, heavily leaning towards electronic elements, while maintaining their very own soundscape.

Overall Titans convinces with an enormous hit-density and sets a clear mark, delivering proud hymns and in-your-face metal songs that are undeniable, proving that MANNTRA are on the very top of their game, ready to enter the next level of their promising journey!

SAMTAR Returns with “The Bog of Cosmic Delusions”

Posted on March 13, 2025 by Metal Planet Media

New album from the multi-instrumentalist comes out April 11

Genre-bending one-man band SAMTAR is set to return with The Bog of Cosmic Delusions. The seventh full-length album by the multi-instrumentalist and songwriter comes fresh off the heels of the acoustic-centric A Second Chapter Made of Wood.

The Bog of Cosmic Delusions stands out as SAMTAR’s heaviest album to date. With loud and crushing sounds, psychedelic influences, melodic guitars, and grand soaring vocals, this album is sure to satisfy rock and metal listeners alike.

SAMTAR has released three singles from the album. Stream “The Mire,” “Desert Creature” and “Refuse” on Spotify.

The Bog of Cosmic Delusions will be available on digital and limited-edition CD on April 11. Pre-order the album at samtarofficial.com

The Bog of Cosmic Delusions was written, performed, recorded, mixed, and mastered by SAMTAR. Album artwork by Steven Yoyada.

Tracklisting:

1. Desert Creature

2. Fickle Fortune

3. All You Ever Wanted

4. Speaker

5. Distant Voices

6. Refuse

7. Destiny is a Lie

8. The Whispers

9. Vicarious Voodoo

10. The Mire

11. Broken Sparrow

12. Drowning the Goddess

SAMTAR, a music-obsessed virtuoso, plies his craft with an unrepentant vigor and passion. Navigating the forests of genre, SAMTAR follows a path to sounds unknown by combining style and influence from all sources. SAMTAR chose to eschew chasing traditional mediums of promotion and instead focused on loving his life through creating music, exploring the outdoors, and translating the ethereal into song. The music SAMTAR creates is human and close, it has a momentum of its own and entreats the listener to be a traveler along the journey to their own peace.

SAMTAR grew up on System of a Down, Nine Inch Nails, The Black Dahlia Murder, Opeth, Sonata Arctica, Muse, Jimi Hendrix, Sublime, and Nirvana. Now he unites these divergent influences with driving bass lines, hook-heavy guitar melodies, powerful vocals, and a healthy dose of synthesizers. He notes some of his biggest vocal influences being from artists like Mike Patton (Mr. Bungle/Faith No More), and Tony Kakko (Sonata Arctica). He also takes inspiration from sci-fi/fantasy films and literature.

Eclectic Doom AITTALA Drops New Single “Myself Deceived” Off Upcoming Album Machines Out April 2025

Posted on March 13, 2025 by Metal Planet Media

Eclectic doom metal powerhouse AITTALA is unveiling the first single “Myself Deceived” off their highly anticipated album “Machines”, set to drop on April 17, 2025, via Exitus Strategem Records.

Listen at the following links:

The songs on “Machines” were originally written and demoed between 1990 and 1997 on an analog 4-track cassette recorder. Now, Aittala has revived these tracks, preserving their raw essence while enhancing them with modern production techniques. The album offers a nostalgic yet powerful experience, blending early progressive metal influences with storytelling-driven lyrics. While showcasing a distinct style from their recent works, “Machines” stays true to Aittala’s signature heavy, immersive sound.

Formed in 1991 in Holland, Aittala quickly gained recognition in the Dutch metal scene, opening for bands like THE GATHERING and SADIST. After a hiatus, frontman Eric Aittala resurrected the band in 2008, leading to six full-length albums: Bed of Thorns (2009), Haunt Your Flesh (2011), Effigy (2014), American Nightmare (2016), False Pretenses (2019), Live to Regret (2022).

Now, with “Machines,” AITTALA boldly steps into the past, bringing long-lost tracks to life with a modern, crushing edge.

This dynamic duo of Eric Aittala (Guitars/Vocals) and Gary ‘Zeus’ Smith (Drums) (THE FIFTH, ex-MR BLACKWELL) continues to write, record, and tour, bringing their distinct brand of heavy, immersive metal to fans worldwide.

Album pre-save (due out April 17, 2025) – https://hypeddit.com/aittala/machines

“Aittala Offer Powerful Pandemic Post-Mortem on ‘Live to Regret’… Stick it on a playlist with Apostle of Solitude, Crowbar, Famyne, and Paradise Lost, with a dash of Slayer for good measure.” – Doomed and Stoned

“One of the best albums for 2022” – 666MrDoom YouYube Channel

“This platter is heavy melodic ear candy that drips with deep and mesmeric face-melting tones and grinding rhythms.” (Live to Regret) – The Metal Gods Meltdown

“The band’s sound is difficult to pigeonhole because they incorporate a variety of styles. The common element in all the songs is the potent groove. On tracks like “Black Coffin” and “Afterthought” stoner/doom is at the forefront, while songs such as “Disowned” have a more traditional metal vibe. There are progressive influences on “How Much Longer,” while the closer “Debt” is a piano based ballad. Even with so many disparate styles, Aittala bring everything together into a cohesive whole.” – Heavy Music Headquarters

“I would describe them as an eclectic Doom Metal band, although their sound is a bit tough to define. That’s ultimately a good thing though, and I enjoy the refreshment of something different. My only major complaint is that on some songs, the vocals and lyrics are so drawn out that they become a little boring and you end up waiting a bit for something cool to happen. The good news is something cool usually does end up happening” – Metal-Temple

“In the metal world, bands can start to sound the same and Aittala steps outside of the box. With clear crisp vocals, grinding rhythms and well executed leads, this band is definitely in a league of their own.” – The Metal Channel

CRADLE OF FILTH Drops Devilish Third Single “White Hellebore” + New Music Video

Posted on March 12, 2025 by Metal Planet Media

Following their acclaimed recent single, “To Live Deliciously”, and its exquisitely twisted music video, GRAMMY Award-nominated extreme metal institution CRADLE OF FILTH are back to give fans more of the sinful sounds they crave with “White Hellebore”, another bewitching new single and music video.

Featured on the band’s highly-anticipated upcoming 14th studio album, The Screaming Of The Valkyries (March 21, 2025 / Napalm Records), “White Hellebore” is devilishly direct, juxtaposing traditional heavy metal with blasts of thrashing fury, then spinning back to operatic goth while remaining cohesive. The track’s must-see new music video was directed by Shaun Hodson.

CRADLE OF FILTH mastermind Dani Filthsays about the song and video:
“The wintertime flower of the title reminds us scintillatingly of our own mortality, flourishing in seasons of dying light and cold, frozen earth.

Blossoming in the shadows, this Hellebore’s flowers draw us deeply into the stygian darkness with her.

In context of this song, the White Hellebore of the title is an alluring woman not too distant in danger from the predatory black widow, fostering both hope and despair;
A poison and an elixir, she is stunning to behold but ever deadly to taste.

This video -reeking of Lovecraftian gothic horror- presents the White Hellebore as a movie starlet who survives the grave through her dalliances with dark occult forces, a necromantic mystic tryst that an overzealous morgue attendant encounters with terrifying results, complimenting the song’s unholy matrimony of melody and mayhem.”

Watch the Music Video for “White Hellebore” HERE:

Following the release of 2021’s Existence Is Futile (#20 Billboard 200 with Hard Rock Genre), CRADLE OF FILTH emerge again with a legacy-cementing opus. On The Screaming Of The Valkyries, Dani Filth’s recognizable scream and equally identifiable growl stand mightily alongside twin guitar attacks, symphonic flourishes and explosive rhythm section, implemented by drummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage, and keyboardist/vocalist Zoe Federoff.

Menacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical hook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty, blast beats and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting expanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And The Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence Is Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. Anchored by arguably the most mournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or Anathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never wrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with imaginative new colors.

Produced, recorded, mixed and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The Screaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating massive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of unbridled revelry. The Screaming of the Valkyries is a bloody dark love letter to the longtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter.

Polish Progressive Metal Discovery Wind Down Sign With Wormholedeath

Posted on March 12, 2025 by Metal Planet Media

Polish progressive metal quintet Wind Down has inked a licensing deal with Wormholedeath Records for their highly anticipated album, The Burning Past, slated for release on April 18, 2025.

A Rising Force in Progressive Groove Metal

Formed in 2021 by Damian “Blady” Jurek and Wojciech “Świerszcz” Wojtyczek, founding members of Thetragon, Wind Down quickly grew into a formidable unit with the additions of Kuba Czubik, Władysław Zawojski, and Marcin Borula. The band’s journey began with the release of their debut EP, Uśpieni Ludzie (Euthanised People), which garnered widespread praise, thanks to its title track and accompanying music video.Building on the momentum, Wind Down toured extensively, sharing stages with international metal heavyweights like Necronomicon (Germany), Stonecast (France), and 3000AD (New Zealand), alongside prominent Polish acts such as Iscariota, Styxx, and Subterfuge.In 2023, the lineup evolved, bringing in Franciszek Trybus and Tomasz Wiśniewski (formerly of Thetragon and Kruk) to solidify their sound. By April 2024, the band began recording their debut full-length album at Hertz Studio, with the final touches—mixing and mastering—handled by Ergosphere Studios.

The Concept Behind The Burning Past

More than just an album, The Burning Past is a profound concept piece inspired by Native American Indian culture, shamanic rituals, and the cosmic connection between human souls and extraterrestrial energy. The record is a transformative journey that blends introspection with a broader, spiritual narrative, delivered through intricate melodies and evocative lyrics.Wind Down’s approach is steeped in authenticity, drawing inspiration from luminaries like Nevermore, Alter Bridge, and Dream Theater while carving out a unique identity in the Progressive Groove Metal genre. The album’s fusion of technical precision, melodic harmonies, and thunderous riffs creates a sound that is as innovative as it is powerful.

Live and Ready to Ignite
Wind Down’s dynamic live performances continue to captivate audiences, including notable appearances alongside Slovak band Gloom and at events such as the Wrath of Gods Vol. 5 Mini Fest (2023) and the Rock Pod Kameňom festival in Slovakia (2024), where they shared the stage with acts like Trauma, Phil Campbell and the Bastard Sons, HammerFall, and Eleine.

With the release of The Burning Past, Wind Down is set to solidify its reputation as a fresh and groundbreaking force in the progressive metal scene.

Without Doubt And Illusion (official teaser)

Metal Planet Media Talks To…. Patrik Svendsen from Tonic Breed

Posted on March 8, 2025 by Metal Planet Media

Can you tell us about the origin of the band name, a history of the band, and a little bit about the various members?

The name Tonic Breed was chosen after a brainstorming session, without any deep meaning behind it. The band hails from Sarpsborg, Norway, and started as a group of friends who shared a passion for metal and rock. Over the years, the band has evolved both in sound and lineup, experimenting with different styles and influences while maintaining a strong foundation in heavy metal.

Are you all from the same area? How did you get together as a band?

Yes, the core of the band members are from Sarpsborg. The different lineups through the years have been from different areas in Norway.

Who are your favorite artists/bands, and how have they influenced your own sound?

Some of our biggest influences include Metallica, Pantera, Black Sabbath, and more. These bands have shaped our sound, particularly in terms of energy, heavy riffs, and thematic songwriting. We also take inspiration from contemporary genres to give our music a modern edge.

Did you always have the ambition to be a musician and in a band, or did you originally have other plans?

For most of us, the dream of being a musician was always there. Growing up listening to heavy metal, the idea of playing music and being part of a band felt like a natural path. Some of us had other interests, but music was always the dominant passion.

What songs or albums are on your current playlist?

Right now, the playlist is filled with everything, old and new. A couple of newcomers are songs from Judas Priest’s, Invincible Shield. Gunship recently released their album, Unicorn, I think that was a great release.

Do you sing in the shower?

Who doesn’t? The shower is where some of the best ideas come from. I tend to sing riff ideas more than lyrics tho.

Do you have any plans for the band for this year and into next year?

There are some exciting projects in the works, but I can’t reveal too much yet. I’m constantly writing new material.

If you could play at any venue in the world, where would you choose?

Playing at Wacken Open Air would be a dream come true. The festival has become a landmark for metal bands, and performing on that stage would be the ultimate recognition of our music.

Do you have a favorite album? If so, what is it?

Far Beyond Driven by Pantera is an excellent album. It has everything—emotion, technical prowess, and timeless appeal.

Do you have any guilty pleasure songs/albums?

There’s no guilt in enjoying good music! But, if we had to pick something unexpected, it would probably be in the line of synthwave, which is pretty far from metal, but still super catchy and interesting.

If you were putting together the greatest show on earth, who would be playing?

90’s Pantera, Metallica ’86 with Cliff, Nirvana, Motorhead and The Beatles. That would make for one legendary night of music.

Can you remember the first album you bought with your own money? What was it and do you still have it?

The first album purchased was Ecliptica by Sonata Arctica. I still have it!

As your fans will be reading this, is there any message you would like to send out to them?

We want to thank our fans for their continued support. Without you, none of this would be possible. Keep the metal spirit alive, and we can’t wait to see you at a show soon!

Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!

You can follow us on:

Website: tonicbreed.com

Instagram: @tonicbreed

Facebook: Tonic Breed

Make sure to follow us to stay updated on new music, live shows, and everything else!

This interview is the property of Metal Planet Media

LORD OF THE LOST Unveils New Album Trilogy, Beginning With “OPVS NOIR Vol. 1”!

Posted on March 7, 2025 by Metal Planet Media

A work, a transformation, a re-entry into the melancholic self – OPVS NOIR is in no danger of becoming an offspring of understatement, neither in its title nor in its musical opulence. And rightly so: Not only will it be the first album as a six-piece band, but it also marks the beginning of an entire album trilogy, set to be released in multiple editions, including, of course, strictly limited collector’s items.

Each volume contains 11 songs, totaling 33 tracks that not only conclude the delightfully eccentric chapter of Blood & Glitter, but also initiate an uncompromising return to the dark core of the band. While LORD OF THE LOST previously found themselves in the spotlight of vast open stages, OPVS NOIR Vol. 1, set for release on August 8, 2025 via Napalm Records, represents a confident descent into previously untouched emotional depths.

Chris Harms about the album:
“Darkness, melancholy, loneliness – all words that often have negative connotations, that we may associate with danger, sadness and loss, and not without reason. But darkness can also be security, melancholy the warm and sentimental feeling of our memories, and loneliness becomes necessary silence, peace and inner contemplation. OPVS NOIR is a travel guide, or perhaps also a travelogue, through the dark sides of our inner world, which so often move precisely in the area of tension between what we emotionally categorize as positive or negative. And with Vol. 1, all of this is just the beginning of this 3-part journey…”

OPVS NOIR is not only a musically exciting step but also a bold one! This becomes clear when looking at LORD OF THE LOST‘s immediate past: support for IRON MAIDEN on two European tours, followed by their first North American shows in over a decade, sold-out headlining tours, participation in the final of the EUROVISION SONG CONTEST 2023, a #1 chart entry with the previous album Blood & Glitter, celebrated performances at the biggest festivals worldwide – they even had the honour of meeting King Charles in person. Hand on heart: How easy would it have been to keep riding this wave of success just a little longer? But that’s not how LORD OF THE LOST operates – the only constant remains change.

But what is the essence of LORD OF THE LOST in 2025? That is one of the questions OPVS NOIR Vol. 1 fearlessly begins to answer. Once again, the band proves not only musical excellence but also masterful craftsmanship: Produced by Chris Harms, recorded, mixed, and mastered at the legendary CHAMELEON STUDIOS in Hamburg, the 11 tracks hit with a force and brilliance that immediately transport us into a dark yet colourful ballroom. From there, the tone is set: Dark Wave Metal on an amphitheater scale.

Everything is new, yet every note feels familiar. Behind each chorus awaits a surprise, in every line, a new door opens to further uncharted paths within the LOTL universe. This band takes the expectations of its ever-growing fanbase and molds them into songs that transcend genre boundaries – and turn moments into monuments that carry us all along: No one lost behind!

OPVS NOIR Vol. 1: To be continued…

Rockshots Records – HIGHWAY QUEEN Shares New Music Video “I’m Calling You” Off New EP “Extendead Play” Out Now!

Posted on March 7, 2025 by Metal Planet Media

Rockshots Records is excited to announce the release of Highway Queen’s latest official music video for their song “I’m Calling You”. This new video continues the Finnish rockers’ tradition of blending powerful melodies with an electrifying mix of hard rock and metal influences.

“I’m Calling You” is featured on the band’s latest EP “Extendead Play” released on January 17th, 2025. The EP showcases Highway Queen’s signature style, merging 80s-inspired hard rock with modern melodic elements, intense riffs and dynamic rhythms. The lyrics of “I’m Calling You” delve into deep emotions, expressing themes of longing, passion and determination, capturing the essence of the band’s storytelling prowess.

Highway Queen, formed in late 2019, has steadily built a reputation in the melodic hard rock scene. Their music blends heavy blues rock with traditional heavy and hard rock, taking inspiration from the raw energy of past decades while incorporating a fresh, modern approach. The band’s previous works, including their debut album “Bitter Soul”, have been widely appreciated for their musical depth.

All tracks on “Extendead Play”, including “I’m Calling You” were recorded and produced by Aleksanteri Kuosa, known for his work with Waltari and Before The Dawn. The band continues to evolve and push their musical boundaries while maintaining a sound that resonates with fans of classic and contemporary rock.

The official video for “I’m Calling You” is now available on their official YouTube channel offering a visually compelling representation of the song’s powerful message. As Highway Queen continues their journey, this latest release solidifies their place in the hard rock scene, demonstrating once again their passion and commitment to delivering high-quality rock music.

Follow Highway Queen for more updates and get ready to experience the energy of “I’m Calling You” now!

Tech-Death Juggernaut, OMINOUS RUIN, Releasing Requiem on Willowtip in May

Posted on March 6, 2025 by Metal Planet Media

San Franisco (CA) – Ominous Ruin, the American death metal juggernaut known for their intricate compositions and unrelenting sonic brutality, has returned with their highly anticipated nine-track album, Requiem. Willowtip Records will release Requiem May 9 on CD, vinyl, and digital formats.

The official video for the album’s first single, “Seeds of Entropy,” has been premiered by Invisible Oranges. Check it out at the following link:

invisibleoranges.com/ominous-ruin-premiere

“Seeds of Entropy” is an explosion of chaotic riffs, intense vocals and rapid fire drums at a dizzying 270 beats per minute. The song begins after the intro to the album, a piano and guitar duet that represent a continuation from Ominous Ruin’s previous full length, Amidst Voices that Echo in Stone. Picking up from said album, “Seeds of Entropy” utilizes many of the same musical phrases and stylings, while expanding on motifs from Amidst Voices that Echo in Stone at even faster speeds. Lyrically, “Seeds of Entropy” represents the beginning of inevitable slip into darkness as entropy consumes reality, both physical and mental form. This theme is masterfully expanded on throughout the rest of the album.

“Seeds of Entropy” will be available March 7 on all digital platforms. Requiem album pre-orders will be available on the same day.

A formidable leap forward in both musical complexity and emotional depth, Requiem is a powerful exploration of the human psyche, the ravages of time, and the inevitable descent into oblivion. Requiem is at its core, a continuation of Ominous Ruin’s first release, Amidst Voices that Echo in Stone. Beyond that, its conception spawned from the raw emotion of personal issues and turmoil, as it was created during a dark time in the band’s lives.

The album begins with a direct continuation from the final song off Ominous Ruin’s first album, an emotional guitar and piano ballad that brings the mood to somber, yet melodic. It immediately transitions to an explosion of chaos with the first song, “Seeds of Entropy. “

The musicianship on Requiem is, as expected, nothing short of exceptional. Guitarists Alex Bacey and Joel Guernsey showcase their technical brilliance in every track, with blistering solos and complex, interwoven riffs that keep listeners on their toes. The rhythm section, comprised of Mitch Yoesle (bass) and Harley Blandford (drums), is hardly just a rhythm section, that provides a relentless foundation of precision, power and creativity, anchoring the music as it constantly shifts between ferocity and atmospheric beauty.

The production, handled by Alex Bacey is pristine yet dense, allowing every instrument to shine through the brutal wall of sound without sacrificing the intensity of the compositions. The layering of ambient soundscapes and acoustic passages throughout the album provides an immersive listening experience, allowing the heavier elements to hit even harder when they arrive.

Track Listing:

1 – Intro

2 – Seeds of Entropy

3 – Eternal

4 – Bane of Syzygial Triality

5 – Divergent Anomaly

6 – Fractal Abhorrence

7 – Architect of Undoing

8 – Staring into the Abysm

9 – Requiem

Wake Up To The Great Divide! Canada’s MARBLE GHOSTS Releases Politically Charged Video “Eat The Rich” From New EP “The Greatest Divide” Out April 2025

Posted on March 6, 2025 by Metal Planet Media

Announcing their highly anticipated second EP “The Greatest Divide” set for release in April 2025, Ottawa, Canada’s, Marble Ghosts have their next single accompanied by a music video. Entitled “Eat The Rich”, the song is a statement of today’s political climate shifting to serve the wealthy or the “1%”. The video is a message from Marble Ghosts to the rest of us. It paints the picture of two massively divergent groups- the people who are struggling to hold on, the ones staying in broken, abusive relationships just to avoid being homeless, and increasingly out-of-touch billionaires who could affect real, meaningful change with their bank accounts. Instead, the ultra-wealthy constantly seek more and more ways to enrich themselves.

Vocalist Dylan Gunnell explains further:

“This song ‘Eat The Rich’ is about the ultra-wealthy, and the great divide is clear with every billion added to their coffers while the people that enrich them through a broken system continue to suffer. While the chorus is metaphorical, in writing the lyrics, the band also envisioned an alternate reality where our planet has been devastated by a zombie plague. The ultra-rich are waiting for a shuttle to carry them to Mars, but it malfunctions, and they are trapped. The undead descend on them, and they are torn to pieces by the horde, the horde that once worked for them, that kept capitalism strong, the people that made them rich. In that reality, their fair share will be paid with a pound of their flesh.”

Musically, “Eat the Rich,” has droning bass that mixes with soft yet acidic vocals in the verses. The long-held scream in the chorus gives way to harmony that grows increasingly layered as the song evolves, creating the perfect contrast. The dirty guitar solo blends into mocking laughter and then powers through into a final chorus with three-part harmonies.

Watch and listen to the music video for “Eat The Rich” via its premiere on MetalInsider HERE.

Marble Ghost is a boundary-pushing ensemble known for its distinctive blend of metal, grunge, and punk influences. Emerging in 2023 onto the Canadian music scene with a distinctive sound and a fierce commitment to challenging societal norms, Marble Ghosts is a band with a message. The socially conscious quartet is back in 2025 with their sophomore EP “The Greatest Divide” a year after their debut self-titled EP released in March 2024.

“The Greatest Divide” is inspired by our reality, from the ultra-rich and the shrinking middle class to widening gaps in political and religious ideologies that are beginning to challenge and even erode fundamental human rights. Similar to their first EP these next five songs in their catalog highlight their diverse influences and styles and seek to lift up the marginalized through powerful messaging.

With this release, the band asks, “Are you ready to cross the greatest divide?” It is the type of divide that has splintered friendships and even families, where viewpoints differ so greatly, that we can see one another as enemies- traitors. While this seems bleak, some of the stories told through the lyrics are inspired by people who have crossed the greatest divide. But this wasn’t without hardship, as it was often the threat of losing their loved ones, their mental health, and even their own identity that forced the change.

Their music is recommended for fans of Breaking Benjamin, Shinedown, Saint Asonia, and Three Days Grace.

Marble Ghosts’ sophomore EP “The Greatest Divide” will be released on April 4, 2025