Buffalo, NY-based death metal act Morgue Terror continues to showcase their admiration for the Terrifier franchise and its main antagonist, Art the Clown, on their new single, “Terror in the Morgue.” The horror-themed quartet not only took their moniker from a pivotal scene at the end of the first Terrifier (2016) movie but also chronicled the murders and characters from the first two Terrifier films on their self-titled debut EP, released in January 2024.
Speaking about the track, Morgue Terror states: “The song is our title track. It’s like our own ‘Black Sabbath’ or ‘Iron Maiden.’ It’s about the opening scene in the second Terrifier movie. The song portrays the helplessness of the victim and the haunting circumstances. It lands a couple of haymakers, then beats you into submission before its final stanza. The ending is similar to a bomb going off.”
The track was recorded, Mixed and Mastered by Doug White of Watchmen Studios; Cover art by Andik Godfinger.
Morgue Terror’s next live appearance will be on April 4 in Maple Heights, OH, where they will headline. Later in the month, they will take the stage at CT Death Fest in Milford, CT, on April 25, performing on the festival’s opening night alongside headliners Xenosis. (Malignancy is set to headline night two on April 26.)
Vowing to create something fresh, Morgue Terror weaves through different layers of death metal, from old school to brutal and the dissonant voids in between. Since forming in 2023, the Buffalo-based band has been relentlessly prolific, whether in the studio or onstage. Their output in 2024 alone—two EPs within six months—demonstrates their deep-rooted affinity for both death metal and horror.
Their self-titled debut EP (January 2024) delves into Terrifier lore, complete with cover art depicting the notorious antagonist Art the Clown himself. The second EP, Violent and Murderous Thoughts (August 2024), shifts focus to the atrocities of four sadistic serial killers and a debauched, abusive sect.
Following the newly released single, “Terror in the Morgue,” Morgue Terror will appear on a four-way split album with Consuming Misery, Anthropic, and Dreg Heap. Another standout single, “Cryptid Skin,” is also on the horizon.
LORD OF THE LOST Reveals New Single “My Sanctuary” | Watch the Official Music Video HERE!
New Album, OPVS NOIR Vol. 1, to be Released on August 8, 2025 via Napalm Records | Pre-Order NOW!
Genrefluid visionaries LORD OF THE LOST captivate with their first single, “My Sanctuary”, and its official music video, offering a mesmerizing glimpse into their upcoming full-length album, OPVS NOIR Vol. 1, set for release on August 8, 2025 via Napalm Records. With “My Sanctuary” – and the coming entire OPVS NOIR trilogy as a whole – the #1 charting band returns to a much heavier sound compared to their latest hits. Razor-sharp riffs blend seamlessly with gothic harmonies and orchestral grandeur, while Chris Harms’ deep baritone vocals create a sonic sanctuary, inviting listeners to embrace their inner darkness.
A work, a transformation, a re-entry into the melancholic self – OPVS NOIR is in no danger of becoming an offspring of understatement, neither in its title nor in its musical opulence. And rightly so: Not only will it be the first album as a six-piece band, but it also marks the beginning of an album trilogy, available in multiple editions, including, of course, strictly limited collector’s items. Each volume contains 11 songs, totaling 33 tracks that not only conclude the eccentric chapter of Blood & Glitter, but also initiate an uncompromising return to the dark core of the band.
Chris Harms about the new single: “We have 33 songs to choose from, but which one will be the first single to pave the way into a new era and mark the beginning of a trilogy? We chose “My Sanctuary”, which for us is a kind of gateway song that opens the door to the world of OPVS NOIR. It shows that darkness isn’t just about sadness – for many of us, darkness is a life force.”
What is the essence of LORD OF THE LOST in 2025? That is one of the questions OPVS NOIR Vol. 1 fearlessly begins to answer. Once again, the band proves not only musical excellence but also masterful craftsmanship: Produced by Chris Harms, recorded, mixed, and mastered at the legendary CHAMELEON STUDIOS in Hamburg, the 11 tracks hit with a force and brilliance that immediately transport us into a dark yet colourful ballroom. From there, the tone is set: Dark Wave Metal on an amphitheater scale.
Chris Harms about the album: “Darkness, melancholy, loneliness – all words that often have negative connotations, that we may associate with danger, sadness and loss, and not without reason. But darkness can also be security, melancholy the warm and sentimental feeling of our memories, and loneliness becomes necessary silence, peace and inner contemplation. OPVS NOIR is a travel guide, or perhaps also a travelogue, through the dark sides of our inner world, which so often move precisely in the area of tension between what we emotionally categorize as positive or negative. And with Vol. 1, all of this is just the beginning of this 3-part journey…”
“Lost Within Daydream”, the new single by Italian prog metal act AVELION, delves into this dreamlike and emotional limbo—those moments when reality seems to unravel, leaving no choice but to face one’s fears and embrace transformation.
The band shares:
“We wanted to create a song that holds a spark of positivity, a constant push toward change, a message that keeps burning inside those who listen. This song is for those who fight every day against their own limits—because even in the darkest moments, there is an energy capable of turning every fall into newfound strength””.
“Lost Within Daydream” was mixed by Simone Mularoni, with mastering by Luca Bottoli.
AVELION have developed a gloriously turbulent sound that is uniquely their own. Hailing from Parma, Italy, the band have been tearing venues apart across Europe with their powerful fusion of genres since 2008. In 2011 AVELION released the first studio work: the EP “Cold Embrace”. The following year the band started an intense live activity, leading to the great opportunity to play as opening act for Seventh Wonder (with Tommy Karevik, Kamelot). In 2012 the band released the promotional single “Falling Down” which sees the collaboration with guitarist Olaf Thorsen (Labyrinth, Vision Divine) AVELION‘s second EP, “Liquid Breathing”, was published in 2013. The EP delivers a more personal, modern and mature sound: melodic progressive metal mixed with djent influences, all combined with a strong electronic flavour. In 2015 the band entered Simone Mularoni’s Domination Studio (DGM) to record their first full length album: “Illusion of Transparency”, which was released via Revalve Records in 2017. In March 2018 AVELION supported the legendary ANGRA in Belgium, the Netherlands, France, Spain and Portugal. The dates also featured Geoff Tate’s Operation: Mindcrime as special guest. In May 2018 the band released the single “Echoes and Fragments” REMIX featuring the Electro Metal artist The Algorithm. Following a widespread approval from both critics and fans, the band kept playing live opening for Primal Fear, Lacuna Coil and Kiko Loureiro. At the end of 2019 the band parted ways with the frontman William Verderi. Following the split, AVELION started composing new songs for their next musical chapters along with new vocalist Riccardo Rizzardelli. The first single from the revitalised line-up, “Bound to Blackness”, was released in June 2022, followed by the highly acclaimed “Alone in Time” single (2023) and by “Firestone” (2024).
Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?
The Wring started around 2015. I had written a lot of songs and felt like there were at least an album’s worth that were worthy of public consumption. I gathered some local musicians and we jammed out the demos until they felt good. Then we recorded and released the first album in 2017. We did some shows, but after a year or so the guys ran out of gas and decided not to continue. I’ve done 3 more records but have used studio musicians. Nemesis features the bass/vocal talents of Reggie Hache and the amazing drumming of Kyle Brian Abbott. The band name came from a song on the first album called ‘The Wring’. We had a long list of cool names, but they were all taken!! One day, the drummer suggested that The Wring would be a great name. Suddenly, it seemed obvious, and it stuck.
Are you all from the same area? How did you get together as a band?
The original band was all from the city where I live in Northern Ontario, Canada. It’s not a large city so musicians tend to all know each other. There were really only a few guys that would be capable and/or interested in something like this, and I sought them out. It worked well for a couple of years but as an all-original proggy hard rock band, it’s very difficult to find gigs that pay well, or at all. The clubs here hire cover bands almost exclusively; that’s what sells drinks…
Who are your favourite artists/bands and how have they influenced your own sound?
There are many, but Rush was my first love. They still are, but they kind of lost me around 1983 or so. Early Megadeth was very inspiring; Dave knew no limitations in those days and created some incredible things. My world changed again when I discovered Opeth. They combine so many styles and have done so many amazing albums; truly inspiring. Another significant influence was Tool. They really impacted my sense of time and mood. Honourable mentions to Porcupine Tree and King Crimson…
Did you always have the ambition to be a musician and in a band or did you originally have other plans?
I have always been a very dedicated student of the guitar. I’ve played since I was very young. It was a bit later in life that I started writing original music. I remember I borrowed a friend’s 4-track recorder and was blown away by how cool it was to record multi-track pieces. Shortly after, I discovered software that did the same thing, only much better. I fell down that rabbit hole and have never re-emerged.
What songs or albums are on your current playlist?
I try and mix it up. Right now, I would say there are a few albums that I am repeating: Jethro Tull – Heavy Horses, Revocation – Netherheaven, Voivod – Synchro Anarchy, Genesis – Selling England by the Pound, Morbid Angel – Illud Divinum Insanus and Lamb of God – Omens. A nice cross-section for every mood…
Do you sing in the shower?
No! It’s not that I am a bad singer, it’s that I am not a singer at all! I sing the demos for each record to give the real singer an idea of melody and phrasing. Past that, I would never make anyone suffer to hear me sing!!
If you could play at any venue in the world, where would you choose?
Being from Canada, I think playing Massey Hall in Toronto would be a dream fulfilled. Rush recorded All the World’s a Stage there in the 70’s and just walking through the doors is a mystical experience. I met the members of Opeth there on the Sorceress tour, what an experience!
Do you have a favourite album? If so, what is it?
I think Rush’s Moving Pictures is the best album of all time. It has every element of interest for a prog-minded listener, packaged into beautiful compositions of style and brevity (except maybe Camera Eye, which is beautiful but long!). I have listened to Moving Pictures 1,000 times and never get tired of it. Honourable mentions: Opeth – Blackwater Park; Tool – Lateralus; Ozzy – Diary of a Madman. There are so many more, but these come immediately to mind.
Do you have any guilty pleasure songs/albums?
For some reason, I like Of Monsters and Men. The female voice is so peculiar and hypnotic. I think they are from Iceland and the intonation is certainly somewhat alien. I find it very interesting!
If you were putting together the greatest show on earth, who would be playing?
Cool! Yes! Opeth, Tool, Lamb of God, Revocation and, of course, Voivod would open the show! I would like to say that The Wring would do a short set too… is that hubris? Probably.
Can you remember the first album you bought with your own money? What was it and do you still have it?
I remember buying 45s of Rush ‘Spirit of Radio’ and April Wine ‘I Like to Rock’ but I think the first full album I bought was Kiss ‘Dynasty’. I don’t have any of the original copies anymore, but I did replace them, even Dynasty. I know it was infamously their ‘disco’ album but there are some great songs on there; Ace was on fire. I have Rush’s complete catalogue on CD and on vinyl even though some of their later records were not very great.
As your fans will be reading this, is there any message you would like to send out to them?
First, I would say thanks! I am grateful to every single person who listens to my music. I am also grateful to publications like Metal Asylum that help get interesting things out to listeners. If you like prog music but not always the self-indulgence, The Wring is here to give you interesting riffs, thoughtful lyrics and many cool bits in 5-minute songs. You can rock out or geek out!
Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!
Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?
The beginnings of ATOMIS, as well as the origin of the name, may all have to remain a bit of a mystery, unfortunately, as I came into the group a bit after its inception. And even then, the guys really liked to keep everything pretty vague and secretive, and wouldn’t share exactly who was in the band, which meant no band photos for press, and all that.
After recording our debut album in 2014, several circumstances caused ATOMIS to dissolve into a solo project of our drummer Nathan Navetto until his unfortunate passing in 2020. He took the project to Vancouver, LA, Costa Rica, and really was a driving force of creativity. He was also a professional artist, and was hired by a heap of bands to design album art, layouts and T shirt designs.
After the fallout, I carried on with my postrock group Jung People and music lessons business Leroux Studios, Taylor (Guitar) relocated to Quebec with his family to eventually start the psych rock group “Solipsisme”, and Matt (Vocals, Guitar) spends every night pushing himself as a musician, crafting songs, producing. I’m really excited to hear what he does next!
Are you all from the same area? How did you get together as a band?
We all grew up in Calgary, Canada, and became musicians here. Nathan and Taylor played in Somastate together, and they were really getting traction, evening playing the Taste of Chaos tour in the late 00’s. At some point, they wanted a change, and wanted to get out of the mainstream a bit, and eventually linked up with Matt from Pure City, who was seeking the same. I was touring with Kobra and the Lotus, Jung People, and actually turned down Nate’s offer twice to join the band, but he wouldn’t take “no” for an answer, and I’m super thankful for that, as ATOMIS remains some of my proudest moments as a musician!
Who are your favourite artists/bands and how have they influenced your own sound?
I can tell you for sure that Nathan, Matt and Taylor all really loved Silverchair (specifically the album”Diorama”), as well as Radiohead, Neurosis and Tool. Other bands we collectively liked and pulled from were Isis, Godspeed You! Black Emperor, Mars Volta, Meshuggah, This Will Destroy You, and Oceansize.
Did you always have the ambition to be a musician and in a band or did you originally have other plans?
Always. For all of us, for certain, I feel I can speak on behalf of everyone that being a musician was and still is the goal. The first time I picked up a hockey stick and held it like a “guitar”, I was already making fictional band names.
What songs or albums are on your current playlist?
Lately, I’ve been listening to The Armed, Marcelle, GUSH, Sigil, and preparing for the new Dream Theater album, so sort of deep diving on the Portnoy-era albums.
Do you sing in the shower?
Exclusively, I sing songs from my highschool metal era. That means 3 Inches of Blood, Avenged Sevenfold, Himsa – the 00’s classics.
If you could play at any venue in the world where would you choose?
I’d have to choose Red Rocks Amphitheatre in Colorado. What an insanely beautiful place.
Do you have a favourite album? If so, what is it?
Nearly impossible to pick one, but I can say a “Perfect Album” that comes to mind is “Self Preserved While The Bodies Float Up” by Oceansize.
Do you have any guilty pleasure songs/albums?
2010s Nicki Minaj. But there’s no guilt, really! It’s like sugar.
If you were putting together the greatest show on earth, who would be playing?
If I could turn the clock back to 2013, and play an ATOMIS show again, that would truly be special. If I were to curate a three-package tour myself of active groups – I’d have to lean prog and go with Dream Theater, The Mars Volta, Oceansize (reunion).
Can you remember the first album you bought with your own money? What was it and do you still have it?
One hundred percent, it was “Life Is Peachy” by Korn. I do not have it, as I gave away all of my CDs to my guitar students over the years, or sold some off for my vinyl habit!
As your fans will be reading this, is there any message you would like to send out to them?
Thank you for your patience, and I hope you enjoy this long awaited release. 14 years is a long time, I know, but we’re happy to finally share everything!
Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!
Please find us on our new socials , and check out the new music videos!
Instagram: @atomis.official
Youtube: @atomisofficial
We, Metal Planet Media, would like to thank you for your time. Is there is anything further that you would like to add?
Hey, thanks so much for supporting Metal, and giving me the time to share!
This interview is the property of Metal Planet Media
Can you tell us about the origin of the band name, a history of the band and a little bit about the various members?
Our band name came from our original drummer AJ Rettger. Not sure exactly where he came up with it, but it was selected from a list of potential band names. We wanted to go with Pythonic for its ancient meaning of being oracle-like. This band came together in a very organic way with each member finding their way through mutual friends and bandmates. All members keep a rather chill vibe and stand strong for each other. We are like the 5 musketeers!
Are you all from the same area? How did you get together as a band?
All members and previous members of Pythonic are from the Saskatoon area. The band started back in 2016, singer Dustin answered a kijiji advertisement to guitar player Vincent who was seeking others to form a new metal band based in Saskatoon. We spent only a few months trying out other guitar players before we met Ryan who joined the band to be a perfect fit for lead guitars. On bass, we were joined by Alyxx Frayne who was a long time friend of Ryans’. Alyxx played with Pythonic for a number of years before moving to the big city, but played a huge role in us finding our sound. The band started with drummer AJ Rettger who played with us for a couple years, and later we had back to help engineer drums on this EP. After we let AJ go we spent many years searching for the right drummer, but did find this to be our greatest challenge. A few drummers stayed with us for a good amount of time and also played a huge role in making Pythonic what it is today. Honourable mentions to Carter, Tristan “The Destroyer” Mathiason and Jordan Gall! Jordan Gall was also a huge part of the EP being the recorded drummer and using his studio Powder Room Studios to record them. Fast forward to 2022, singer Dustin is holding down the bass and vocals, we are still writing new songs, but here we are in need of a drummer yet again. Out of nowhere, Ryan suggests we reach out to an old school mate named Jayden Warriner who has been drumming for many years and was actually interested in joining Pythonic before. The stars aligned and before we knew it, Jayden had joined in and learned all our songs quickly while adding his own flare to each track. As a bonus cherry on top, Jayden brought in his brother Morgan Warriner to take over on bass. Morgan also brings many years of experience in playing metal to the band and allowed for singer Dustin to focus on vocals and hone into the Pythonic sound that we have now spent 8 years perfecting.
Who are your favourite artists/bands and how have they influenced your own sound?
In Flames, Devildriver, Cannibal Corpse, Alice in Chains, Black Dahlia Murder, Rise Against, Morbid Angel, Wu Tang. Each member of Pythonic brings a unique and diverse influence to our sound. We have never tried to write in a specific way. Instead, we flow naturally with our approach and allow the music to come out with an instinctive and primitive feel. With our diverse blend of influences, we have been able to hone in on a sound unlike anything we have ever heard.
Did you always have the ambition to be a musician and in a band or did you originally have other plans?
Nope, each member of Pythonic has been a musician since they were young. It’s in our blood.
What songs or albums are on your current playlist?
ODB – Return to the 36 Chambers,
Do you sing in the shower?
Absolutely.
Do you have any plans for the band for this year and into next year?
Keep playing as many shows as possible including small tours, record our new songs, continue to write more new songs, launch a website, and create more deadly merch.
Do you currently have any new songs/albums ready to be released?
So many new songs to record. We have our work cut out for us.
If you could play at any venue in the world, where would you choose?
Blondies Lounge, Detroit.
Do you have a favourite album? If so, what is it?
Devildriver – S/T.
Do you have any guilty pleasure songs/albums?
Alannah Myles 1989 – Black Velvet
If you were putting together the greatest show on earth, who would be playing?
Local Saskatoon bands 😉
Can you remember the first album you bought with your own money? What was it and do you still have it?
Yes, Kris Kross – Totally Krossed Out and I do have the CD somewhere.
As your fans will be reading this, is there any message you would like to send out to them?
Don’t stop believing!
Finally, let us know all your social media sites so your fans, old and new, can find and follow/like you!
Easy to find; follow Pythonicband on insta, fb, youtube and any other platforms. We out there.
We, at Metal Planet Media, would like to thank you for your time. Is there anything further that you would like to add?
Music is the most important form of expression. If you are ever feeling down, create some music with whatever you can. Learn and grow to become the greatest person you can be. To hell with the haters, they can sit back and watch as you claw your way to the top!
This interview is the property of Metal Planet Media
I will be the first to admit that I didn’t know much about Whitechapel, apart from playing the odd track on my radio show, but when the opportunity came up to review their new album “Hymns in Dissonance” I knew I had to leap well out of my comfort zone and give it a whirl.
Released on 7th March 2025 on Metal Blade Records, “Hymns in Dissonance” is a 43-minute-long sonic onslaught that hints to the band’s past in terms of brutality and aggression. With the previous two albums being a bit more melodic, using lyrical themes of personal traumas and struggles, the return of the old logo has meant the reappearance of an older sound, albeit with the skillset and musicianship of a band fifteen years down the line!
The ten tracks follow the story of a cultist who is gathering people to join his cult, and the album, itself, is a representation of evil, with the tracks also being based around the seven deadly sins.
One of the standout features of this album is the songwriting ability, which is just phenomenal as it takes the dark fiction route and creates a genuine masterpiece in lyricism.
Formed in Knoxville, Tennessee in 2006, the band has kept its core members of Phil Bozeman on vocals, Ben Savage, Zach Householder and Alex Wade on guitars and Gabe Crisp on bass, who have all been playing together since 2007, with the addition of drummer Brandon Zackey in 2022, and, with this album, they have maintained their heavy sound, but one that is more technical than some of their earlier stuff.
The album opens with the track ‘Prisoner 666’, and this slowly builds in intensity and tension, before the listener is launched headfirst into the rest of the album, with absolutely no respite!
Combining death metal and metalcore with the blood-curdling sounds of black metal, this is deathcore at its finest, and creates a heavy, aggressive yet progressive sound with complex and intricate lead guitars, fast, crunching riffs and double kick drumming that is high energy and intense, and adds just a touch of extra groove to the album.
The layered guitar work incorporates soaring guitar melodies and intricacies as well as violent and brutal riffs that generate an awesome atmospheric vibe, but one that will also melt your face!
Phil’s vocals range from brutal death metal guttural growls to black metal screams and metalcore roars and, with such a span, you would be forgiven for thinking there was more than one vocalist. But, demonic and terrifying, his vocals are the perfect fit for the dark lyrical theme.
With so much going on in each song, this album really needs more than one listen through to hear all that it has to offer and, because of this, it may be a grower with some people rather than an instant hit, but anyone who is a fan of brutal, extreme death metal will absolutely love this!
Whitechapel, as older fans know Whitechapel, is back and nothing is going to stop their deathcore juggernaut!
Reigning Phoenix Music (RPM) is proud to announce the signing of one of the most influential and relentless forces in thrash metal: ONSLAUGHT! The UK-based band, known for their unwavering aggression and decades of iconic anthems, has joined forces with the exciting new label to embark on a thrilling new chapter in their storied career.
Founding guitarist and songwriter Nige Rockett states: “Signing with RPM is the start of an incredible new chapter for ONSLAUGHT. We’ve always pushed ourselves to create the most intense and aggressive music possible, and with RPM behind us, we’re taking things to a whole new level. ‘Origins Of Aggression’ is just the beginning—get ready for absolute carnage!”
Reigning Phoenix Music is equally excited about the new partnership: “ONSLAUGHT is a cornerstone of thrash metal history, and we are honoured to welcome them to the RPM family. Their legacy of pure aggression and unrelenting energy aligns perfectly with our vision, and we are eager to bring their music to new heights together.”
To kick off this promising new union, ONSLAUGHT will release a special double album titled Origins Of Aggression, celebrating not only the 40th anniversary of their debut album Power From Hell, but also the pivotal beginnings of the band and thrash metal itself. Set for release on May 23, 2025, the forthcoming offering will include a staggering 22 tracks, including re-recordings of the group’s most important and defining songs from their early years as well as a collection of punk and metal covers that deeply influenced ONSLAUGHT’s conception and development. The track list includes songs that were originally jammed during the band’s early rehearsals and served as a huge inspiration for the members to pick up their instruments and to create the ferocious music that has shaped them into legends.
ONSLAUGHT’s contribution to the thrash metal genre cannot be overstated: from their debut album Power From Hell (1985), which is being honoured with this new release, to their celebrated performances across the globe, they remain an untouchable force in the world of heavy metal. With over 40 years of history, the quintet has steadily continued to evolve, delivering relentless riffs and neck-breaking anthems, and cementing their place as pioneers of the British thrash scene.
Alongside Origins Of Aggression, fans can brace themselves for an electrifying preview of what’s ahead with the release of “Iron Fist”, ONSLAUGHT’s crushing take on the MOTÖRHEAD classic, which arrived on March 27.
The metal world can additionally look forward to their 2025 world tour, where the band will promote Origins Of Aggression and celebrate the 40th Power From Hell anniversary—including stops in Europe, the USA, Mexico, and Australia—and expect more exciting news in the near future. See you in the pit!
ONSLAUGHT live:
21.03.2025 US Houston, TX – Hell’s Heroes 19.04.2025 PT Odemira – Mira Fest
w/ TORANAGA LUXERA 24.04.2025 UK Aberdeen – Krakatoa 25.04.2025 UK Edinburgh – The Mash House 26.04.2025 UK Glasgow – Audio
w/ CRYPTOSIS 29.05.2025 DE Oldenburg – MTS Records 30.05.2025 DE Wittstock – Metal Power Open Air * 31.05.2025 DE Essen – Turock 01.06.2025 BE Diest – Hell 03.06.2025 FR Dijon – La Vapeur 04.06.2025 IT Paderno Dugnano (MI) – Slaughter Club 05.06.2025 IT Bologna – Alchemica Music Club 06.06.2025 AT Vienna – Escape Metalcorner 07.06.2025 DE Hauptmannsgrün – Chronical Moshers Open Air * 08.06.2025 AT Salzburg – Rockhouse 10.06.2025 DE Stuttgart – Schwarzer Keiler 11.06.2025 DE Aschaffenburg – Colos-Saal 12.06.2025 DE Leipzig – Hellraiser 13.06.2025 PL Byczyna – Black Silesia Open Air Festival * 14.06.2025 DE Selb – Rockclub Nordbayern * w/o CRYPTOSIS
26.07.2025 IT Bolotana – Rock and Bol Metal Fest 23.08.2025 FR Champtoceaux – Barbeuk Metal Fest 29.08.2025 GR Rethymno – Rethymno Rocks 08./09.11.2025 UK Manchester – Damnation Festival
14.11.2025 AU Perth – Rosemount Hotel 15.11.2025 AU Adelaide – Lion Arts Factory 19.11.2025 AU Canberra – The Baso 20.11.2025 AU Sydney – The Underground 21.11.2025 AU Brisbane – Soapbox Brewery 22.11.2025 AU Melbourne – Corner Hotel
Canadian power thrashers PHEAR have a new lyric video to reign in the “New World Error”. The track is off their second full-length album “Save Our Souls”, which was unleashed this past February from Golden Robot Records.
“New World Error” is a musical and lyrical statement on all the terrible atrocities going on in the world today.
“Humans are sometimes the plague of humanity.” adds the band.
Watch and listen to “New World Error” via its premiere on MetalAddcist:
Produced, mixed, and mastered by Jon Howard (Threat Signal), Phear‘s sophomore album “Save Our Souls” can be best described as their heaviest offering to date and follows the award-winning album “Instanitarium” (2019), and the critically acclaimed EP “The Curse Lives On” (2020).
Extremely passionate, and driven, along with their arena-caliber sound, PHEAR is always thinking of new ways to entertain its fans, and “Save Our Souls” is no exception. Mostly written during the dark times of COVID-19, the record has taken four years to complete. Led by Patrick Mulock and producer Jon Howard in the studio, each musician was pushed hard to get the best out of each of them and they delivered.
“We had a lot of time to craft these songs. We didn’t have any time restraints. We would go into the studio and do three songs at a time. We were very excited to work with Jon Howard (Threat Signal) again. Jon is the sixth member of Phear. The studio experience was great as we fed off each other’s ideas. We pushed each other to get the best performances we could. There are NO FILLERS here. Seven String guitars have played a big part in this. Our sound has grown. The bass guitar on this album is HUGE! The drumming from Mike Harshaw was also very aggressive. If you were to ask me now… This is the heaviest Phear has ever been… for now lol!” adds Mulock.
A listening experience of thrash, prog, and classic metal elements, PHEAR offers a strong balance from infectious choruses to melodic and growling vocals for true heavy metal nostalgia. Their two previous singles, the album’s title track and “Snake” are sure to make fans throw up their hail horns and headbang with a sore neck. Plus the band offers up their cover version of Nevermore‘s “Narcosynthesis”.
PHEAR features Patrick Mulock (Lead Vocals) (Eidolon, Rampage), Pat Rogers (Lead & Rhythm Guitars) (Profaner- 2016 Wacken Metal Battle Canada Champions), Alex Zubair (Lead & Rhythm Guitars) (Burn to Black, Nadar Sadek, Iomair, Nephelium), Andrew Suarez (Drums) (Fatality, The Slyde – 2023 Wacken Metal Battle Canada Champions) and Chris Boshis (Bass) (Conflicted).
Throughout their existence, PHEAR has had the honour of opening for German metal legend UDO DIRSCHNEIFER, THE DEAD DAISIES, and STRYPER, along with performing on a pre-show for icons and heroes IRON MAIDEN in 2019 in Toronto at Budweiser Stage.
Recommended for fans of Iron Maiden, Megadeth, Judas Priest, Dream Theater (prog elements), and Metallica, PHEAR‘s latest album “Save Our Souls”, released on February 13th, 2025, is available from Golden Robot Records at the following link (Spotify, Apple Music, Amazon) – https://orcd.co/save-our-souls
The wait is over! Vallorch returns on March 14, 2025, with their highly anticipated album, “The Circle,” which is the band’s most ambitious and immersive work to date. Building upon their folk and symphonic metal roots, the band refines its signature sound into a dynamic fusion of powerful riffs, enchanted melodies, and cinematic orchestration.
Following the release of the anthemic “Circle Of The Moon” and the raucous folk metal celebration “Drink Some More!”, “The Circle” delivers an even broader spectrum of emotions and soundscapes. The album revolves around the theme of the night, capturing its dual nature—a time for reflection and solitude but also revelry and connection. From grandiose symphonic arrangements to festive folk elements, each track immerses the listener in a journey through legends, emotions, and the band’s signature sonic landscapes.
Compared to their previous works, “Neverfade” (2013) and “Until Our Tale Is Told” (2017), Vallorch has evolved their songwriting, crafting an album that is tightly composed and emotionally resonant. The folk influences remain, but with an even more polished and cinematic touch, elevating their sound to new heights.
Fans of Nightwish, Eluveitie, Alestorm, Epica, and Wind Rose will find themselves drawn into Vallorch’s world, where folk traditions and symphonic metal collide in an unforgettable experience. With myth-inspired lyrics, powerful storytelling, and an undeniable passion for their craft, Vallorch cements their place as one of the most exciting acts in modern folk metal.
March 14 marks a new era for Vallorch. “The Circle” isn’t just an album—it’s an invitation to journey through the night, to embrace the contrasts of light and dark, and to lose yourself in the magic of Vallorch’s sound.
Prepare to step into “The Circle”!
VALLORCH was born in December 2010, when Marco Munari (NewSun), Matteo Patuelli (Alzhagoth), and Massimo Benetazzo came up with the idea right after attending a concert together. Inspired by the energy and spirit of the event, they decided to form their own band, and the name VALLORCH—taken from a small Cimbrian village on the Cansiglio plateau—was quickly chosen as a tribute to their cultural roots.
For the first year, VALLORCH experimented with different sounds and musicians, searching for the right lineup. By January 2012, the group solidified with the addition of vocalist/flutist Sara, vocalist/bassist Leonardo Dalla Via, multi-instrumentalist Andrea ‘Demetrio’ Rampin (playing tin whistle, bagpipes, accordion), and violinist Francesco Salviato. This seven-member ensemble debuted live in March 2012, promoting their newly released EP Stories of North. Their captivating blend of folk metal quickly gained traction, earning them recognition in the Italian scene and leading to performances at events like Fosch Fest, where they opened for major bands.
However, the summer of 2012 brought changes. Violinist Francesco parted ways with the band, and Martina Mezzalira took his place. Around the same time, VALLORCH signed a record deal with Moonlight Records and entered the studio to work on their first full-length album. Released in 2013, Neverfade was met with critical and fan acclaim, blending fast-paced, melodic jigs with guttural and clean vocals, alongside powerful death metal riffs. This success landed them performances at major international festivals like Metaldays.
2014 saw further lineup shifts. Andrea Demetrio Rampin left the band, replaced by Paolo Pesce on accordion, hurdy-gurdy, and keyboards. Meanwhile, vocalist Sara took over tin whistle and bagpipe duties. Founding member Matteo Patuelli also stepped down, making way for guitarist Mattia Buggin to join. Despite these changes, VALLORCH pressed forward, embarking on their first European tour with Artaius. They played in Germany, Czechia, France, Belgium, and Slovakia, culminating in a performance opening for Mägo de Oz at the Metal for Emergency festival.
Later that year, they returned to the studio to record their second full-length album, Until Our Tale Is Told (2015). The album reflected the band’s growing compositional maturity and led to more festival appearances and live shows over the next two years.
In 2016, Riccardo Gianni briefly joined the band as a violinist, performing at several major local festivals. However, by 2019, the band was once again at a crossroads. After a series of lineup changes and creative challenges, founding member Marco Munari decided to leave the group. The remaining members—Massimo, Sara, Leo, Mattia, and Marco—faced a difficult choice: either disband or evolve. They chose to reinvent themselves as a five-piece band.
The global restrictions from 2020 to 2022 made live performances difficult, but the band used this time to focus on writing new material. By 2023, VALLORCH returned to the stage, opening for renowned acts like Alestorm, Wind Rose, and Rhapsody Of Fire.
Now, in 2025, VALLORCH is set to release their highly anticipated new album, “The Circle”, marking a triumphant return. Reborn from the ashes of their former selves, they are ready to take the world by storm once again.
Metal Planet Media 