Heavy Metal Force AMBUSH Announce Boisterous New Album, “Evil In All Dimensions”, out September 5!

Get your denim and leather jackets ready for AMBUSH and their Napalm Records debut Evil In All Dimensions, out September 5, 2025! Marking the beginning of an exciting new chapter in their relentless quest for speed, AMBUSH captures the classic essence of heavy metal – championing the genre’s roots while setting a new benchmark for modern heavy music with their signature high octane vocals and riff driven anthems.

“Evil In All Dimensions”, the title track and first single, is an exhilarating 80s inspired heavy metal ripper refined with sleek, modern production. Taking listeners through a terrible nightmare that becomes reality, the song kicks off the record with thunderous drum fills by Linus Fritzson and powerful licks from guitar-virtuosos Karl Dotzek and Olof Engqvist. “Evil In All Dimension” arrives with a thunderous official music video and is now available on all streaming services worldwide, as well as a strictly limited 12” maxi single. To make this special collector’s item even more special, AMBUSH include a non-album track and a cover of Diamond Head’s “Canterbury” as a B-side.
 
The evil in this world can’t hide – AMBUSH will take care of it with relentless heavy metal power!
 
AMBUSH about the new single “Evil In All Dimensions”:
“Have you ever woken up in anguish from the fact that in your dream you did something terrible. 
Something so evil that – even if it was just a dream – you could not forgive yourself for even giving birth to such horror in your mind? What if you suddenly realize that your dream is reality?”
Watch the Official Music Video for “Evil In All Dimensions” HERE:

Evil in All Dimensions is undeniable proof of AMBUSH’s unwavering passion and talent for the genre. Now, with Napalm Records as their partner, they are primed to take the world by storm. AMBUSH wield an arsenal of of 80s metal prowess: with whipping drums, sharp guitars, and high-pitched vocals, “Come Angel of Night” explores themes of reconciliation when the damage seems irreversible, culminating in a soaring solo that highlights the band’s musical power. Bassist Oskar Andersson hypnotizes listeners with his infectious grooves in the brooding “The Night I Took Your Life”, while “Maskinovka” features an anthemic, standout performance from vocalist Oskar Jakobssons. The track’s mid-tempo groove personifies the difficulties of standing up for truth in a world shaped by manipulation. 
 
In addition to their undeniable talent to revive fast and glorious 80s headbangers, the Swedes also surprise with the gripping power ballad “I Fear the Blood”. A song to pump your fist to, vacillating between themes of escapism and self destruction, amidst the battle against one’s inner demons.  Founder Oskar Jakobssons screams his soul out in this heavy-hearted and honest masterpiece, which creates the perfect moment to wave your lighters in the air, passionately belting along.
 
AMBUSH about the album:
“We are stoked to unveil Evil In All Dimensions – our long awaited 4th album. For us the album feels like a new dawn where everything is possible and steel rules the world. We regard it as the proudest moment in our hellbent strive for Heavy Metal mastery, and we hope that you guys will appreciate it!”

LIK Unleashes “Deceased” Video

Swedish death metallers, LIK, today unleash their new video for “Deceased.” The track comes off their brilliantly brutal Necro full-length, released on April 18th via Metal Blade Records.

Within Necro‘s ten tracks, LIK – whose name translates to “corpse” in Swedish – has created a seamless album, diverse in tempo but without losing any of their blood-soaked intensity and relentless in-your-face-attitude listeners have come to expect. There are twists and turns that keep LIK on a progressive path without straying from their old-school trademark sounds inspired by the godfathers Dismember, At The Gates and, of course, Entombed.

Necro is the musical equivalent of a classic shock-horror movie that‘s drenched in blood and gore and packed with over-the-top extremities. Delve beyond the zombified cover art created by Stockholm-based tattooist and artist Jens Olsson (Ink Fanatics), LIK‘s Necro serves as a reminder of just how special and exciting the genre is: packed with blood-curdling fantasy stories about war, death, zombies, world apocalypse, and murder all stacked with disgustingly rotten riffs.

Lauds Metal Hammer Germany of the release, “…LIK tells us blood-soaked, imaginative stories peppered with everything good death metal needs: zombies, necrophilia, murder, death, war, and dystopian end-time scenarios that culminate in total decay. Necro sounds classic yet contemporary. Not dusty, rotten, or mothballed, but fresh, spicy, and deadly precise. Swedish death metal as it couldn’t be more Swedish.” Dead Rhetoric champions the band‘s “finest album to date,” adding, “It‘s utterly abrasive, yet it never blurs together due to the way they can weave in melodies in just the right proportions. Necro is an absolute winner for anyone seeking death metal done right,” while Metal Temple crowns Necro “the Swedish death metal album of the year,” further noting, “It captures the spirit of the genre with flawless execution, proving that LIK stands at the top of the modern scene.”

Comments vocalist/guitarist Tomas Åkvik on “Deceased,” “This is the opening track of the album and it’s a total Entombed homage. It has everything from mid-tempo to skank beats. Lyric-wise, it‘s about a guy who tries to come back from the dead to avenge his death. “

Watch LIK‘s “Deceased” video HERE:

Necro was recorded at NBS Studio (AKA Necromorbus Studio) in Söderfors, two hours from the band‘s home city. Once again using uber-producer Lawrence Mackrory (Meshuggah, Katatonia, High Parasite, Decapitated), all music was recorded live over a three-day period, before Åkvik headed to Uppsala to record his vocals at Mackrory‘s Rorysound Studios. Mackrory has worked with LIK since their 2015 debut Mass Funeral Evocation and throughout their Metal Blade Records‘ career that started with 2018‘s Carnage. It‘s clear upon first listen that with Necro, the quartet have produced some of the best work of their decade-plus long career.
Necro features guest appearances by Linnea Landstedt (Tyranex, Ice Age), Nick Holmes (Paradise Lost, Bloodbath), and Lawrence Mackrory (F.K.Ü.).

ANUBIS RETURN WITH “LEPER LORD”New Video Online Now From Next Month’s EP Release

Los Angeles Power Thrashers ANUBIS drop a new song “Leper Lord” today in the form of a new lyric video, designed by Scott Rudd. Watch HERE:

The song is one of three new tracks that will be found on their forthcoming EP, ‘The Puppeteers,’ out May 16th, exclusively digital. Pre-Save now HERE https://lnk.to/thepuppeteers

“So, why, after releasing our debut full-length album, did we decide to go back to digital EP format?” questions singer Devin Reiche. “Well, several months ago, we decided to bump up our go-to live growler for songs like “Devour” and “Strife,” Hanna Preston, to a full-time member, and fully commit to a dual clean/harsh vocal approach. This was a pretty big decision, and one that will inevitably result in a shift towards a heavier sound.

“The problem is, at the time, we had just finished our second album, which obviously reflects our previous tone and songwriting approach. So, rather than committing to a full album cycle’s worth of gigging for material that was not written with the current lineup in mind, we decided to take the three songs most reminiscent of our heretofore traditional sound—thrash-infused power metal—and release them as a their own EP as a ‘send-off’ to the classic sound, thereby opening up space on the second album for some material reflecting the more updated version of ANUBIS.”

“This EP marks the end of an era for us—a swansong that closes one chapter with fire before we dive into darker, heavier waters,” explains bassist Will Buckley. “These songs showcase the final form of the sound that built ‘Dark Paradise.’”

Fans of melodic, high speed, power metal take note on “Leper Lord” and the impending EP, ‘The Puppeteers.’ It serves as not only a continuation of the sound found on ANUBIS’ remarkable ‘Dark Paradise’ album, but also as a stop-gap as the quintet continues to play shows all over Southern California, including recent plays supporting Warbringer, Delain, Xandria and Dreadlands.

ANUBIS singer Devin Reiche may be a familiar name to fans of thrash and underground metal as he’s also the bassist in Bay Area thrashers Hatchet, but Devin actually lives in L.A. and power metal has always been his first love and calling. Working diligently Devin has developed his vocal abilities and become quite the commanding frontman.

Joining Devin in ANUBIS are guitarists Eleazar Llerenas (Delusional Fate) and bassist Will Buckley (Hydera) plus new members drummer Kenny Ravage (Black Mercy Riffs), guitarist Chase McGuckin (Demiser, Black Eucharist) and singer Hanna Preston – all musicians who’ve been cutting their teeth in the L.A. music scene. Watch for ANUBIS’ next full length in late 2025.

CELESTIAL SANCTUARY “Choking On The Rotten Seed” Video

UK death metal goliaths CELESTIAL SANCTUARY are pleased to present their video for “Choking On The Rotten Seed.” The track comes off the band‘s critically adored Visions Of Stagnant Blood EP, recently reissued by Metal Blade Records.

Comments vocalist/guitarist Thomas Cronin, “The idea behind the video was to introduce ourselves and what we’re about to people who haven’t heard our band yet, and there’s a lot of people out there who haven’t got a fucking clue who we are.

“Stylistically, we really just wanted to capture that essence and feeling of discovering your new favorite band on Headbangers Ball at 2:00am. We’re not trying to recreate any particular video or look like we’re of another era, but those videos that have stuck with us are mostly just the bands walking around the town they’re from, playing in some skanky little room or live footage of them doing their thing. Too many bands get caught in the trap of trying to create some fuckin’ viral moment or having something super polished and sleek. I have a career as a music video producer, so we could have easily gone and done something like that straight outta the gate. But we’re just not about that; our music is hard enough as it is, and we have the attitude to go with it. So why not let that shine for now?

“The history of the area we hail from was a big influence on the lyrical content on this release,” he continues, “so for the exterior shots, we didn’t just choose the coolest looking spots; each of them has a significant historical and gory importance… There‘s the ruins of the Abbey of St. Edmunds (now Abbey Gardens): During a big battle in East Anglia, King Edmund was pelted with loads of arrows and then beheaded and discarded in the woods like a rotten sack of meat. Legend has it that his body was found being guarded by a wolf. Then there was The Abbey Precinct/Graveyard, which is where a ton of executions took place throughout the years, where thousands of people would come to watch for entertainment, most notably the execution of William Corder who was guilty of the ‘Red Barn Murders.’  It’s also where the executions — or should I say murders — of the witches captured by Matthew Hopkins, ‘Witchfinder General’ took place. And then there‘s the last one, Skinner Street. Basically, this is the street where the butchers in the area were based. They’d dump all the ‘unused’ blood out onto the street, which has a bit of an incline, so the blood would flow down this cobbled street and pool at the bottom in the town’s jewelry quarter. So, there’s stories of people wading through stagnant blood and having to put up with the smell of rotten entrails. Half of us grew up in this town, and it’s always just seemed so normal to us – all this gory shit that’s happened over the years.”

Watch CELESTIAL SANCTUARY‘s “Choking On The Rotten Seed” video HERE

CELESTIAL SANCTUARY‘s Visions Of Stagnant Blood EP was initially released independently in 2024. Distorted Sound called it “powerful, imposing, gory,” Metal Forces lauded a full on “bludgeoning riddled with archaic and primitive slickness and sickness,” while Noobheavy hailed “big, filthy death metal with riffs for days.”